Psychopompos
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Psychopompos
Psychopomps (from the Greek word , , literally meaning the 'guide of souls') are supernatural creatures, spirits, entities, angels, demons or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to guide them. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, vultures, owls, sparrows, and cuckoos. In the case of birds, these are often seen in huge masses, waiting outside the home of the dying. Overview Ancient religion Classical examples of a psychopomp are the ancient Egyptian god Anubis, the deity Yama in Hinduism, the Greek ferryman Charon, the goddess Hecate, and god Hermes, the Roman god Mercury, the Norse Valkyries, the Aztec Xolotl, Slavic Morana and the Etruscan Vanth. Modern religion Heibai Wuchang, literally "Bla ...
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Hermes
Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. Hermes is regarded as "the divine trickster," about which the '' Homeric Hymn to Hermes'' offers the most well-known account. His attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol ...
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Valkyrie
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several Old E ...
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Moksha
''Moksha'' (; sa, मोक्ष, '), also called ''vimoksha'', ''vimukti'' and ''mukti'', is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, enlightenment, liberation, and release. In its soteriology, soteriological and eschatology, eschatological senses, it refers to freedom from ''saṃsāra'', the cycle of death and Reincarnation, rebirth. In its epistemology, epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims being ''dharma'' (virtuous, proper, moral life), ''artha'' (material prosperity, income security, means of life), and ''kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchange ...
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Tarakeshwara
Tarakeshwara or Tarakeshvara ( sa, तारकेश्वर, ''Tārakeśvara''; Hindi: ''Tārkeśvar'') is a form of the Hindu god Shiva in his role as a psychopomp, a ferryman or deliverer of the soul into freedom from rebirth (''moksha''). __NOTOC__ Temples * Manikarnika Ghat, Benares * Hangal, Karnataka * Taraknath Temple, West Bengal The temples are connected to the "Taraka", the "ferryboat mantra" or "mantra of the crossing" believed to guide the spirit of the dying to ''moksha''. One Shivite form of the prayer is ''Om Sri Rama Jaya Rama Jaya Jaya Rama'' ("'' Om'', Victory to God with his ''shakti'', victory, victory to God"), supposedly taught by Shiva to his wife Parvati. Another is ''Rām-Rāmāya Namaḥ'', taught by Yajnavalkya to Bharadvaja in the Ramottaratapaniya Upanishad. Supposedly, one dying in the temple at Benares hears Shiva himself reciting one of these mantras. See also * Shaivism * Moksha ''Moksha'' (; sa, मोक्ष, '), also called ''v ...
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Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ...
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Shinigami
() are kami (spirits) that invite humans toward death, according to Japanese religion and culture. have been described as monsters, helpers, and creatures of darkness. are used for tales and religions in Japanese culture. Japanese religion In Buddhism, there is the Mara that is concerned with death, the Mrtyu-mara. It is a demon that makes humans want to die, and it is said that upon being possessed by it, in a shock, one should suddenly want to die by suicide, so it is sometimes explained to be a . Also, in the Yogacarabhumi-sastra, a writing on Yogacara, a demon decided the time of people's deaths. Yama, the king of the Underworld, as well as such as the Ox-Head and Horse-Face are also considered a type of . In Shinto and Japanese mythology, Izanami gave humans death, so Izanami is sometimes seen as a . However, Izanami and Yama are also thought to be different from the death gods in Western mythology. Some forms of Buddhism do not involve believing in any deities, so ...
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Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless ''kami'' (Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the ''Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese deities from ...
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Chinese Folk Religion
Chinese folk religion, also known as Chinese popular religion comprehends a range of traditional religious practices of Han Chinese, including the Chinese diaspora. Vivienne Wee described it as "an empty bowl, which can variously be filled with the contents of institutionalised religions such as Buddhism, Taoism, Confucianism, the Chinese syncretic religions". This includes the veneration of ''shen'' (spirits) and ancestors, exorcism of demonic forces, and a belief in the rational order of nature, balance in the universe and reality that can be influenced by human beings and their rulers, as well as spirits and gods. Worship is devoted to gods and immortals, who can be deities of places or natural phenomena, of human behaviour, or founders of family lineages. Stories of these gods are collected into the body of Chinese mythology. By the Song dynasty (960-1279), these practices had been blended with Buddhist doctrines and Taoist teachings to form the popular religious sy ...
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Heibai Wuchang
The Heibai Wuchang, or Hak Bak Mo Seong, literally "Black and White Impermanence", are two Deities in Chinese folk religion in charge of escorting the spirits of the dead to the Youdu, underworld. As their names suggest, they are dressed in black and white respectively. They are subordinates of Yanluo Wang, the Supreme Judge of the Underworld in Chinese mythology, alongside the Ox-Head and Horse-Face, Ox-Headed and Horse-Faced Hell Guards. They are worshiped as fortune deities and are also worshiped in City God (China), Cheng Huang Temples in some countries. In some instances, the Heibai Wuchang are represented as a single being – instead of two separate beings – known as the Wuchang Gui (also romanised ''Wu-ch'ang Kuei''), literally "Ghost of Impermanence". Depending on the person it encounters, the Wuchang Gui can appear as either a fortune deity who rewards the person for doing good deeds or a malevolent deity who punishes the person for committing evil. Alternative n ...
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Vanth
Vanth is a chthonic figure in Etruscan mythology shown in a variety of forms of funerary art, such as in tomb paintings and on sarcophagi. Vanth is a female demon in the Etruscan underworld that is often accompanied either by additional Vanth figures or by another underworld demon, Charun (later referred to as ''Charu''). Both Vanth and Charun are only seen in iconography beginning c. 400 BC, in the middle period of Etruscan art, although some earlier inscriptions mention her name. Vanth has no direct counterpart in Greek mythology, and is very frequently, but not always, seen winged. Although Vanth has no real Greek counterpart, she has been compared to the Greek Furies, the Erinyes, especially in older publications. This is an unlikely association since she is almost always shown in Etruscan iconography to be a benevolent guide, not an avenging spirit, which the Furies often represent. Her other attributes include the possession of a torch, key, or scroll, and she is shown o ...
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Etruscan Religion
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and Religion in ancient Rome, religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, d ...
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