Processional Antiphon
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Processional Antiphon
A Processional is anything of, and or pertaining to a procession. Processional may also refer to: *Processional (play), ''Processional'' (play), a 1925 play *Roman Processional, the tenth chapter of ''Rituale Romanum'' *Processional cross, a Crucifix held during a Christian procession *Processional walkway, a ceremonial walkway Music *Processional hymn, a hymn or plainchant sung during a Christian procession *''Processional'', piano composition by George Crumb *''Processional'', organ composition by William Mathias (1934-1992) *''Processional'', orchestral composition by Arthur Bliss *''Processional'', organ composition by Grayston Ives See also

* Procession (other) {{disambiguation ...
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Procession
A procession is an organized body of people walking in a formal or ceremonial manner. History Processions have in all peoples and at all times been a natural form of public celebration, as forming an orderly and impressive ceremony. Religious and triumphal processions are abundantly illustrated by ancient monuments, e.g. the religious processions of Egypt, those illustrated by the rock-carvings of Boghaz-Keui, the many representations of processions in Greek art, culminating in the great Panathenaic procession of the Parthenon Frieze, and Roman triumphal reliefs, such as those of the arch of Titus. Greco-Roman practice Processions played a prominent part in the great festivals of Greece, where they were always religious in character. The games were either opened or accompanied by more or less elaborate processions and sacrifices, while processions from the earliest times formed part of the worship of the old nature gods, as those connected with the cult of Dionysus and the Ph ...
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Processional (play)
''Processional: A Jazz Symphony of American Life'' (1925 in literature#New drama, 1925) is a four-Act (drama), act Modernism, modernist Comedy (drama), comedy by the American playwright John Howard Lawson. It was first produced by the Theatre Guild at the Garrick Theatre (New York), Garrick Theatre in New York City, New York, opening on January 12, 1925 in a two-month run. Philip Moeller directed while Mordecai Gorelik designed the sets and costumes. Lee Strasberg played the minor role of First Soldier in the production; Sanford Meisner, too, played a minor part. It was revived in 1937 at the Maxine Elliott Theatre. References * Lawson, John Howard. 1925. ''Processional: A Jazz Symphony of American Life in Four Acts.'' New York: Thomas Seltzer. External links

* * {{IBDB show, 7273, Processional 1925 plays Broadway plays Plays by John Howard Lawson Modernist theatre ...
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Roman Processional
The ''Roman Ritual'' ( la, Rituale Romanum) is one of the official liturgical books of the Roman Rite of the Catholic Church. It contains all of the services which may be performed by a priest or deacon which are not contained within either the ''Missale Romanum'', the '' Pontificale Romanum'' or the ''Caeremoniale Episcoporum''. The book also contains some of the rites which are contained in only one of these books for convenience. Since 1969, the ''Roman Ritual'' is split into different books according to their subject for standard usage within the Latin Church, with the 1952 edition of the ''Roman Ritual'' still in regular use by priests and communities that use pre-Vatican II rites. History When first ritual functions books were written, the Sacramentary in the West and the Euchologion in the East, they contained all the priest's (and bishop's) part of whatever functions they performed, not only for the Mass or Divine Liturgy, but for all other sacraments, blessings, sacramen ...
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Processional Cross
A processional cross is a crucifix or cross which is carried in Christian processions. Such crosses have a long history: the Gregorian mission of Saint Augustine of Canterbury to England carried one before them "like a standard", according to Bede. Other sources suggest that all churches were expected to possess one. They became detachable from their staffs, so that the earliest altar crosses were processional crosses placed on a stand at the end of the procession. In large churches the "crux gemmata", or richly jewelled cross in precious metal, was the preferred style. Notable early examples include the Cross of Justin II (possibly a hanging votive cross originally), Cross of Lothair, and Cross of Cong. Eastern Orthodoxy In the Eastern Orthodox Church, there are different traditions surrounding the use of the processional cross. Traditional practice, still followed among churches of the Russian or other Slavic traditions, is that the use of the processional cross during t ...
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Processional Walkway
A processional walkway is a ceremonial walkway in use since ancient times. Common functions of a processional walkway are for religious, governmental or celebratory purposes. Early examples of this type of pedestrian travel way can be found in Egypt, Babylon and Crete. Ancient processional walkways were often associated with the design of palaces such as Phaistos on Minoan Crete. The processional walkway is also an element of contemporary outdoor garden design.Steven L. Cantor, ''Contemporary Trends in Landscape Architecture'', 1996, John Wiley and Sons, United States, 348 pages See also *Footpath *Promenade An esplanade or promenade is a long, open, level area, usually next to a river or large body of water, where people may walk. The historical definition of ''esplanade'' was a large, open, level area outside fortress or city walls to provide cl ... References Types of streets Pedestrian infrastructure Garden features Footpaths {{road-stub ...
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Processional Hymn
A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian Church, Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. Occasionally, a service will also contain a recessional hymn, although in the Protestant tradition this is usually an organ voluntary (music), voluntary. The genre first appears in the early Middle Ages, and is a distinct genre from breviary hymns, often containing a refrain. With its longer cathedrals and churches, England was particularly rich in these and several are to be found in the ''Sarum Processional''. In ''The English Hymnal'' nos. 613 to 640 are described as "Processional" and nos. 641 to 646 are "Suitable for use in procession". The processional hymns include "Of the Father's Heart Begotten" (''Corde natus ex parentis'', by Prudentius), "Ride On, Ride On in Majesty!"(by Henr ...
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George Crumb
George Henry Crumb Jr. (24 October 1929 – 6 February 2022) was an American composer of avant-garde contemporary classical music. Early in his life he rejected the widespread modernist usage of serialism, developing a highly personal musical language which "range in mood from peaceful to nightmarish". Crumb's compositions are known for pushing the limits of technical prowess by way of frequent use of extended techniques. The unusual timbres he employs evoke a surrealist atmosphere which portray emotions of considerable intensity with vast and sometimes haunting soundscapes. His few large-scale works include '' Echoes of Time and the River'' (1967), which won the 1968 Pulitzer Prize for Music, and ''Star-Child'' (1977), which won the 2001 Grammy Award for Best Contemporary Classical Composition; however, his output consists of mostly music for chamber ensembles or solo instrumentalists. Among his best known compositions are '' Black Angels'' (1970), a striking commentary on the ...
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William Mathias
William James Mathias CBE (1 November 1934 – 29 July 1992) was a Welsh composer noted for choral works. Biography Mathias was born in Whitland, Carmarthenshire. A child prodigy, he started playing the piano at the age of three and began composing at the age of five. At Aberystwyth University Mathias was a member of the Elizabethan Madrigal Singers and wrote 'Gloria in Excelsis Deo' for them in 1954. He studied at the Royal Academy of Music under Lennox Berkeley, where he was elected a Fellow in 1965. In 1968, he was awarded the Bax Society Prize of the Harriet Cohen International Music Award. He was professor of music and head of department in the University of Wales, Bangor, from 1970 until 1988. His compositions include large scale works, including an opera, ''The Servants'' (1980), three symphonies and three piano concertos. Much of his music was written for the Anglican choral tradition, most famously the anthem ''Let the people praise Thee, O God'' written for ...
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Arthur Bliss
Sir Arthur Edward Drummond Bliss (2 August 189127 March 1975) was an English composer and conductor. Bliss's musical training was cut short by the First World War, in which he served with distinction in the army. In the post-war years he quickly became known as an unconventional and Modernism (music), modernist composer, but within the decade he began to display a more traditional and romantic side in his music. In the 1920s and 1930s he composed extensively not only for the concert hall, but also for films and ballet. In the Second World War, Bliss returned to England from the US to work for the BBC and became its director of music. After the war he resumed his work as a composer, and was appointed Master of the Queen's Music. In Bliss's later years, his work was respected but was thought old-fashioned, and it was eclipsed by the music of younger colleagues such as William Walton and Benjamin Britten. Since his death, his compositions have been well represented in recordin ...
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Grayston Ives
Grayston ‘Bill’ Ives (born 1948) is a British composer, singer and choral director. Until March 2009, Ives was Organist, ''Informator Choristarum'' and Fellow and Tutor in Music at Magdalen College, Oxford. In this role he was responsible for the daily musical life of the college chapel. He also directed the choir in recordings on the Harmonia Mundi label: ''With a Merrie Noyse'', made with the viol consort Fretwork and featuring the works of the English composer Orlando Gibbons, was nominated for a Grammy in 2004. Paul McCartney's ''Ecce Cor Meum'' was written especially for Magdalen College Choir and the subsequent EMI recording won the Classical BRIT Award for Album of the Year in 2007. Other recordings with Magdalen College Choir include ''Listen Sweet Dove'', a selection of Grayston Ives' liturgical works, and Duruflé's ''Requiem''. The choir developed a fruitful relationship with film composer, George Fenton, notably in ''Shadowlands'' (1993), directed by Richard Attenb ...
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