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Pantalon
The pantalon (or pantaleon) was a very large type of hammered dulcimer, invented by Pantaleon Hebenstreit in the early 18th century and briefly popular in France and Germany. Description The pantalon was a very large dulcimer with a double sounding board, approximately 6 ft (2 m) long, with about 200 strings of both gut and metal, some double- or triple-strung. It had no dampers, so the strings vibrated sympathetically, giving a rich resonating tone that was quite novel at the time and made a noticeable stir; the lack of dampers however made articulation difficult. Few instruments were constructed and very few survive. Hebenstreit and his two best pupils Maximilian Hellmann and Johann Baptist Gumpenhuber were essentially the only virtuoso players of the instrument. However it was well known in French and German musical circles of the early 18th century, and Hebenstreit gained fame and fortune playing it. Hebenstreit named the instrument after himself. Glowing reviews of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantaleon Hebenstreit
Pantaleon Hebenstreit (27 November 1668 – 15 November 1750) was a German dance teacher, musician and composer. Today his notability rests primarily on the pantalon, a keyboard instrument which he invented and which subsequently came to be seen by some as a precursor of the modern Pianoforte. Life Hebenstreit was born in Eisleben, a short distance west of Leipzig, in 1668. His father, described in one source as a "Thürmer" (''look-out man''), died in 1678. On 29 January 1691 Hebenstreit entered the University of Wittenberg. By 1697 he was employed in Leipzig as a violinist, keyboard musician and dancing master (i.e. teacher). It must have been at this time that, during one of his regular visits to Jean-Baptiste Volumier in Berlin, he is reported by Johann Kuhnau to have spent a lot of time practising his keyboard skills on an enlarged type of hammered dulcimer which he had constructed himself. In 1697 he was obliged to leave Leipzig in order to escape his creditors, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Musical Instruments
{{disambiguation, geo ...
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning See also * Earley (other) Earley is a town in England. Earley may also refer to: * Earley (surname), a list of people with the surname Earley * Earley (given name), a variant of the given name Earlene * Earley Lake, a lake in Minnesota *Earley parser, an algorithm *Earley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festa Teatrale
The term ''festa teatrale'' (Italian: , plural: ''feste teatrali'' ) refers to a genre of drama, and of opera in particular. The genre cannot be rigidly defined, and in any case ''feste teatrali'' tend to be split into two different sets: ''feste teatrali'' divided by acts are operas, while works in this genre performed without division, or merely cut into two parts, are serenatas. A ''festa teatrale'' is a dramatic work, performed on stage (unlike many serenatas, which are labelled ''drammatico'' but were not performed in dramatic contexts). The ''festa teatrale'' was always a fairly minor genre, born of courtly entertainments and the celebration of royalty – hence the abbreviated length of most ''festi teatrale'', and the focus on drama, spectacle and chorus, as opposed to elaborate music. The poet and librettist Metastasio applied the term to 9 of his libretti. All but one of these were first performed for the court at Vienna. The last of these was Johann Adolph Hasse's ''Part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joseph Fux
Johann Joseph Fux (; – 13 February 1741) was an Austrian composer, music theory, music theorist and pedagogy, pedagogue of the late Baroque music, Baroque era. His most enduring work is not a musical composition but his treatise on counterpoint, ''Gradus ad Parnassum#Music and art, Gradus ad Parnassum'', which has become the single most influential book on the Giovanni Pierluigi da Palestrina, Palestrinian style of Renaissance music, Renaissance polyphony. Life Fux's exact date of birth is unknown. He was born to a peasant family in Langegg bei Graz, Hirtenfeld, Styria, Austria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit Ferdinandeum University there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Arcangelo Corelli, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Georg Reutter
Johann Adam Joseph Karl Georg Reutter, during his life known as Georg Reutter the Younger (6 April 1708 – 11 March 1772) was an Austrian composer.Karl Geiringer, ''Haydn: A Creative Life in Music'', 1982, p. 19: "There were two Viennese composers of this name. Georg Reutter, the father (1656–1738), was choir director of St. Stephen's and court organist. His son, J. A. Karl Georg (1708–1772), was Haydn's teacher." According to David Wyn Jones, in his prime he was "the single most influential musician in Vienna". Early life Reutter was born and died in Vienna. His father Georg Reutter (the Elder) was also a notable composer. He was the 11th of 14 children and received his early musical training from his father, assisting him as court organist. A period of more formal instruction from Antonio Caldara ensued, leading to the composition of an oratorio in 1726 and, in 1727, his first opera for the imperial court, ''Archidamia''. On three separate occasions during this period, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Caldara
Antonio Caldara (ca 1670 – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became ''maestro di cappella'' to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession. Caldara removed from Mantua in 1707, after the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles III, the pretender to the Spanish throne (following the death of Charles II of Spain in 1700 without any direct heir) and who kept a royal court at Barcelona. There, he wrote some operas that are the first Italian operas performed in Spain. He moved on to Rome, becoming ''maestro di cappella'' to Francesco Maria Marescotti Ruspoli, 1st P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic Resonance
Sympathetic resonance or sympathetic vibration is a harmonic phenomenon wherein a passive string or vibratory body responds to external vibrations to which it has a harmonic likeness. The classic example is demonstrated with two similarly-tuned tuning forks. When one fork is struck and held near the other, vibrations are induced in the unstruck fork, even though there is no physical contact between them. In similar fashion, strings will respond to the vibrations of a tuning fork when sufficient harmonic relations exist between them. The effect is most noticeable when the two bodies are tuned in unison or an octave apart (corresponding to the first and second harmonics, integer multiples of the inducing frequency), as there is the greatest similarity in vibrational frequency. Sympathetic resonance is an example of injection locking occurring between coupled oscillators, in this case coupled through vibrating air. In musical instruments, sympathetic resonance can produce both desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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