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Plaquette
A plaquette (, ''small plaque'') is a small low relief sculpture in bronze or other materials. These were popular in the Italian Renaissance and later. They may be commemorative, but especially in the Renaissance and Mannerist periods were often made for purely decorative purposes, with often crowded scenes from religious, historical or mythological sources. Only one side is decorated, giving the main point of distinction with the artistic medal, where both sides are normally decorated. Most are rectangular or circular, but other shapes are found, as in the example illustrated. Typical sizes range from about two inches up to about seven across a side, or as the diameter, with the smaller end or middle of that range more common. They "typically fit within the hand", as Grove puts it. At the smaller end they overlap with medals, and at the larger they begin to be called plaques. The form began in the 1440s in Italy, but spread across Europe in the next century, especially to F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plaquette Binding
''Pastiglia'' , an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. The term is mostly found in English applied to gilded work on picture frames or small pieces of furniture such as wooden caskets and cassoni, and also on areas of panel paintings, but there is some divergence as to the meaning of the term between these specialisms. On frames and furniture the technique is in origin a cheaper imitation of woodcarving, metalwork or ivory carving techniques. Within paintings, the technique gives areas with a three-dimensional effect, usually those representing inanimate objects, such as foliage decoration on architectural surrounds, halos and details of dress, rather than parts of figures. In white lead pastiglia on caskets, the subject matter is usually classical, with a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pax (liturgical Object)
The pax was an object used in the Middle Ages and Renaissance for the Kiss of Peace in the Catholic Mass. Direct kissing among the celebrants and congregation was replaced by each in turn kissing the pax, which was carried around to those present. A wide range of materials were used, and the form of the pax was also variable but normally included a flat surface to be kissed. Often the pax was held out with a long handle attached, and it seems to have been given a wipe with a cloth between each person. Some paxes are very elaborate and expensive objects, and most survivals fall into this class, but the great majority were probably very simple wood or brass pieces. It was usual to include an image, usually of or including the Virgin Mary or Jesus Christ. The pax began to replace actual kisses in the 13th century, apparently because of a range of concerns over the sexual, social and medical implications of actual kissing. It is first documented in England, and the 17th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medal
A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be intended to be worn, suspended from clothing or jewellery in some way, although this has not always been the case. They may be struck like a coin by dies or die-cast in a mould. A medal may be awarded to a person or organisation as a form of recognition for sporting, military, scientific, cultural, academic, or various other achievements. Military awards and decorations are more precise terms for certain types of state decoration. Medals may also be created for sale to commemorate particular individuals or events, or as works of artistic expression in their own right. In the past, medals commissioned for an individual, typically with their portrait, were often used as a form of diplomatic or personal gift, with no sense of being an award for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valerio Belli
Valerio Belli (c. 1468–1546), also known as Valerio Vicentino, was a celebrated medallist, gem engraver, goldsmith, who with Giovanni Bernardi, who was twenty years younger, was the leading specialist in intaglios engraved in rock crystal, a difficult luxury form which Belli pioneered. These were highly sought after by wealthy Italian collectors. Though described as being "engraved", the intaglios are cut by drills, sometimes quite deeply, and developed their style from classical coins and engraved gems, to give "smoothly and eloquently orchestrated figural compositions". Castings of many of the crystal carvings were taken in wax and them used to make metal plaquettes, which Belli also designed and made ''de novo''. He was described as a goldsmith, though no surviving works are known, and had some role at the Papal mint, though no coins are clearly attributable to him. Born in Vicenza, he was also active in Rome, his most important period, and Venice before returning to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regency Period
The Regency era of British history officially spanned the years 1811 to 1820, though the term is commonly applied to the longer period between and 1837. King George III succumbed to mental illness in late 1810 and, by the Regency Act 1811, his eldest son George, Prince of Wales, was appointed prince regent to discharge royal functions. When George III died in 1820, the Prince Regent succeeded him as George IV. In terms of periodisation, the longer timespan is roughly the final third of the Georgian era (1714–1837), encompassing the last 25 years or so of George III's reign, including the official Regency, and the complete reigns of both George IV and his brother William IV. It ends with the accession of Queen Victoria in June 1837 and is followed by the Victorian era (1837–1901). Although the Regency era is remembered as a time of refinement and culture, that was the preserve of the wealthy few, especially those in the Prince Regent's own social circle. For the masses, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraved Gems
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leone Leoni, Trionfo Allegorico Di Giannettino Doria, 1541-42, V&a
Leone may refer to: Geography * Leone, American Samoa *Monte Leone, mountain in the ''Leone-Gruppe'' as part of Western Alps *Sierra Leone, independent nation in West Africa Leone as a given name * Leone Battista Alberti (1404–1472), Italian Renaissance humanist polymath * Leone Caetani (1869–1935), Italian politician * Leone de' Sommi (c. 1525–c. 1590), Italian writer * Leone N. Farrell (1904–1986), Canadian biochemist and microbiologist * Leone Ginzburg (1909–1944), Italian journalist * Leone Leoni (1509–1590), Italian Renaissance sculptor and medallist * Léone-Noëlle Meyer (born 1939), French businesswoman and philanthropist * Leone Minassian (1905–1978), Ottoman Empire-born Italian painter of Armenian descent * Leone Ross (b. 1969), British writer, editor, journalist and academic * Leone Sforza (1406–1440), Italian condottiero * Leone Strozzi (1515–1554), Italian condottiero Leone as a surname *Brad Leone (b. 1985), American chef and YouTube personal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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