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Plot Holes
In fiction, a plot hole, plothole or plot error is a gap or inconsistency in a storyline that goes against the flow of logic established by the story's plot. Plot holes are usually created unintentionally, often as a result of editing or the writers simply forgetting that a new event would contradict previous events. However, the term is also frequently applied incorrectly—for example, a character intentionally written to take irrational action would not constitute a plot hole, nor would "loose ends" or unexplained aspects of the story. Types Types of plot hole include: ;Factual errors: Historical anachronisms, or incorrect statements about the world. ;Impossible events: Something that defies the laws of science, as established for the story's setting. ;Out-of-character behavior: A character acting in a way that, based on their understanding of the options available to them, they would not realistically choose. ; Continuity errors: Events in the story which contradict those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consistency
In classical deductive logic, a consistent theory is one that does not lead to a logical contradiction. The lack of contradiction can be defined in either semantic or syntactic terms. The semantic definition states that a theory is consistent if it has a model, i.e., there exists an interpretation under which all formulas in the theory are true. This is the sense used in traditional Aristotelian logic, although in contemporary mathematical logic the term ''satisfiable'' is used instead. The syntactic definition states a theory T is consistent if there is no formula \varphi such that both \varphi and its negation \lnot\varphi are elements of the set of consequences of T. Let A be a set of closed sentences (informally "axioms") and \langle A\rangle the set of closed sentences provable from A under some (specified, possibly implicitly) formal deductive system. The set of axioms A is consistent when \varphi, \lnot \varphi \in \langle A \rangle for no formula \varphi. If there e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Return Of The King
''The Return of the King'' is the third and final volume of J. R. R. Tolkien's ''The Lord of the Rings'', following ''The Fellowship of the Ring'' and ''The Two Towers''. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron. Title and publication Tolkien conceived of ''The Lord of the Rings'' as a single work comprising six "books" plus extensive appendices. In 1953, he proposed titles for the six books to his publisher, Rayner Unwin; Book Five was to be ''The War of the Ring'', while Book Six was to be ''The End of the Third Age''. These titles were eventually used in the (2000) ''Millennium edition''. Rayner Unwin however split the work into three volumes, publishing the fifth and sixth books with the appendices into the final volume with the title ''The Return of the King''. Tolkien felt the chosen title revealed too much of the story, and indicated that he preferred ''The War of the Ring'' as a title for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Errors
In fiction, continuity is a consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production. It usually regards factors both within the scene and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retroactive Continuity
Retroactive continuity, or retcon for short, is a literary device in which established diegetic facts in the plot of a fictional work (those established through the narrative itself) are adjusted, ignored, supplemented, or contradicted by a subsequently published work which recontextualizes or breaks continuity with the former. There are various motivations for applying retroactive continuity, including: * To accommodate desired aspects of sequels or derivative works which would otherwise be ruled out. * To respond to negative fan reception of previous stories. * To correct and overcome errors or problems identified in the prior work since its publication. * To change or clarify how the prior work should be interpreted. * To match reality, when assumptions or projections of the future are later proven wrong. Retcons are used by authors to increase their creative freedom, on the assumption that the changes are unimportant to the audience compared to the new story which can be tol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity (fiction)
In fiction, continuity is a consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production. It usually regards factors both within the scene and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiot Plot
In literary criticism, an idiot plot is one which is "kept in motion solely by virtue of the fact that everybody involved is an idiot", and where the story would quickly end, or possibly not even happen, if this were not the case. It is a narrative where its conflict comes from characters not recognizing, or not being told, key information that would resolve the conflict, often because of plot contrivance. The only thing that prevents the conflict's resolution is the character's constant avoidance or obliviousness of it throughout the plot, even if it was already obvious to the viewer, so the characters are all "idiots" in that they are too obtuse to simply resolve the conflict immediately. Science fiction writer and critic Damon Knight, in his 1956 collection ''In Search of Wonder'', says that the term may have originated with author James Blish. Knight went on to coin the term second-order idiot plot as a narrative "in which not merely the principals, but everybody in the whole so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screen Rant
''Screen Rant'' is an entertainment website that offers news in the fields of television, films, video games, and film theories. ''Screen Rant'' was launched by Vic Holtreman in 2003, and originally had its primary office in Ogden, Utah. ''Screen Rant'' has expanded its coverage with red-carpet events in Los Angeles, New York film festivals and San Diego Comic-Con panels. The associated YouTube channel was created on August 18, 2008, and has over 8.36 million subscribers and over 4,000 videos. In February 2015, ''Screen Rant'' was acquired by Valnet Inc., an online media company based in Montreal, Quebec Quebec ( ; )According to the Canadian government, ''Québec'' (with the acute accent) is the official name in Canadian French and ''Quebec'' (without the accent) is the province's official name in Canadian English is one of the thirtee .... ''Pitch Meeting'' The channel previously hosted a video series called ''Pitch Meeting'' by Ryan George that debuted in 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eagle (Middle-earth)
In J. R. R. Tolkien's Middle-earth, the Eagles or Great Eagles, "The Council of Elrond", "Of the Ruin of Doriath" were immense birds that were sapient and could speak. The Great Eagles resembled actual eagles, but were much larger. Thorondor is said to have been the greatest of all birds, with a wingspan of ., "Of the Return of the Noldor" Elsewhere, the eagles have varied in nature and size both within Tolkien's writings and in later adaptations. Scholars have noticed that the Eagles appear as agents of ''eucatastrophe'' or ''deus ex machina'' throughout Tolkien's writings, from ''The Silmarillion'' and the accounts of Númenor to ''The Hobbit'' and ''The Lord of the Rings''. Where Elves are good, and fully sentient, and Orcs bad, Eagles and other races are in between; the Hobbit Bilbo Baggins fears he will become their supper, torn up like a rabbit, and is indeed served rabbit for supper. The scholar Marjorie Burns notes, too, that Gandalf's association with Eagles is reminisce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordor
In J. R. R. Tolkien's fictional world of Middle-earth, Mordor (pronounced ; from Sindarin ''Black Land'' and Quenya ''Land of Shadow'') is the realm and base of the evil Sauron. It lay to the east of Gondor and the great river Anduin, and to the south of Mirkwood. Mount Doom, a volcano in Mordor, was the goal of the Fellowship of the Ring (characters), Fellowship of the Ring in the quest to destroy the One Ring. Mordor was surrounded by three mountain ranges, to the north, the west, and the south. These both protected the land from invasion and kept those living in Mordor from escaping. Commentators have noted that Mordor was influenced by Tolkien's own experiences in the industrial Black Country of the English Midlands, and by his time fighting in the trenches of the Western Front (World War I), Western Front in the First World War. Another forerunner that Tolkien was very familiar with is the account of the monster Grendel's unearthly landscapes in the Old English poem ''Beow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samwise Gamgee
Samwise Gamgee (, usually called Sam) is a fictional character in J. R. R. Tolkien's Middle-earth. A hobbit, Samwise is the chief supporting character of ''The Lord of the Rings'', serving as the sidekick of the protagonist Frodo Baggins. Sam is a member of the Fellowship of the Ring, the group of nine charged with destroying the One Ring to prevent the Dark Lord Sauron from taking over the world. Sam was Frodo's gardener. He was drawn into Frodo's adventure while eavesdropping on a private conversation Frodo was having with the wizard Gandalf. Sam was Frodo's steadfast companion and servant, portrayed as both physically strong for his size and emotionally strong, often supporting Frodo through difficult parts of the journey and at times carrying Frodo when he was too weak to go on. Sam served as Ring-bearer for a short time when Frodo was captured by orcs; his emotional strength was again demonstrated when he willingly gave the Ring back to Frodo. Following the War of the Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frodo Baggins
Frodo Baggins is a fictional character in J. R. R. Tolkien's writings, and one of the protagonists in ''The Lord of the Rings''. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, ''The Silmarillion'' and ''Unfinished Tales''. Frodo is repeatedly wounded during the quest, and becomes increasingly burdened by the Ring as it nears Mordor. He changes, too, growing in understanding and compassion, and avoiding violence. On his return to the Shire, he is unable to settle back into ordinary life; two years after the Ring's destruction, he is allowed to take ship to the earthly paradise of Valinor. Frodo's name comes from the Old English name '' Fróda'', meaning "wise by experience". Commentators have written that he combines courage, selflessness, and fidelity, and that as a goo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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