|
Palitos
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Percussion
Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums or pitched percussion instruments such as the marimba or the xylophone. Shakers A shaker (percussion) is any instrument that makes a noise when shaken. Historically they were naturally occurring items such as seed pods. A caxixi is a basketwork shaker with a gourd base. Gourds are used all over the world and covered with a net with shells or seeds to create an instrument such as the shekere. Modern shakers are often cylinders made from metal wood or plastic containing small hard items such as seeds, stones, or plastic - an example is the Egg Shaker.There is another category of shaken instrument using jingles, little discs of metal which tap together when shaken. Tambourines fall into this category. Scrapers This can be a wood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And I Love Her
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album '' A Hard Day's Night'' and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the ''Billboard'' Hot 100. The Beatles performed "And I Love Her" just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's ''Top Gear'' radio show, which was broadcast two days later. "And I Love Her" has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. Composition A majority of the composition shifts back and forth between the key of E and its relative minor C#m. It also changes keys altogether just before the solo, to F. The final chord is a D major. This technique of ending is known as Picardy third resolution. McCartney called "And I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central American And Caribbean Percussion Instruments
Central is an adjective usually referring to being in the center of some place or (mathematical) object. Central may also refer to: Directions and generalised locations * Central Africa, a region in the centre of Africa continent, also known as Middle Africa * Central America, a region in the centre of America continent * Central Asia, a region in the centre of Eurasian continent * Central Australia, a region of the Australian continent * Central Belt, an area in the centre of Scotland * Central Europe, a region of the European continent * Central London, the centre of London * Central Region (other) * Central United States, a region of the United States of America Specific locations Countries * Central African Republic, a country in Africa States and provinces * Blue Nile (state) or Central, a state in Sudan * Central Department, Paraguay * Central Province (Kenya) * Central Province (Papua New Guinea) * Central Province (Solomon Islands) * Central Province, Sri L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Musical Instruments
Cuban may refer to: * Something of, from, or related to Cuba, a country in the Caribbean * Cubans, people from Cuba, or of Cuban descent ** Cuban exile, a person who left Cuba for political reasons, or a descendant thereof * Cuban citizen, a person who is part of the Cuban population, see Demographics of Cuba * Cuban Spanish, the dialect of Cuba * Cuban Americans, citizens of the United States who are of Cuban descent * Cuban cigar, often referred to as "Cubans" * Cuban culture * Cuban cuisine ** Cuban sandwich * Cuban-eight, a type of aerobatic maneuver People with the surname * Brian Cuban (born 1961), American lawyer and activist * Mark Cuban (born 1958), American entrepreneur See also * Cuban Missile Crisis * List of Cubans * * Cuban Boys, a British music act * Kuban (other) * Cubane Cubane () is a synthetic hydrocarbon compound that consists of eight carbon atoms arranged at the corners of a cube, with one hydrogen atom attached to each carbon atom. A solid cryst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lummi Stick
Lummi sticks, named after the Lummi Native American peoples, are hardwood cylindrical sticks, usually roughly 7 inches long and 0.75 inches in diameter, used as percussive musical instruments. They are generally struck against one another, and used frequently in musical education to teach rhythm. Another variety, called simply a rhythm stick, is 12 inches long and painted blue. These are generally either cylindrical or fluted, and come in sets containing an equal number of both. The sticks are used in elementary school education in the US and Canada. A similar stick game is the ''Ti Rakau'' of the Māori people, played with meter-long sticks. Kendall Blanchard, ''The Anthropology of Sport: an Introduction'', p.180. Bergin & Garvey, 1995 See also * Claves Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapsticks
Clapsticks, also spelt clap sticks and also known as bilma, bimli, clappers, musicstick or just stick, are a traditional Australian Aboriginal instrument. They serve to maintain rhythm in voice chants, often as part of an Aboriginal ceremony. They are a type of drumstick, percussion mallet or claves that belongs to the idiophone category. Unlike drumsticks, which are generally used to strike a drum, clapsticks are intended for striking one stick on another. Origin and nomenclature In northern Australia, clapsticks would traditionally accompany the didgeridoo, and are called bimli or bilma by the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia. Boomerang clapsticks Boomerang clapsticks are similar to regular clapsticks but they can be shaken for a rattling sound or be clapped together. Technique The usual technique employed when using clapsticks is to clap the sticks together to create a rhythm that goes along with the song. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions ''It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on ''Pendulum Music'' (1968) and ''Four Organs'' (1970). The 1978 recording ''Music for 18 Musicians'' would help entrench minimalism as a movement. Reich's work took o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Overture
''Cuban Overture'' is a symphonic overture or tone poem for orchestra composed by American composer George Gershwin. Originally titled ''Rumba'' (named for the Cuban rumba musical genre), it was a result of a two-week holiday which Gershwin took in Havana, Cuba in February 1932. Gershwin composed the piece in July and August 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental color and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Its main theme was influenced by a then current hit by Ignacio Piñeiro, "Échale Salsita". Other songs referenced by the piece's themes and phrases include the traditional folk song La Paloma. The overture is in ternary form. Première The work under the title ''Rumba'' received its première at New York's now-demolished Lewisohn Stadium on 16 August 1932, as part of an all-Gershwin programme held by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón No
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Márquez
Arturo Márquez Navarro (born 20 December 1950) is a Mexican composer of orchestral music who uses musical forms and styles of his native Mexico and incorporates them into his compositions. Life Márquez was born in Álamos, Sonora, in 1950 where his interest in music began. Márquez is the first born of nine children of Arturo Márquez and Aurora Navarro. Márquez was the only one of the nine siblings to become a musician. Márquez's father was a mariachi musician in Mexico and later in Los Angeles. His paternal grandfather was a Mexican folk musician in the northern states of Sonora and Chihuahua. Márquez's father and grandfather exposed him to several musical styles in his childhood, particularly Mexican "salon music" which would be the impetus for his later musical repertoire. Márquez began composing at the age of 16 and attended the Conservatorio Nacional de Música (Mexico), Mexican Music Conservatory, where he studied piano and music theory from 1970 to 1975. Márquez st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
