|
Pick-up Shots
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When entire scenes are redone, it is referred to as a re-shoot or additional photography. On set During principal photography, the director may choose to ask for another take (meaning that every movable object and person in the scene returns to their starting positions and the entire shot is recorded all over again), or may ask for a pick-up shot of only the faulty portion of an otherwise satisfactory take. In the latter situation, the script supervisor is expected to record in their notes that a pick-up shot was called for (so the film editor can understand and correctly edit the resulting footage) and also help prompt or " cue" the relevant actor by reading the last line before that actor's line. It is increasingly common for a director to not immediately call "cut" after a blooper, but instead leave the camera rolling and call for a pick-up, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cue (theatrical)
A theatrical cue is the trigger for an action to be carried out at a specific time. It is generally associated with theatre and the film industry. They can be necessary for a lighting change or effect, a sound effect, or some sort of stage or set movement/change. Types Cues are generally given by the stage manager as a verbal signal over the headset system or backstage intercom, by a signal with a 'cue light' or by a show control system. There are 3 types of cues given. Warning, Standby, and Go. *Warning: Given about a minute prior to the cue and gives time for crew members to get ready and make sure everything is set (this is especially important with cues for set or rail changes). *Standby: Given a few seconds before the cue and tells the crew members everything should be set and they should be standing by to go. *Go: Given at the moment the cue should be executed. This sets the crew members in action. Calling and execution There are several common methods for the stage manag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-roll
In film and television production, B-roll, B roll, B-reel or B reel is supplemental or alternative footage intercut with the main shot. The term ''A-roll'', referring to main footage, has fallen out of use. Film and video production Films and videos may cut away from the main story to show related scenery or action. Establishing shots may be used to show the audience the context of the story. These secondary images are often presented without sound, or with very low level sound, as the sound from the primary footage is expected to continue while the other images are shown. The various shots presented without sound are called ''B-roll''. B-roll may be shot by smaller second unit crews, since there is no need for sound. In film, smaller MOS cameras, lacking sound circuitry, may be used for greater portability and ease of setup. In electronic news-gathering (ENG) and documentary film projects, B-roll footage is often shot after the main interview is shot, to provide supporting s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot Hole
In fiction, a plot hole, plothole or plot error is a gap or inconsistency in a storyline that goes against the flow of logic established by the story's plot. Plot holes are usually created unintentionally, often as a result of editing or the writers simply forgetting that a new event would contradict previous events. However, the term is also frequently applied incorrectly—for example, a character intentionally written to take irrational action would not constitute a plot hole, nor would "loose ends" or unexplained aspects of the story. Types Types of plot hole include: ;Factual errors: Historical anachronisms, or incorrect statements about the world. ;Impossible events: Something that defies the laws of science, as established for the story's setting. ;Out-of-character behavior: A character acting in a way that, based on their understanding of the options available to them, they would not realistically choose. ;Continuity errors: Events in the story which contradict those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. Common techniques of continuity editing Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutaway (filmmaking)
In film and video, a cutaway is the interruption of a continuously filmed action by inserting a view of something else. It is usually followed by a cut back to the first shot. A cutaway scene is the interruption of a scene with the insertion of another scene, generally unrelated or only peripherally related to the original scene. The interruption is usually quick, and is usually, although not always, ended by a return to the original scene. The effect is of commentary to the original scene, frequently comic in nature. Usage The most common use of cutaway shots in dramatic films is to adjust the pace of the main action, to conceal the deletion of some unwanted part of the main shot, or to allow the joining of parts of two versions of that shot. For example, a scene may be improved by cutting a few frames out of an actor's pause; a brief view of a listener can help conceal the break. Or the actor may fumble some of his lines in a group shot; rather than discarding a good version of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Cut
A jump cut is a cut (transition), cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (film)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Supervisor
A script supervisor (also called continuity supervisor or script) is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scene. They are also responsible for keeping track of the film production unit's daily progress. The script supervisor credit typically appears in the closing credits of a motion picture. Script supervisors are a department head and play a crucial role in the shooting of a film. It is the script supervisor's job to monitor the camera shots, seeking to maintain coherence between the scenes. In the most basic description, the script supervisor is the editor's and writer's representative on set, as well as being the right hand aide to the director and the director of photography. It is the script supervisor's job to make sure that the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Close-up")
