Partido Alto
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Partido Alto
Partido Alto refers to a type of samba with a number of particularities. In the world of samba subgenres and in samba reunions, partido alto songs (informally called ''partidos'') can represent a time for improvisation and (humorous or not) disputes, besides a stronger singalong opportunity for the participants. Partido Alto is also the name of a particular rhythm that is derived from the above-mentioned style of samba (especially in a jazz context). The rhythm is often played in samba, and is also the basis for the Partido Alto groove, in which more or all of the instruments accent this rhythm. Characteristics Regarding structure, Partido Alto differentiates itself from common samba in that it is usually divided in two main parts. One is the usually static refrain (''refrão''), which is sung by a choral, which often means everyone present in a samba performance. The other part is called the verses and is often soloed by one or more participants. There can frequently be two ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Jovelina Pérola Negra
Jovelina Pérola Negra (July 21, 1944 – November 2, 1998), stage name of Jovelina Farias Belfort, was a Brazilian samba singer and songwriter. Known by her deep voice, she was a representative of the partido alto samba style, and considered an heir to Clementina de Jesus style of singing. Biography Jovelina was born in Rio de Janeiro, at the Botafogo neighbourhood and raised in Belford Roxo. She worked as a housemaid until her forties and was a member of the samba school Império Serrano. Jovelina debuted to fame presenting at the Vegas Sport Clube, in the Coelho Neto neighborhood; her friend Dejalmir gave her stage name Jovelina Pérola Negra (''Jovelina Black Pearl''). She recorded five individual albums, earning a platinum certificate, and a number of compilations. Some of her recorded songs are "Feirinha da Pavuna", "Bagaço da Laranja" (with Zeca Pagodinho), "Luz do Repente", "No Mesmo Manto" and "Garota Zona Sul". Success came late in her life and she did not fulfill ...
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Leon Hirszman
Leon Hirszman (22 November 1937 – 15 September 1987) was a Brazilian film director, producer and screenwriter, and one of the main figures of Cinema Novo. He is best known for directing the 1981 film ''They Don't Wear Black Tie'' which won the Special Jury Prize at the 38th Venice International Film Festival. His other films include Fernanda Montenegro's 1965 film debut ''The Deceased'', the 1972 adaptation of Graciliano Ramos's '' S. Bernardo'' and the documentary ''ABC da Greve''. He died from complications of HIV/AIDS Human immunodeficiency virus infection and acquired immunodeficiency syndrome (HIV/AIDS) is a spectrum of conditions caused by infection with the human immunodeficiency virus (HIV), a retrovirus. Following initial infection an individual ... at 49. Filmography References External links * 1937 births 1987 deaths Brazilian film directors Brazilian people of Polish-Jewish descent People from Rio de Janeiro (city) AIDS-related death ...
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