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Proto-progressive
Proto-prog (short for proto-progressive) is the earliest work associated with the first wave of progressive rock music, known then as "progressive pop". Such musicians were influenced by modern classical and other genres usually outside of traditional rock influences. They often employed longer and more complicated compositions, interconnected songs as medley, and studio composition. Some of the artists that were essential to the development of progressive rock, rather than just anticipating the movement, include the Beatles, the Beach Boys, the Doors, the Pretty Things, the Zombies, the Byrds, the Grateful Dead and Pink Floyd. Definition Although a unidirectional English "progressive" style emerged in the late 1960s, by 1967, progressive rock had come to constitute a diversity of loosely associated style codes. When the "progressive" label arrived, the music was dubbed "progressive pop" before it was called "progressive rock", with the term "progressive" referring to the wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-prog
Proto-prog (short for proto-progressive) is the earliest work associated with the first wave of progressive rock music, known then as " progressive pop". Such musicians were influenced by modern classical and other genres usually outside of traditional rock influences. They often employed longer and more complicated compositions, interconnected songs as medley, and studio composition. Some of the artists that were essential to the development of progressive rock, rather than just anticipating the movement, include the Beatles, the Beach Boys, the Doors, the Pretty Things, the Zombies, the Byrds, the Grateful Dead and Pink Floyd. Definition Although a unidirectional English "progressive" style emerged in the late 1960s, by 1967, progressive rock had come to constitute a diversity of loosely associated style codes. When the "progressive" label arrived, the music was dubbed " progressive pop" before it was called "progressive rock", with the term "progressive" referring to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Music
Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to advancements through accumulation, and is often deployed in the context of distinct genres, with progressive rock being the most notable example. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry. As an art theory, the progressive approach falls between formalism and eclecticism. "Formalism" refers to a preoccupation with established external compositional systems, structural unity, and the autonomy of individual art works. Like formalism, "eclecticism" connotes a predilection toward style synthesis or inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Music Genres
Progressive may refer to: Politics * Progressivism, a political philosophy in support of social reform ** Progressivism in the United States, the political philosophy in the American context * Progressive realism, an American foreign policy paradigm focused on producing measurable results in pursuit of widely supported goals Political organizations * Congressional Progressive Caucus, members within the Democratic Party in the United States Congress dedicated to the advancement of progressive issues and positions * Progressive Alliance (other) * Progressive Conservative (other) * Progressive Party (other) * Progressive Unionist (other) Other uses in politics * Progressive Era, a period of reform in the United States (c. 1890–1930) * Progressive tax, a type of tax rate structure Arts, entertainment, and media Music * Progressive music, a type of music that expands stylistic boundaries outwards * Progressive (song), "Progressive" (son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procol Harum
Procol Harum () were an English rock music, rock band formed in Southend-on-Sea, Essex in 1967. Their best-known recording is the 1967 hit single "A Whiter Shade of Pale", one of the few singles to have List of best-selling singles, sold over 10 million copies. Although noted for their baroque music, baroque and classical music, classical influence, Procol Harum's music is described as psychedelic rock and proto-prog with hints of the blues, Rhythm and Blues, R&B, and Soul music, soul. In 2018 the band was honoured by the Rock and Roll Hall of Fame when "A Whiter Shade of Pale" was inducted into the new Singles category. History Formation In 1966, after Southend-on-Sea-based group The Paramounts were unable to generate any follow-up success with their UK top 40 single "Poison Ivy (song), Poison Ivy", the group disbanded. Their frontman Gary Brooker decided to retire from performing and focus on songwriting, and his old friend Guy Stevens introduced him to lyricist Keith R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Court Of The Crimson King
''In the Court of the Crimson King'' (subtitled ''An Observation by King Crimson'') is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music. The album reached number five on the UK Albums Chart and number 28 on the US ''Billboard'' 200, where it was certified Gold by the Recording Industry Association of America. Production Composition The song "I Talk to the Wind" was written for King Crimson predecessor group Giles, Giles and Fripp (the only song on the album for which this was the case), but was retained by King Crimson in order to show the group's soft side. According to lyricist Peter Sinfield, the song was influenced by Joni Mitchell; in a 1997 interview, he said it is still his favourite lyric that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Crimson
King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following. Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, '' In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moody Blues
The Moody Blues were an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge and bassist Clint Warwick. The group came to prominence playing rhythm and blues. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. Edge was the group’s sole continuous member throughout their entire history. Their second album, ''Days of Future Passed'', which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The group toured extensively through the early 1970s, then took an extended hiatus from 1974 until 1977. Founder Mike Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nice
The Nice were an English progressive rock band active in the late 1960s. They blended rock, jazz and classical music and were keyboardist Keith Emerson's first commercially successful band. The group was formed in 1967 by Emerson, Lee Jackson, David O'List and Ian Hague to back soul singer P. P. Arnold. After replacing Hague with Brian Davison, the group set out on their own, quickly developing a strong live following. The group's stage performances featured Emerson's Hammond organ showmanship and abuse of the instrument. Their compositions included radical rearrangements of classical music themes and Bob Dylan songs. The band achieved commercial success with an instrumental rearrangement of Leonard Bernstein's "America", following which O'List left the group. The remaining members carried on as a trio, releasing several albums, before Emerson decided to leave the band in early 1970 in order to form Emerson, Lake & Palmer. The group briefly reformed in 2002 for a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States Of America (band)
The United States of America was an American experimental rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release. The group’s sound was grounded in both psychedelia and the avant-garde. Unusually, the band had no guitar player; instead, they used strings, keyboards and electronics, including primitive synthesizers, and various audio processors, including the ring modulator. Many of the songs' lyrics reflected Byrd's leftist political views. AllMusic described them as "among the most revolutionary bands of the late '60s." History Background and formation Composer Joseph Byrd, and lyricist and singer Dorothy Moskowitz, first met in New York Cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soft Machine
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge (keyboards, 1966–1976), Robert Wyatt (drums, vocals, 1966–1971), Kevin Ayers (bass, guitar, vocals, 1966–1968) and Daevid Allen (guitar, 1966–1967). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Their varying line-ups have included former members such as Andy Summers (guitar, 1968), Hugh Hopper (bass, 1968–1973), Elton Dean (saxophone 1969–1972), Karl Jenkins (keyboards, saxophone, 1972–1978, 1980–1981, 1984) and Allan Holdsworth (guitar, 1973–1975), and currently consists of John Marshall (drums, 1972–1978, 1980–1981, 1984 and since 2015), John Etheridge (guitar, 1975–1978, 1984 and since 2015), Theo Travis (saxophone, flutes, keyboards since 2015), and Fred Thelonious Baker (bass since 2020). Though they achieved little commercial success, the Soft Machi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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