Prefix (acoustics)
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Prefix (acoustics)
In acoustics, the prefix of a sound is an initial phase, the onset of a sound quite dissimilar to the ensuing lasting vibration. The term was coined by J. F. Schouten (1968, 42), who called it one of ''at least five major acoustic parameters'' that determine the ''elusive attributes of timbre''. See also * Onset (audio) * Timbre#Attributes * Synthesizer#ADSR envelope * Transient (acoustics) In acoustics and audio, a transient is a high amplitude, short-duration sound at the beginning of a waveform that occurs in phenomena such as musical sounds, noises or speech. Transients do not necessarily directly depend on the frequency of the to ... References * Schouten, J. F. (1968). "The Perception of Timbre". In ''Reports of the 6th International Congress on Acoustics, Tokyo, GP-6-2'', 6 vols., edited by Y. Kohasi, 6:35–44, 90. Tokyo: Maruzen; Amsterdam: Elsevier. Acoustics {{music-stub ...
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Acoustics
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an Acoustical engineering, acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries. Hearing (sense), Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Vibration
Vibration is a mechanical phenomenon whereby oscillations occur about an equilibrium point. The word comes from Latin ''vibrationem'' ("shaking, brandishing"). The oscillations may be periodic function, periodic, such as the motion of a pendulum—or random, such as the movement of a tire on a gravel road. Vibration can be desirable: for example, the motion of a tuning fork, the Reed (music), reed in a woodwind instrument or harmonica, a mobile phone, or the cone of a loudspeaker. In many cases, however, vibration is undesirable, wasting energy and creating unwanted sound. For example, the vibrational motions of engines, electric motors, or any Machine, mechanical device in operation are typically unwanted. Such vibrations could be caused by Engine balance, imbalances in the rotating parts, uneven friction, or the meshing of gear teeth. Careful designs usually minimize unwanted vibrations. The studies of sound and vibration are closely related. Sound, or pressure waves, are ge ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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Onset (audio)
Onset refers to the beginning of a musical note or other sound. It is related to (but different from) the concept of a transient: all musical notes have an onset, but do not necessarily include an initial transient. Onset detection In signal processing, onset detection is an active research area. For example, the MIREX annual competition features aAudio Onset Detection contest Approaches to onset detection can operate in the time domain, frequency domain, phase domain, or complex domain, and include looking for: * Increases in spectral energy * Changes in spectral energy distribution (spectral flux) or phase * Changes in detected pitch - e.g. using a polyphonic pitch detection algorithm * Spectral patterns recognisable by machine learning techniques such as neural networks. Simpler techniques such as detecting increases in time-domain amplitude can typically lead to an unsatisfactorily high amount of false positives or false negatives. The aim is often to judge onsets similar ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Transient (acoustics)
In acoustics and audio, a transient is a high amplitude, short-duration sound at the beginning of a waveform that occurs in phenomena such as musical sounds, noises or speech. Transients do not necessarily directly depend on the frequency of the tone they initiate. It contains a high degree of non-periodic components and a higher magnitude of high frequencies than the harmonic content of that sound. Transients are more difficult to encode with many audio compression algorithms, causing pre-echo. Sonar The term ''transient'' is used by military sonar operators to describe unexpected sounds emanating from another vessel such as operating machinery, a metal hatch being slammed, or the flooding and pressurization of torpedo or vertical launch tubes. See also * Prefix (acoustics) * Impulse function * Onset (audio) * Transient response In electrical engineering and mechanical engineering, a transient response is the response of a system to a change from an equilibrium or a stea ...
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