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Post-expressionist
Post-expressionism is a term coined by the German art critic Franz Roh to describe a variety of movements in the post-war art world which were influenced by expressionism but defined themselves through rejecting its aesthetic. Roh first used the term in an essay in 1925, "Magic Realism: Post-Expressionism", to contrast to Gustav Friedrich Hartlaub's " New Objectivity", which more narrowly characterized these developments within German art. Though Roh saw "post-expressionism" and " magic realism" as synonymous, later critics characterized distinctions between magic realism and other artists initially identified by Hartlaub and have also pointed out other artists in Europe who had different stylistic tendencies but were working within the same trend. Background Leading up to World War I, much of the art world was under the influence of Futurism and Expressionism. Both movements abandoned any sense of order or commitment to objectivity or tradition. The sentiment of Futurists was most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Roh
Franz Roh (21 February 1890 – 30 December 1965), was a German historian, photographer, and art critic. Roh is perhaps best known for his 1925 book ''Nach-Expressionismus: Magischer Realismus: Probleme der neuesten europäischen Malerei'' ("Post-expressionism: Magical Realism: Problems of the newest European painting") he coined the term '' magic realism''. Roh was born in Apolda (in present-day Thuringia), Germany. He studied at universities in Leipzig, Berlin, and Basel. In 1920, he received his Ph.D. in Munich for a work on Dutch paintings of the 17th century. As a photographer and critic, he absolutely hated photographs that mimicked painting, charcoal, or drawings. During the Nazi regime, he was isolated and briefly put in jail for his book Foto-Auge (Photo-Eye); he used his jail time he used to write the book ''Der Verkannte Künstler: Geschichte und Theorie des kulturellen Mißverstehens'' ("The unrecognized artist: history and theory of cultural misunderstanding"). After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Objectivity
The New Objectivity (in german: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the ''Kunsthalle'' in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Critic
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not an institutionalized training for art critics (with only few exceptions); art critics come from different backgrounds and they may or may not be university trained. Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. Very rarely art critics earn their living from writing criticism. The opinions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Casorati
Felice Casorati (December 4, 1883 – March 1, 1963) was an Italian painter, sculptor, and printmaker. The paintings for which he is most noted include figure compositions, portraits and still lifes, which are often distinguished by unusual perspective effects. Life and work Casorati was born in Novara. He showed an early passion for music, but abandoned his study of piano after a serious illness, and became interested in art. To please his mother he studied law at the University of Padua until 1906, but his ambition to be a painter was confirmed in 1907 when a painting of his was shown in the Venice Biennale. The works he produced in the early years of his career were naturalistic in style, but after 1910 the influence of the symbolists and particularly of Gustav Klimt turned him toward a more visionary approach. In 1915 he had a solo exhibition at the Rome Secession III, where he showed several paintings and the first of his sculptures in varnished terracotta. His mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
