Pulp Fiction Novel
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Pulp Fiction Novel
Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was wide by high, and thick, with ragged, untrimmed edges. The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Successors of pulps include paperback books, digest magazines, and men's adventure magazines. Modern superhero comic books are sometimes consider ...
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Pulp (paper)
Pulp is a lignocellulosic fibrous material prepared by chemically or mechanically separating cellulose fibers from wood, fiber crops, waste paper, or rags. Mixed with water and other chemical or plant-based additives, pulp is the major raw material used in papermaking and the industrial production of other paper products. History Before the widely acknowledged invention of papermaking by Cai Lun in China around 105 AD, paper-like writing materials such as papyrus and amate were produced by ancient civilizations using plant materials which were largely unprocessed. Strips of bark or bast material were woven together, beaten into rough sheets, dried, and polished by hand. Pulp used in modern and traditional papermaking is distinguished by the process which produces a finer, more regular slurry of cellulose fibers which are pulled out of solution by a screen and dried to form sheets or rolls. The earliest paper produced in China consisted of bast fibers from the paper mulberr ...
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Page Layout
In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives. The high-level page layout involves deciding on the overall arrangement of text and images, and possibly on the size or shape of the medium. It requires intelligence, sentience, and creativity, and is informed by culture, psychology, and what the document authors and editors wish to communicate and emphasize. Low-level pagination and typesetting are more mechanical processes. Given certain parameters such as boundaries of text areas, the typeface, and font size, justification preference can be done in a straightforward way. Until desktop publishing became dominant, these processes were still done by people, but in modern publishing, they are almost always automated. The result might be published as-is (as for a residential phone book interior) or might be tweaked by a graphic designer (as ...
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Blue Book (magazine)
''Blue Book'' was a popular 20th-century American magazine with a lengthy 70-year run under various titles from 1905 to 1975. Ashley, Mike, "Blue Book—The Slick in Pulp Clothing". ''Pulp Vault'' Magazine, No. 14. Barrington Hills, IL: Tattered Pages Press, 2011: pp. 210–53. It was a sibling magazine to '' The Red Book Magazine'' and ''The Green Book Magazine''. Launched as ''The Monthly Story Magazine'', it was published under that title from May 1905 to August 1906 with a change to ''The Monthly Story Blue Book Magazine'' for issues from September 1906 to April 1907. In its early days, ''Blue Book'' also carried a supplement on theatre actors called "Stageland". The magazine was aimed at both male and female readers. For the next 45 years (May 1907 to January 1952), it was known as ''The Blue Book Magazine'', ''Blue Book Magazine'', ''Blue Book'', and ''Blue Book of Fiction and Adventure''. The title was shortened with the February 1952 issue to simply ''Bluebook'', continuin ...
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Adventure (magazine)
''Adventure'' was an American pulp magazine that was first published in November 1910Robinson, Frank M. & Davidson, Lawrence ''Pulp Culture – The Art of Fiction Magazines''. Collectors Press Inc 2007 (p. 33-48). by the Ridgway company, an subsidiary of the Butterick Publishing Company. ''Adventure'' went on to become one of the most profitable and critically acclaimed of all the American pulp magazines."No. 1 Pulp"
''''.
The magazine had 881 issues. Its first editor was Trumbull White, he was succeeded in 1912 by

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Argosy (magazine)
''Argosy'', later titled ''The Argosy'', ''Argosy All-Story Weekly'' and ''The New Golden Argosy'', was an American pulp magazine from 1882 through 1978, published by Frank Munsey until its sale to Popular Publications in 1942. It is the first American pulp magazine. The magazine began as a children's weekly story–paper entitled ''The Golden Argosy''. In the era before the Second World War, ''Argosy'' was regarded as one of the "Big Four" pulp magazines (along with ''Blue Book'', ''Adventure'' and ''Short Stories''), the most prestigious publications in the pulp market, that many pulp magazine writers aspired to publish in.Lee Server, ''Danger Is My Business: an illustrated history of the Fabulous Pulp Magazines''. San Francisco: Chronicle Books. (1993) (pp. 22-6, 50) John Clute, discussing the American pulp magazines in the first two decades of the twentieth century, has described ''The Argosy'' and its companion ''The All-Story'' as "the most important pulps of their er ...
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Frank Gruber
Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was a writer of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Career Gruber said that as a nine-year-old newsboy, he read his first book, ''Luke Walton, the Chicago Newsboy'' by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition, at age nine or ten, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several y ...
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Spicy Detective Stories April 1935
Pungency () refers to the taste of food commonly referred to as spiciness, hotness or heat, found in foods such as chili peppers. Highly pungent tastes may be experienced as unpleasant. The term piquancy () is sometimes applied to foods with a lower degree of pungency that are "agreeably stimulating to the palate". Examples of piquant food include mustard and curry. Terminology In colloquial speech, the term "pungency" can refer to any strong, sharp smell or flavor. However, in scientific speech, it refers specifically to the "hot" or "spicy" quality of chili peppers. It is the preferred term by scientists as it eliminates the potential ambiguity arising from use of "hot" and "spicy", which can also refer to temperature or the presence of spices, respectively. For instance, a pumpkin pie can be both hot (out of the oven) and spicy (due to the common inclusion of spices such as cinnamon, nutmeg, allspice, mace, and cloves), but it is not ''pungent''. (A food critic may neverthe ...
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Nick Carter (literary Character)
Nick Carter is a fictional character who began as a dime novel private detective in 1886 and has appeared in a variety of formats over more than a century. The character was first conceived by Ormond G. Smith and created by John R. Coryell. Carter headlined his own magazine for years, and was then part of a long-running series of novels from 1964 to 1990. Films were created based on Carter in France, Czechoslovakia and Hollywood. Nick Carter has also appeared in many comic books and in radio programs. Literary history Nick Carter first appeared in the story paper ''New York Weekly'' (Vol. 41 No. 46, September 18, 1886) in a 13-week serial, "The Old Detective's Pupil; or, The Mysterious Crime of Madison Square"; the character was conceived by Ormond G. Smith, the son of one of the founders of Street & Smith, and realized by John R. Coryell. Coryell retired from writing Nick Carter novels and the series was taken over by Frederick Van Rensselaer Dey, who wrote 1,076 novels and s ...
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Talbot Mundy
Talbot Mundy (born William Lancaster Gribbon, 23 April 1879 – 5 August 1940) was an English writer of adventure fiction. Based for most of his life in the United States, he also wrote under the pseudonym of Walter Galt. Best known as the author of '' King of the Khyber Rifles'' and the Jimgrim series, much of his work was published in pulp magazines. Mundy was born to a conservative middle-class family in Hammersmith, London. Educated at Rugby College, he left with no qualifications and moved to British India, where he worked in administration and then journalism. He relocated to East Africa, where he worked as an ivory poacher and then as the town clerk of Kisumu. In 1909 he moved to New York City in the U.S., where he found himself living in poverty. A friend encouraged him to start writing about his life experiences, and he sold his first short story to Frank Munsey's magazine, '' The Scrap Book'', in 1911. He soon began selling short stories and non-fiction articl ...
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Robert E
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Edgar Rice Burroughs
Edgar Rice Burroughs (September 1, 1875 – March 19, 1950) was an American author, best known for his prolific output in the adventure, science fiction, and fantasy genres. Best-known for creating the characters Tarzan and John Carter, he also wrote the ''Pellucidar'' series, the ''Amtor'' series, and the '' Caspak'' trilogy. Tarzan was immediately popular, and Burroughs capitalized on it in every way possible, including a syndicated Tarzan comic strip, movies, and merchandise. Tarzan remains one of the most successful fictional characters to this day and is a cultural icon. Burroughs's California ranch is now the center of the Tarzana neighborhood in Los Angeles, named after the character. Burroughs was an explicit supporter of eugenics and scientific racism in both his fiction and nonfiction; Tarzan was meant to reflect these concepts. Biography Early life and family Burroughs was born on September 1, 1875, in Chicago (he later lived for many years in the suburb of ...
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Lost World (genre)
The lost world is a subgenre of the fantasy or science fiction genres that involves the discovery of an unknown Earth civilization. It began as a subgenre of the late- Victorian adventure romance and remains popular into the 21st century. The genre arose during an era when Westerners were discovering the remnants of lost civilizations around the world, such as the tombs of Egypt's Valley of the Kings, the semi-mythical stronghold of Troy, the jungle-shrouded pyramids of the Maya, and the cities and palaces of the empire of Assyria. Thus, real stories of archaeological finds by imperial adventurers succeeded in capturing the public's imagination. Between 1871 and the First World War, the number of published lost world narratives, set in every continent, increased significantly. The genre has similar themes to "mythical kingdoms", such as Atlantis and El Dorado. History ''King Solomon's Mines'' (1885) by H. Rider Haggard is sometimes considered the first lost world narrative. Ha ...
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