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Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping Authentication, authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1 ...
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Fake Or Fortune?
''Fake or Fortune?'' is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Since the first series aired in 2011, ''Fake or Fortune?'' has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. ''Fake or Fortune?'' was created by art dealer and historian Philip Mould, together with producer Simon Shaw. It was inspired by Mould's 2009 book ''Sleuth'', after which the programme was originally to be entitled. It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first 5 series. Forensic analysis and archival research is carried out by various fine art specialists. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK. Format In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of paintings), ...
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Nazi Plunder
Nazi plunder (german: Raubkunst) was the stealing of art and other items which occurred as a result of the Art theft and looting during World War II, organized looting of European countries during the time of the Nazi Party in Germany. The looting of Polish and Jewish property was a key part of the The Holocaust, Holocaust. The plundering was carried out from 1933, beginning with the seizure of the property of History of the Jews in Germany, German Jews, until the end of World War II, particularly by military units which were known as the Kunstschutz, although most of the plunder was acquired during the war. In addition to gold, silver, and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures. Although most of these items were recovered by agents of the Monuments, Fine Arts, and Archives program (MFAA, also known as the Monuments Men), on behalf of the Allies of World War II, Allies immediately following the wa ...
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Looted Art
Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict. The term "looted art" reflects bias, and whether particular art has been taken legally or illegally is often the subject of conflicting laws and subjective interpretations of governments and people; use of the term "looted art" in reference to a particular art object implies that the art was taken illegally. Related terms include ''art theft'' (the stealing of valuable artifacts, mostly because of commercial reasons), ''illicit antiquities'' (covertly traded antiquities or artifacts of archaeological interest, found in illegal or unregulated excavations), '' provenance'' (the origin or source of a piece of art), and '' art repatriation'' (the process of returning artworks and antiques to their ri ...
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Report On The Restitution Of African Cultural Heritage
''The Restitution of African Cultural Heritage. Toward a New Relational Ethics'' (in French: ''Rapport sur la restitution du patrimoine culturel africain. Vers une nouvelle éthique relationnelle'') is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation. Commissioned by the president of France, Emmanuel Macron, the aim of the report was to assess the history and present state of publicly owned French collections of African artworks originating from illicit or otherwise disputed acquisitions, as well as claims and a plan for subsequent steps for eventual restitutions. More specifically, the report also presents recommendations for the preparation of restitutions, such as international cultural cooperation, provenance research, legal frameworks, and ends with a list of the cultural objects involved, as well as ways ...
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Royal Museum For Central Africa
The Royal Museum for Central Africa or RMCA ( nl, Koninklijk Museum voor Midden-Afrika or KMMA; french: Musée royal de l'Afrique centrale or MRAC; german: Königliches Museum für Zentralafrika or KMZA), also officially known as the AfricaMuseum, is an ethnography and natural history museum situated in Tervuren in Flemish Brabant, Belgium, just outside Brussels. It was built to showcase King Leopold II's Congo Free State in the International Exposition of 1897. The museum focuses on the Congo, a former Belgian colony. The sphere of interest, however, especially in biological research, extends to the whole Congo River basin, Middle Africa, East Africa, and West Africa, attempting to integrate "Africa" as a whole. Intended originally as a colonial museum, from 1960 onwards it has focused more on ethnography and anthropology. Like most museums, it houses a research department in addition to its public exhibit department. Not all research pertains to Africa (e.g. research on ...
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Art Theft
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities. Some famous art theft cases include the robbery of the ''Mona Lisa'' from the Louvre in 1911 by employee Vincenzo Peruggia. Another was theft of ''The Scream'', stolen from the Munch Museum in 2004, but recovered in 2006. The largest-value art theft occurred at the Isabella Stewart Gardner Museum in Boston, when 13 works, worth a combined $500 million were stolen in 1990. The case remains unsolved. Individual theft Many thieves are motivated by the fact that valuable art pieces are worth millions of dollars and weigh only a few kilograms at most. ...
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Authentication
Authentication (from ''authentikos'', "real, genuine", from αὐθέντης ''authentes'', "author") is the act of proving an assertion, such as the identity of a computer system user. In contrast with identification, the act of indicating a person or thing's identity, authentication is the process of verifying that identity. It might involve validating personal identity documents, verifying the authenticity of a website with a digital certificate, determining the age of an artifact by carbon dating, or ensuring that a product or document is not counterfeit. Methods Authentication is relevant to multiple fields. In art, antiques, and anthropology, a common problem is verifying that a given artifact was produced by a certain person or in a certain place or period of history. In computer science, verifying a user's identity is often required to allow access to confidential data or systems. Authentication can be considered to be of three types: The first type of au ...
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Chain Of Custody
Chain of custody (CoC), in legal contexts, is the chronological documentation or paper trail that records the sequence of custody, control, transfer, analysis, and disposition of materials, including physical or electronic evidence. Of particular importance in criminal cases, the concept is also applied in civil litigation and more broadly in drug testing of athletes and in supply chain management, e.g. to improve the traceability of food products, or to provide assurances that wood products originate from sustainably managed forests. It is often a tedious process that has been required for evidence to be shown legally in court. Now, however, with new portable technology that allows accurate laboratory quality results from the scene of the crime, the chain of custody is often much shorter which means evidence can be processed for court much faster. The term is also sometimes used in the fields of history, art history, and archives as a synonym for provenance (meaning the chronolo ...
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French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
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Arnolfini Portrait
''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It forms a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art, because of its beauty, complex iconography, geometric orthogonal perspective, and expansion of the picture space with the use of a mirror. According to Ernst Gombrich "in its own way it was as new and revolutionary as Donatello's or Masaccio's work in Italy. A simple corner of the real world had suddenly been fixed on to a panel as if by magic... For the first time in history the artist became the perfect eye-witness in the truest sense of the term". The portrait has been conside ...
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Archive
An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost alway ...
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John Drewe
John Drewe (born 1948) is a British purveyor of art forgeries who commissioned artist John Myatt to paint them. Drewe earned about £1.8 million executing these art crimes. Early life Drewe was born John Cockett in 1948 in Sussex, England. At the age of 17 he dropped out of school and changed his surname to Drewe. He worked briefly with the British Atomic Energy Authority, having initially convinced his superiors that he had a Ph.D. in physics. He resigned two years later, after this was found to be false. After that, there is a 15-year gap in official records about him — no employment or tax records. According to Drewe himself, he joined the student protests in Paris in 1968, moved to West Germany and studied physics in the Kiel University. When he moved back to the UK, he taught experimental physics at the University of Sussex for a year and received a second degree in physics at SUNY Buffalo. None of those educational institutions have his name on their records. In 1970 ...
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