Pièce D'occasion
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Pièce D'occasion
A pièce d'occasion () like the word ''pièce'' meaning preparing and ''d'occasion'' meaning for special occasion suggests pis a composition, dance or theatrical piece composed, often commissioned, for a festive occasion. Examples * ''The Dying Swan'', ballet by Mikhail Fokine (to Camille Saint-Saëns's cello solo ''Le cygne'') for the ballerina Anna Pavlova (1905) * ''Fanfare for a Prince'', ballet by John Taras (1956) * ''Dance Preludes'', ballet by Miriam Mahdaviani (1991) * ''FOR 4'', dance by Christopher Wheeldon (to Franz Schubert's '' Death and the Maiden'') (2006) * ''Silla'', opera seria by Handel (1713) * ''Elvida'', opera by Gaetano Donizetti (1826) * ''Entrez, messieurs, mesdames'', pièce d'occasion by Offenbach (1855) * ''Les dragées du baptême'', pièce d'occasion by Offenbach (1856) * '' La statue retrouvée'' (1923), an entertainment for a private costume ball in Paris with music by Erik Satie, scenario by Jean Cocteau, designs by Pablo Picasso and choreogra ...
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The Dying Swan
''The Dying Swan'' (originally ''The Swan'') is a solo dance choreographed by Mikhail Fokine to Camille Saint-Saëns's ''Le Cygne'' from ''Le Carnaval des animaux'' as a '' pièce d'occasion'' for the ballerina Anna Pavlova, who performed it about 4,000 times. The short ballet (4 minutes) follows the last moments in the life of a swan, and was first presented in St. Petersburg, Russia in 1905. The ballet has since influenced modern interpretations of Odette in Tchaikovsky's ''Swan Lake'' and has inspired non-traditional interpretations as well as various adaptations. Background Inspired by swans that she had seen in public parks and by Lord Tennyson's poem "The Dying Swan", Anna Pavlova, who had just become a ballerina at the Mariinsky Theatre, asked Michel Fokine to create a solo dance for her for a 1905 gala concert being given by artists from the chorus of the Imperial Mariinsky Opera. Fokine suggested Saint-Saëns's cello solo, ''Le Cygne'', which Fokine had been playing at h ...
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Elvida
''Elvida'' is a ''melodramma'' or opera in one act by Gaetano Donizetti. Giovanni Schmidt wrote the Italian libretto. The opera was written as a ''pièce d'occasion'' for the birthday of María Isabella of Spain, Queen Maria of the Two Sicilies. The choice of subject matter was no doubt intended as an elegant acknowledgement of the Queen's Spanish ancestry. Donizetti received little financial reward for the work and, as a result, put the minimum of effort into its composition. ''Elvida'' was first performed on 6 July 1826 at the Teatro San Carlo in Naples, but it "made little impression on the audience"Osborne 1994, pp. 162—63 After three performances, the piece lay forgotten until its performances and recordings in 2004. Roles Synopsis :Place: A fortified town in the Emirate of Granada. :Time: The late fifteenth century. Scene 1 During the struggle for control of southern Spain, Elvida, a noble Kingdom of Castile, Castilian lady, has been captured by the Moors. For two mo ...
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Occasional Poetry
Occasional poetry is poetry composed for a particular occasion. In the history of literature, it is often studied in connection with orality, performance, and patronage. Term As a term of literary criticism, "occasional poetry" describes the work's purpose and the poet's relation to subject matter. It is not a genre, but several genres originate as occasional poetry, including epithalamia (wedding songs), dirges or funerary poems, paeans, and victory odes. Occasional poems may also be composed exclusive of or within any given set of genre conventions to commemorate single events or anniversaries, such as birthdays, foundings, or dedications. Occasional poetry is often lyric because it originates as performance, in antiquity and into the 16th century even with musical accompaniment; at the same time, because performance implies an audience, its communal or public nature can place it in contrast with the intimacy or personal expression of emotion often associated with the term "ly ...
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George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as ''Man and Superman'' (1902), ''Pygmalion'' (1913) and '' Saint Joan'' (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years ...
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How He Lied To Her Husband
''How He Lied to Her Husband'' is a one-act comedy play by George Bernard Shaw, who wrote it, at the request of actor Arnold Daly, over a period of four days while he was vacationing in Scotland in 1904. In its preface he described it as "a sample of what can be done with even the most hackneyed stage framework by filling it in with an observed touch of actual humanity instead of with doctrinaire romanticism." The play has often been interpreted as a kind of satirical commentary on Shaw's own highly successful earlier play '' Candida'' (which one of the characters gets tickets to see). It was first performed by Daly in New York as a curtain raiser for ''The Man of Destiny''. The original 1905 London cast were Harley Granville-Barker as Henry Apjohn, A. G. Poulton as Teddy Bompas, and Gertrude Kingston as Aurora Bompas. Characters *Her Lover (Henry Apjohn) *Her Husband (Teddy Bompas) *Herself (Aurora Bompas) Plot The three-character play is set in the drawing room of a flat loc ...
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Leonide Massine
Leonide or Léonide is a masculine given name which may refer to: * Leonide or Leonid of Georgia (1861–1921), Catholicos-Patriarch of All Georgia * Leonid Berman (1896–1976), Russian Neo-romantic painter and theater and opera designer * Léonide H. Cyr (1926–2009), Canadian politician * Léonide Massine, French transliteration of Leonid Fyodorovich Myasin (1896–1979), Russian choreographer and ballet dancer * Léonide Moguy (1899–1976), born Leonid Mogilevsky, Russian-born French film director, screenwriter and film editor See also * Leonid Leonid (russian: Леонид ; uk, Леонід ; be, Леанід, Ljeaníd ) is a Slavic version of the given name Leonidas. The French version is Leonide. People with the name include: *Leonid Andreyev (1871–1919), Russian playwright a ..., another given name {{given name Masculine given names ...
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Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907), and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), Guernica (Picasso)#Composition, a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimente ...
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Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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La Statue Retrouvée
''La statue retrouvée'' (''The Discovered Statue'') is a short composition for trumpet and organ by Erik Satie. Commissioned as a danced pièce d'occasion, it was originally set to a scenario by Jean Cocteau and featured choreography by Léonide Massine and costumes designed by Pablo Picasso. Its only performance in this form took place in Paris on May 30, 1923. The work is notable for reuniting the creative team behind Serge Diaghilev's landmark 1917 ballet ''Parade (ballet), Parade''. Today only Satie's music survives. History In December 1922, Satie was invited by Count Étienne de Beaumont (1883-1956) and his wife Edith (1877-1952) to compose a ''divertissement'' for their upcoming annual masquerade ball, a glamorous high society affair. Its theme was "The Antiquity of Louis XIV of France, Louis XIV" and the entertainment would consist of a series of musical tableaux vivants performed by select members among the distinguished guests. One of Satie's tasks was to help showcas ...
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