Pitch Range
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Pitch Range
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest Pitch (music), pitch it can play. For a singing Register (music), voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest Note (music), note. Compass Among British English speakers, and perhaps others, compass means the same thing as chromatic range—the interval between the lowest and highest note attainable by a voice or musical instrument. Other ranges The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range"Music theory online : musical instrument ranges & names", Brian Blood, Dolmetsch.com, 2009, webpage: Dolmetsch-M29 refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes Transposition (music), transposed for conveni ...
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Sax Range
Sax or SAX may refer to: * Saxophone (or sax), a family of woodwind instruments People * Oett M. Mallard (1915–1986), also known as Sax Mallard, Chicago-based jazz saxophonist and bandleader * Lincoln Thompson (1949–1999), Jamaican reggae singer, musician and songwriter also known as Sax * Sax (surname) * Sax Rohmer, pen name of Arthur Henry Sarsfield Ward (1883–1959), English novelist best known for creating the villain Fu Manchu Places * 3534 Sax, an asteroid * Sax, a village in the Sennwald municipality in Switzerland * Sax, Alicante, a municipality in Spain * Sax, Minnesota, United States, an unincorporated community * Shanxi, a province of China (Guobiao abbreviation SAX) Other * Sax (cigarette), an Italian brand * "Sax" (song), a 2015 song English recording artist Fleur East * Seax, also spelled sax, an ancient Germanic, single-edged knife * Simple API for XML, an event-driven parsing model for XML * Baron of Sax, later Sax-Hohensax, a Swiss title; see Hohensax ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ...
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Hearing Range
Hearing range describes the range of frequencies that can be heard by humans or other animals, though it can also refer to the range of levels. The human range is commonly given as 20 to 20,000 Hz, although there is considerable variation between individuals, especially at high frequencies, and a gradual loss of sensitivity to higher frequencies with age is considered normal. Sensitivity also varies with frequency, as shown by equal-loudness contours. Routine investigation for hearing loss usually involves an audiogram which shows threshold levels relative to a normal. Several animal species are able to hear frequencies well beyond the human hearing range. Some dolphins and bats, for example, can hear frequencies over 100 kHz. Elephants can hear sounds at 14–16 Hz, while some whales can hear infrasonic sounds as low as 7 Hz. Measurement A basic measure of hearing is afforded by an audiogram, a graph of the absolute threshold of hearing (minimum discer ...
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Sub-bass
Sub-bass sounds are the deep, low-register pitches below approximately 70  Hz (C2 in scientific pitch notation) and extending downward to include the lowest frequency humans can hear, approximately 20 Hz (E0). In this range, human hearing is less sensitive, so these notes tend to be felt more than heard. The low E-string on a bass guitar is usually tuned to 41.2 Hz, while the lowest note on a standard piano is A at 27.5 Hz. Sound reinforcement systems and PA systems often use one or more subwoofer loudspeakers to amplify sounds in the sub-bass range. Sounds below sub-bass are infrasound. Hearing and usage 20 Hz is considered the normal low-frequency limit of human hearing. When pure sine waves are reproduced under ideal conditions and at very high decibels, a human listener will be able to identify tones as low as 12 Hz (G–1). Audio tracks known as bass tests use sub-bass frequencies which are used to test or to demonstrate the capabilities of audi ...
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Extension (music)
In music, an extension is a set of musical notes that lie outside the standard range or tessitura. Staff A note that lies outside the lines of a musical staff is an extension of the staff. The note will lie on a ledger line. Middle C, for example, is an extension note on both treble and bass clefs, however is not outside the grand staff. Soprano C and Deep C lie two ledger lines above treble and below bass respectively (as well as the grand staff). Instruments An instrumental extension is a range of playable notes outside the normal range of the instrument. A baritone horn, if played by a skillful player, can be played an octave above the normal range. Since this is not standard, these notes would be an extension. (See also: Crook (music)). With the bowed string instruments, lower pitches than the standard range are sometimes used through scordatura in which the lowest string is tuned down a note or two. The double bass sometimes uses a C extension extending the range of ...
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Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ...
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Infrasound
Infrasound, sometimes referred to as low status sound, describes sound waves with a frequency below the lower limit of human audibility (generally 20 Hz). Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high. The ear is the primary organ for sensing low sound, but at higher intensities it is possible to feel infrasound vibrations in various parts of the body. The study of such sound waves is sometimes referred to as infrasonics, covering sounds beneath 20 Hz down to 0.1 Hz (and rarely to 0.001 Hz). People use this frequency range for monitoring earthquakes and volcanoes, charting rock and petroleum formations below the earth, and also in ballistocardiography and seismocardiography to study the mechanics of the heart. Infrasound is characterized by an ability to get around obstacles with little dissipation. In music, acoustic waveguide methods, such as a large pipe ...
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Organ Pipe
An organ pipe is a sound-producing element of the pipe organ that resonates at a specific pitch when pressurized air (commonly referred to as ''wind'') is driven through it. Each pipe is tuned to a specific note of the musical scale. A set of organ pipes of similar timbre comprising the complete scale is known as a rank; one or more ranks constitutes a stop. Construction Materials Organ pipes are generally made out of either metal or wood. Very rarely, glass, porcelain, plastic, paper, Papier-mâché, or even stone pipes may be seen. A historical organ in the Philippines has pipes made exclusively of bamboo. Metal Metal pipes are usually made of lead; for increased rigidity it is alloyed with tin along with trace amounts of antimony and copper. The percentage of each metal in the alloy influences the characteristics of the resulting pipe. A high proportion of tin results in a slightly brighter colour (optical colour, not timbre). In addition, high amounts of tin give a glea ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Middle C
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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Pedal Tone
Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone. Its name comes from the foot pedal keyboard pedals of a pipe organ, which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet. Brasses with a bell do not naturally vibrate at this frequency. A closed cylinder vibrates at only the odd members of its harmonic series. This set of pitches is too sparse to be musically useful for brass instruments; therefore, the bells and mouthpieces of brasses are crafted to adjust these pitches. The bell significantly raises all pitches in the series, particularly on the low end, while the mouthpiece lowers the higher harmonics, limiting the amount to which higher harmonics are raised by the bell. The resulting compressed set of pitches resembles a new harmonic series that includes the even members. This new series is similar to that of a stopped co ...
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