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Pyxis (pottery)
A ''pyxis'' (, plural ''pyxides'') is a shape of vessel from the classical world, usually a cylindrical box with a separate lid. Originally mostly used by women to hold cosmetics, trinkets or jewellery, surviving ''pyxides'' are mostly Greek pottery, but especially in later periods may be in wood, metal, ivory, or other materials. The name derived from Corinthian boxes made of wood from the tree ''puksos'' (boxwood), that also came with covers. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian ''pyxis'' has various shapes itself. At first, the two varieties of ''pyxis'' included the pointed and the flat-bottomed. The pointed ''pyxis'' didn't last much longer than the ninth century BCE, while the flat-bottomed continued into the late Geometric. It also continued to grow larger and more squat in proportions. The cover often depicts elaborately sculpted handles and the walls tend to be somewhat convex. During th ...
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Pyxis Peleus Thetis Louvre L55 By Wedding Painter
Pyxis is a small and faint constellation in the southern sky. Abbreviated from Pyxis Nautica, its name is Latin for a mariner's compass (contrasting with Circinus, which represents a draftsman's compasses). Pyxis was introduced by Nicolas-Louis de Lacaille in the 18th century, and is counted among the 88 modern constellations. The plane of the Milky Way passes through Pyxis. A faint constellation, its three brightest stars—Alpha, Beta and Gamma Pyxidis—are in a rough line. At magnitude 3.68, Alpha is the constellation's brightest star. It is a blue-white star approximately distant and around 22,000 times as luminous as the Sun. Pyxis is located close to the stars that formed the old constellation Argo Navis, the ship of Jason and the Argonauts. Parts of Argo Navis were the Carina (the keel or hull), the Puppis (the poop deck or stern), and the Vela (the sails). These eventually became their own constellations. In the 19th century, John Herschel suggested renaming Pyxis t ...
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Sacramental Bread
Sacramental bread, also called Communion bread, Eucharistic bread, the Lamb or simply the host ( la, hostia, lit=sacrificial victim), is the bread used in the Christian ritual of the Eucharist. Along with sacramental wine, it is one of two elements of the Eucharist. The bread may be either leavened or unleavened, depending on tradition. Catholic theology generally teaches that at the Words of Institution the bread's substance is changed into the Body of Christ (transubstantiation), whereas Eastern Christian theology generally views the epiclesis as the point at which the change occurs. Bread was also used in Jewish Temple ritual as well as in the religious rituals of Mandaeism, Mithraism, and other pagan cultures like that of ancient Egypt. Christianity Etymology of ''host'' The word ''host'' is derived from the Latin , which means 'sacrificial victim'. The term can be used to describe the bread both before and after consecration, although it is more correct to use it a ...
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Spool-shaped Pyxis (NAMA 5225)
The Spool-shaped pxis (NAMA 5225) is a ceramic vessel from the Bronze Age Cycladic civilisation. The "dark on light" painted pyxis was found in grave 271 of the necropolis at Chalandriani on the Cycladic island of Syros and dates to the early Cycladic period (EC II, Keros-Syros culture). It was discovered in 1889/90 during excavations led by Christos Tsountas and as first published by Tsountas in 1899. It is displayed in the National Archaeological Museum, Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It i ... with the inventory number 5225. Description The pyxis is a unique ceramic object with an unusual shape. It consists of two nearly identical parts which sit one inside the other. The red-brown clay is very fine with no coarse grains. On the upper side is a pattern in red a ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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National Museum In Warsaw
The National Museum in Warsaw ( pl, Muzeum Narodowe w Warszawie), popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting (Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects. The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplemented by ...
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The Walters Art Museum
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed substantially by major American art and sculpture collectors, a father and son: William Thompson Walters, (1819–1894), who began collecting when he moved to Paris as a nominal Southern/Confederate sympathizer at the outbreak of the American Civil War in 1861; and Henry Walters (1848–1931), who refined the collection and made arrangements for the construction of a later landmark building to rehouse it. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place townhouse/mansion during the late 1800s, he arranged for an elaborate stone palazzo-styled structure built for that purpose in 1905–1909. Located across the back alley, a block south of the Walters mansio ...
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Altes Museum
The Altes Museum (English: ''Old Museum'') is a listed building on the Museum Island in the Mitte (locality), historic centre of Berlin. Built from 1825 to 1830 by order of King Frederick William III of Prussia according to plans by Karl Friedrich Schinkel, it is considered as a major work of German Neoclassical architecture. It is surrounded by the Berlin Cathedral to the east, the Berlin Palace to the south and the Zeughaus to the west. Currently, the Altes Museum is home to the Antikensammlung and parts of the Münzkabinett. As part of the Museum Island complex, the Altes Museum was listed as a UNESCO World Heritage Site in 1999, because of its testimony to the development of museums as a social and architectural phenomenon. Planning and location In the early nineteenth century, Germany's bourgeoisie had become increasingly self-aware and self-confident. This growing class began to embrace new ideas regarding the relationship between itself and art, and the concepts that art sho ...
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Egyptian Faience
Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass". Its name in the Ancient Egyptian language was , and modern archeological terms for it include sintered quartz, glazed frit, and glazed composition. is distinct from the crystalline pigment Egyptian blue, for which it has sometimes incorrectly been used as a synonym. It is not faience in the usual sense of tin-glazed pottery, and is different from the enormous range of clay-based Ancient Egyptian pottery, from which utilitarian vessels were made. It is similar to later Islamic stonepaste (or "fritware") from the Middle East, although that generally includes more clay. Egyptian faience is considerably more porous than glass proper. It can be cast in molds to create small vessels, jewelry and ...
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Liturgical
Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek ( el, λειτουργία), ''leitourgia'', which literally means "work for the people" is a literal translation of the two words "litos ergos" or "public service". In origin, it signified the often expensive offerings wealthy Greeks made in serv ...
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Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ...
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Albarello
An albarello (plural: ''albarelli'') is a type of maiolica earthenware jar, originally a medicinal jar designed to hold apothecaries' ointments and dry drugs. The development of this type of pharmacy jar had its roots in the Middle East during the time of the Islamic conquests. History The etymology of the word is not clear. Some scholars argue that it derives from the Latin word ''"albaris"'' with the meaning of "whitish" while others criticize this interpretation because these jars were originally manufactured in wood. A piece of parchment would overlap the upper half of the jar in order to be affixed with a cord and properly seal the contents. The parchment was white, or bleached white, so that the contents of the jar could be written upon it. ''Albarelli'' were brought to Italy by Hispano-Moresque traders, and the earliest Italian examples were produced in Florence in the 15th century. ''Albarelli'' were made in Italy from the first half of the 15th century through to the la ...
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Geometric Art
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, . Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases. Funerary context Funerary vases not only depicted funerary scenes, but they also had practical purposes, either holding the ashes or being used as grave markers. Relatives of the deceased conducted burial rituals that included three parts: the ''prothesis'' ''(''laying out of the body), the ''ekphora'' (funeral procession), and the interment of the body or cremated remains of the body. To the Greeks, an omission of a proper b ...
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