Prostitution In Ancient Rome
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Prostitution In Ancient Rome
Prostitution in ancient Rome was legal and licensed. In ancient Rome, even Roman men of the highest social status were free to engage prostitutes of either sex without incurring moral disapproval, as long as they demonstrated self-control and moderation in the frequency and enjoyment of sex. Brothels were considered a popular place of entertainment for Roman men, and it was undoubtedly a part of the culture of ancient Rome. At the same time, the prostitutes themselves were considered shameful: most were either slaves or former slaves, or if free by birth relegated to the ''infames'', people utterly lacking in social standing and deprived of most protections accorded to citizens under Roman law, a status they shared with actors and gladiators, all of whom, however, exerted sexual allure. Some large brothels in the 4th century, when Rome was becoming officially Christianized, seem to have been counted as tourist attractions and were possibly state-owned. There were two types of sex ...
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Pompeii - Lupanar - Erotic Scene - MAN
Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Villa Boscoreale, Boscoreale, Stabiae), was buried under of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offered a unique snapshot of Culture of ancient Rome, Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found ...
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Valerius Maximus
Valerius Maximus () was a 1st-century Latin writer and author of a collection of historical anecdotes: ''Factorum ac dictorum memorabilium libri IX'' ("Nine books of memorable deeds and sayings", also known as ''De factis dictisque memorabilibus'' or ''Facta et dicta memorabilia''). He worked during the reign of Tiberius (14 AD to 37 AD). During the Middle Ages, Valerius Maximus was one of the most copied Latin prose authors, second only to Priscian. More than 600 medieval manuscripts of his books have survived as a result.Briscoe, ''Valerius Maximus'', p. 15. Biography Nothing is known of his life except that his family was poor and undistinguished, and that he owed everything to Sextus Pompeius (consul AD 14), proconsul of Asia, whom he accompanied to the East in 27. Pompeius was the center of a literary circle to which Ovid belonged; he was also an intimate friend of the most literary prince of the imperial family, Germanicus. Although he shared the same name as a prestigious ...
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Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ...
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Catullus
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "Lesbia", who is widely believed to have been the Roma ...
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Ancient Greek Comedy
Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes; Middle Comedy is largely lost, i.e. preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; and New Comedy is known primarily from the substantial papyrus fragments of Menander. The philosopher Aristotle wrote in his ''Poetics'' (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world. Periods The Alexandrine grammarians, and most likely Aristophanes of Byzantium in particular, seem to have been the first to d ...
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Roman Comedy
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ...
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Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ...
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Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ...
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Call Girl
A call girl or female escort is a sex worker who (unlike a street walker) does not display her profession to the general public, nor does she usually work in an institution like a brothel, although she may be employed by an escort agency."Is the number of trafficked call girls a myth?"
. (9 January 2009)
The client must make an appointment, usually by calling a . Call girls often advertise their services in small ads in magazines and via the Internet, although an intermediary advertiser, such as an escort agency, may be involved in prom ...
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