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Physical Theatre
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadashi Suzuki
is a Japanese avant-garde theatre director, writer, and philosopher. He is the founder and director of the Suzuki Company of Toga (SCOT), and organizer of Japan’s first international theatre festival (Toga Festival). With American director Anne Bogart, he co-founded the Saratoga International Theatre Institute in Saratoga Springs, New York. He is the creator of the "Suzuki method" of actor training, which emphasizes stylized body work and physicality drawing from dance and elements of traditional Japanese theater. Suzuki was general artistic director of Shizuoka Performing Arts Center (SPAC) (1995~2007), an international committee member of the Theatre Olympics; a founding member of the BeSeTo Festival (演劇祭), jointly organized by leading theatre artists from Japan, China and Korea; and, chairman of the Board of Directors for the Japan Performing Arts Foundation, a nationwide network of theatre professionals in Japan. Career Suzuki became involved in the ''Angura'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Littlewood
Joan Maud Littlewood (6 October 1914 – 20 September 2002) was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of Modern Theatre". Her production of ''Oh, What a Lovely War!'' in 1963 was one of her more influential pieces. Littlewood and her company lived and slept in the Theatre Royal while it was restored. Productions of ''The Alchemist'' and '' Richard II'', the latter starring Harry H. Corbett in the title role, established the reputation of the company. She also conceived and developed the concept of the Fun Palace in collaboration with architect Cedric Price, an experimental model of a participatory social environment that, although never realized, has become an important influence in the architecture of the 20th and 21st centuries. ''Miss Littlewood'', a musical written about Littlewood by Sam Kenyon, was performed by the Royal Shakespeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Copeau
Jacques Copeau (; 4 February 1879 – 20 October 1949) was a French theatre director, producer, actor, and dramatist. Before he founded the Théâtre du Vieux-Colombier in Paris, he wrote theatre reviews for several Parisian journals, worked at the Georges Petit Gallery where he organized exhibits of artists' works and helped found the ''Nouvelle Revue Française'' in 1909, along with writer friends, such as André Gide and Jean Schlumberger. Twentieth century French theatre is marked by Copeau's outlook. According to Albert Camus, "in the history of the French theatre, there are two periods: before Copeau and after Copeau." Early life and formative years The child of a well-off middle-class family, the Paris-born Copeau was raised in Paris and attended the best schools. At the Lycée Condorcet, he was a talented but nonchalant student whose interest in theatre already consumed him. His first staged play, ''Brouillard du matin'' ("Morning Fog"), was presented on 27 Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brook
Peter Stephen Paul Brook (21 March 1925 – 2 July 2022) was an English theatre and film director. He worked first in England, from 1945 at the Birmingham Repertory Theatre, from 1947 at the Royal Opera House, and from 1962 for the Royal Shakespeare Company (RSC). With them, he directed the first English-language production in 1964 of ''Marat/Sade'' by Peter Weiss, which was transferred to Broadway theatre, Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Tony Award for Best Direction of a Play, Best Director. He also directed films such as an iconic version of ''Lord of the Flies (1963 film), Lord of the Flies'' in 1963. He was based in France from the early 1970s on, where he founded an international theatre company, playing in developing countries, in an approach of great simplicity. He was often referred to as "our greatest living theatre director". He won multiple Emmy Awards, a Laurence Olivier Award, the Japanese Praemium Imperiale, the Prix It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerzy Grotowski
Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzeszów, in southeastern Poland, in 1933 and studied acting and directing at the Ludwik Solski Academy of Dramatic Arts in Kraków and Russian Academy of Theatre Arts in Moscow. He debuted as a director in 1957 in Kraków with Eugène Ionesco's play ''Chairs'' and shortly afterward founded a small laboratory theatre in 1959 in the town of Opole in Poland. During the 1960s, the company began to tour internationally and his work attracted increasing interest. As his work gained wider acclaim and recognition, Grotowski was invited to work in the United States and left Poland in 1982. Although the company he founded in Poland closed a few years later in 1984, he continued to teach and direct productions in Europe and America. However, Grotowski b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bali
Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy. Bali is the only Hindu-majority province in Indonesia, with 86.9% of the population adhering to Balinese Hinduism. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Theatre
Eastern may refer to: Transportation *China Eastern Airlines, a current Chinese airline based in Shanghai * Eastern Air, former name of Zambia Skyways *Eastern Air Lines, a defunct American airline that operated from 1926 to 1991 *Eastern Air Lines (2015), an American airline that began operations in 2015 *Eastern Airlines, LLC, previously Dynamic International Airways, a U.S. airline founded in 2010 *Eastern Airways, an English/British regional airline *Eastern Provincial Airways, a defunct Canadian airline that operated from 1949 to 1986 *Eastern Railway (other), various railroads * Eastern Avenue (other), various roads *Eastern Parkway (other), various parkways *Eastern Freeway, Melbourne, Australia *Eastern Freeway Mumbai, Mumbai, India *, a cargo liner in service 1946-65 Education *Eastern University (other) * Eastern College (other) Other uses * Eastern Broadcasting Limited, former name of Maritime Broadcasting System, Canad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proscenium Arch
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonin Artaud
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (; 4 September 1896 – 4 March 1948), was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as a major figure of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices. Early life Antonin Artaud was born in Marseille, to Euphrasie Nalpas and Antoine-Roi Artaud. His parents were first cousins—his grandmothers were sisters from Smyrna (modern day İzmir, Turkey). His paternal grandmother, Catherine Chilé, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette Chilé, grew up in Smyrna, where she married Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Saint-Denis
Michel Jacques Saint-Denis (13 September 1897 – 31 July 1971), ''dit'' Jacques Duchesne, was a French actor, theatre director, and drama theorist whose ideas on actor training have had a profound influence on the development of European theatre from the 1930s on. Life and career Saint-Denis was born in Beauvais, the nephew of Jacques Copeau, who had founded the Théâtre du Vieux-Colombier in 1913. Saint-Denis was exposed to theatre early in his life. He joined Copeau's troupe in 1919, after their return from New York City, where they had performed for two years. Saint-Denis was greatly influenced by Copeau's approach to theatre taught at his Ecole du Vieux-Colombier, which embraced not only the play on stage but also the actor training itself. He soon became Copeau's right-hand man, like Charles Dullin or Louis Jouvet before him. Together with other members of the troupe of the Vieux-Colombier, he followed his uncle to Burgundy in 1924, where they formed a new troupe that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
