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Paiban
The ''paiban'' () is a clapper made from several flat pieces of hardwood or bamboo (or, formerly, sometimes also ivory or metal), which is used in many different forms of Chinese music. There are many different types of ''paiban'', and the instrument is also referred to as ''bǎn'' (板), ''tánbǎn'' (檀板, literally "sandalwood clapper"), ''mùbǎn'' (木板, literally "wooden clapper"), or ''shūbǎn'' (书板). Typical materials used for the ''paiban'' include ''zitan'' ( 紫檀, rosewood or red sandalwood), ''hongmu'' ( 红木), or ''hualimu'' ( 花梨木, rosewood), or bamboo, with the slats tied together loosely on one end with cord. It is held vertically by one hand and clapped together, producing a sharp clacking sound. When used together with a small drum (both played together by a single player, the ''paiban'' held in one hand and the drum played with a stick held in the other) the two instruments are referred to collectively as ''guban'' ( 鼓板). Somewhat confusin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beijing Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk ( 絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo ( 竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood ( 木) Most wood () instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapper (musical Instrument)
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. A straightforward instrument to produce and play, they exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper. Several specific forms of clapper have their own names, such as the Chinese ''guban'', Japanese '' hyoshigi'', or the Korean '' bak''. In the classical music of Thailand, a similar instrument is called '' krap''. In India cooking tongs or चिमटा itself is often used to provide rhythm while singing religious hymns in many cultures (sometimes tongs made specifically for the purpose are also equipped with bell In Vietnam, the coin clapper called '' Sê ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guban (instrument)
The term ''guban'' () refers collectively to a small drum and '' paiban'' (clapper), which are played simultaneously, by a single player, in traditional Chinese music. The drum, which may be a bangu or some other type of drum with a high-pitched head of small diameter, is played with a stick that is held in one hand, and the clapper, which is called '' pāibǎn'' (拍板), ''bǎn'' (板), ''tánbǎn'' (檀板, literally "sandalwood clapper"), ''mùbǎn'' (木板), or ''shūbǎn'' (书板), is played by the other hand. The clapper consists of two flat pieces of hardwood (either ''zitan'', ''hongmu'', or ''hualimu'' rosewood) or bamboo that are tied loosely together on one end. It is held vertically by one hand and clapped together, producing a sharp clacking sound. Somewhat confusingly, the clapper is sometimes also referred to, without the drum, as ''guban''. The ''guban'' is used to accompany some genres of ''shuochang'' (Chinese story-singing), as well as in Beijing opera, ''kun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plaque Concussion Idiophones
Plaque may refer to: Commemorations or awards * Commemorative plaque, a plate or tablet fixed to a wall to mark an event, person, etc. * Memorial Plaque (medallion), issued to next-of-kin of dead British military personnel after World War I * Plaquette, a small plaque in bronze or other materials Science and healthcare * Amyloid plaque * Atheroma or atheromatous plaque, a buildup of deposits within the wall of an artery * Dental plaque, a biofilm that builds up on teeth * A broad papule, a type of cutaneous condition * Pleural plaque, associated with mesothelioma, cancer often caused by exposure to asbestos * Senile plaques, an extracellular protein deposit in the brain implicated in Alzheimer's disease * Skin plaque, a plateau-like lesion that is greater in its diameter than in its depth * Viral plaque A viral plaque is a visible structure formed after introducing a viral sample to a cell culture grown on some nutrient medium. The virus will replicate and spread, generating r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanguan Music
Nanguan (; also ''nanyin'', ''nanyue'', ''xianguan'', or ''nanqu'') is a style of Chinese classical music from the southern Chinese province of Fujian. It is also popular in Taiwan, particularly Lukang on west coast, as well as among Overseas Chinese in Southeast Asia. Fujian is a mountainous coastal province of China. Its provincial capital is Fuzhou, while Quanzhou was a major port in the 7th century CE, the period between the Sui and Tang eras. Situated upon an important maritime trade route, it was a conduit for elements of distant cultures. The result was what is now known as ''nanguan'' music, which today preserves many archaic features. It is a genre strongly associated with male-only community amateur musical associations ( quguan or "song-clubs"), each formerly generally linked to a particular temple, and is viewed as a polite accomplishment and a worthy social service, distinct from the world of professional entertainers. It is typically slow, gentle, delicate and me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaozhou Xianshi
Teochew string music or Chaozhou xianshi ( also called "string-poem music") is classed as a type of music (chamber music for strings and woodwind, literally 'silk/bamboo') although it typically uses stringed instruments only. It is found in northeastern Guangdong and parts of Fujian and also in regions with overseas Teochew populations, such as Malaysia, Singapore, Thailand, and the United States. The Chaoshan region of Guangdong, bordering on Fujian and comprising the cities of Chaozhou, Shantou and Jieyang, forms its own cultural sphere. Teahouses often accompany with Chaozhou music. History Developed from a fusion of elements, popular song, arias of Chinese opera, ancient melodies and pieces of Buddhist music, string music falls into two styles: () is music of the Confucian school that can be performed as an independent instrumental music genre or at weddings and other ceremonies and that aims at elegance and nobility, while () is principally the music of the theatre, thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiangnan Sizhu
''Jiangnan sizhu'' () is a style of traditional Chinese instrumental music from the Jiangnan region of China. Name The name ''Jiangnan sizhu'' (江南丝竹 pinyin: Jiāngnán sīzhú) is made up of two parts. ''Jiangnan'' is the traditional name for the area south of the lower reaches of the Yangtze river in southern Jiangsu, Shanghai, and northern Zhejiang. ''Sizhu'', literally "silk and bamboo," refers to string and wind musical instruments, silk being the traditional material from which strings have historically been made in China, and bamboo being the material from which the Chinese flutes such as the '' dizi'' and '' xiao'' are made. The term ''sizhu'' by extension also came to refer to instrumental music in general, especially that played indoors. Other ''sizhu'' traditions also exist, particularly along China's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yue Opera
Yue opera, also known as Shaoxing opera, is the Chinese opera genre. Only Peking opera is more popular nationwide. Originating in Shengzhou, Shaoxing, Zhejiang Province in 1906, Yue opera features actresses in male roles as well as femininity in terms of singing, performing, and staging. Despite its rural origin, it has found a second home in Shanghai, China's most affluent city, where it managed to out-compete both Peking opera and the native Shanghai opera. As Yue opera uses is performed speaking in a variant of Wu, it is most popular in Wu-speaking areas including southern Jiangsu, Zhejiang and Shanghai. In addition, the opera also has a sizeable following in Hong Kong due to Shanghainese migration to the city. Like its performers, Yue opera fans are mainly women, resulting in a disproportionate number of love stories in its repertoire and very little acrobatic fighting. History Pre-history Prior to 1906, the antecedent to Yue opera was story-singing. It was initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunqu
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. Kunqu is one of the oldest traditional operas of the Han nationality, and is also a treasure of Chinese traditional culture and art, especially opera art. It evolved from the local melody of Kunshan and later came to dominate Chinese theater from the 16th to the 18th centuries. The style originated in the Wu cultural area. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001. Since the mid-Ming Dynasty, Wei Liang Fu has been the sole leader of Chinese opera for nearly 300 years. In 2006, it was listed on the first national intangible cultural heritage list. In 2008, it was included in the List of Representative Works of Intangible Cultural Heritage of Humanity. In December 2018, the General Office of the Ministry of Education announced that Peking University is the base for inheriting excellen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuochang
''Quyi'' ("melodious art") and ''shuochang yishu'' ("speaking and singing art") are umbrella terms for over 300 regional genres of traditional Chinese oral performing arts. ''Quyi'' is distinguished from ''xiqu'' (Chinese opera) by its emphasis on narration, as opposed to acting, although they share many elements including the same traditional stories. ''Quyi'' artists generally wear no to little makeup. Musical instruments like drums, wooden clappers, ''pipa'', '' yangqin'', or '' sanxian'' are commonly seen in ''quyi'', as are hand fans. History While the storytelling art concept has been around for centuries, the narrative art concept was mostly recognized in the 1920s. Only after 1949 with the founding of the People's Republic of China did the term ''quyi'' become widely used. Prior to this, it was just classified as ''shuochang yishu''. This is one of the art category that gained momentum since the New Culture Movement. With the exception of the Cultural Revolution period, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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