Petit Motet
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Petit Motet
The ''petit motet'' ("little motet") was a genre of domestic sacred chamber music popular in France during the baroque era. It was the sacred counterpart of the secular cantata, and small-scale counterpart of the ''grand motet The grand motet (plural grands motets) was a genre of motet cultivated at the height of the French Baroque music, French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating ....''''Motets for one and two voices with instruments'' p.viii François Martin (composer), Mary Cyr - 1988 "The petit motet represented a sacred counterpart to the fashionable cantata, and like the latter, it absorbed considerable foreign influence, especially from Italy. French composers often attempted to popularize their publications by ..." References {{reflist Baroque music ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Grand Motet
The grand motet (plural grands motets) was a genre of motet cultivated at the height of the French Baroque music, French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating Choir, choirs, the works were typically described as ''motet pour deux choeurs'' - motet for double choir. Form of a grand motet In the context of French baroque music the grand motet primarily contrasted with the petit motet. The first distinction is evident in the name; the ''grand'' form was truly ''grand'' (big) in proportion calling for double choirs and massed orchestral forces, whereas the ''petit'' form was a chamber genre for one or two solo voices, one or two solo instruments, and basso continuo - the basso continuo typically provided by the harpsichord at home or organ in a smaller church. These two French baroque motet types are also very distinct from the medieval motets of Guillaume Dufay, Dufay and renaissance motets of Orl ...
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François Martin (composer)
François Martin (1727-1757) was a French composer and cellist. He is said to have died at the age of thirty while in the service of Louis de Gramont, 6th Duke of Gramont. His works include petits motets. His works also include "Six Trios ou Conversations à Trois Pour Deux Violons ou Fluttes, et un Violonchelle. Dediés, à Monseigneur le Duc de Gramont. Gravés par Mme. Leclair. IIIe Oeuvre." He is to be distinguished from another earlier composer of ''airs de cour'' called François Martin who served as ''ordinaire'' to Gaston, Duke of Orléans '' Monsieur'' Gaston, Duke of Orléans (Gaston Jean Baptiste; 24 April 1608 – 2 February 1660), was the third son of King Henry IV of France and his second wife, Marie de' Medici. As a son of the king, he was born a '' Fils de France''. He lat ... in 1658, and published a book of guitar works in 1663.Les deux livres de guitare: Paris 1682 et 1686 Robert de Visée, Hélène Charnassé, Rafael Andia - 1999 "L' ouvrage de François Mart ...
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