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Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork Basket, Bow, C
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Interrasile
Opus interrasile, ''lit''. 'work shaved or scraped in-between' is a pierced openwork metalworking technique found from the 3rd century AD, and remaining popular in Byzantine jewellery. It was developed and popularized in Rome, where metalworkers used it to make arabesques and other similar designs. The technique involves punching holes in metal to simulate lattice patterns, openwork gold jewelry, and so on. Patterns were often drawn on the metal, and then various tools used to remove the desired pieces. The technique may be referred more generically to as openwork or pierced work. The equivalent technique in Japan is called sukashibori is the Japanese term for openwork or pierced work, using various techniques in metalworking and other media, in which the foreground design is left intact, while background areas are cut away and removed (or the converse may be performed). (revi ..., and is found in Buddhist art. References * * * Ancient art in metal Jewellery making Anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incense Burner
A censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small table top objects a few centimetres tall to as many as several metres high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Often, especially in Western contexts, "censer" is used for pieces made for religious use, especially those on chains that are swung through the air to spread the incense smoke widely, while "perfume burner" is used for objects made for secular use. The original meaning of pastille was a small compressed mixture of aromatic plant material and charcoal that was l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukashibori
is the Japanese term for openwork or pierced work, using various techniques in metalworking and other media, in which the foreground design is left intact, while background areas are cut away and removed (or the converse may be performed). (revised edition; 1964 first ed.), p.132/133 The resulting piece becomes see-through (''sukashi'') and hence the name. Traditional artisans worked on piece of cast metal (or hammered metal) such as bronze as medium. In traditional metalworking (''chōkin'', ), the carving tools they used were the piercing burin (''sukashi-tagane'', ) and scroll saw (''tsurubiki-noko''(?), )., p. 132. 「弦引鋸」is the word used here for the scroll saw, but no other instance of the word can be found in other sources, and the reading of the word is a guess. it may be ''tsuruhiki nokogiri'', for instance The type where the foreground pattern is preserved and the background removed is called , and the reverse is called . In Buddhist art, or lotus motif is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomander
A pomander, from French ''pomme d'ambre'', i.e., apple of amber, is a ball made for perfumes, such as ambergris (hence the name), musk, or civet. The pomander was worn or carried in a vase, also known by the same name, as a protection against infection in times of pestilence or merely as a useful article to modify bad smells. The globular cases which contained the pomanders were hung from a neck-chain or belt, or attached to the girdle, and were usually perforated in a variety of openwork techniques, and made of gold or silver. Sometimes they contained several partitions, in each of which was placed a different perfume. The term "pomander" can refer to the scented material itself or to the container that contains such material. The container could be made of gold or silver and eventually evolved to be shaped like nuts, skulls, hearts, books and ships. Smaller versions were made to be attached by a chain to a finger ring and held in the hand. Even smaller versions served as cape b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cage Cup
A cage cup, also ''vas diatretum'', plural ''diatreta'', or "reticulated cup" is a type of luxury late Roman glass vessel, found from roughly the 4th century, and "the pinnacle of Roman achievements in glass-making". ''Diatreta'' consist of an inner beaker and an outer cage or shell of decoration that stands out from the body of the cup, to which it is attached by short stems or shanks. About fifty cups or, more often, fragments have survived, and there are only a few in near-complete condition. Most have a cage with circular geometrical patterns, often with an "inscription", or phrase in letters above the reticulated area as well. Some have a flange, or zone of projecting open-cut moulding, above the lower patterns and below the lettering (only illustrated here by the Cologne cup in the gallery). Even rarer are examples with scenes with figures, of which the Lycurgus Cup in the British Museum is the only complete example to survive, though there are other fragments. In this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latticework
__NOTOC__ Latticework is an openwork framework consisting of a criss-crossed pattern of strips of building material, typically wood or metal. The design is created by crossing the strips to form a grid or weave. Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or ''transenna'' (plural ''transenne''). In India, the house of a rich or noble person may be built with a ''baramdah'' or verandah surrounding every level leading to the living area. The upper floors often have balconies overlooking the street that are shielded by latticed screens carved in stone called jalis which keep the area cool and give privacy. Examples File:Amber Fort Screen (6652771501).jpg, Lattice screen at Amber Fort File:Masuleh Window.jpg, La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ''ukiyo-e'' paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythian Art
Scythian art is the art associated with Scythian cultures, primarily decorative objects, such as jewellery, produced by the nomadic tribes of the area known as Scythia, which encompassed Central Asia, parts of Eastern Europe east of the Vistula River, and parts of South Asia, with the eastern edges of the region vaguely defined by ancient Greeks. The identities of the nomadic peoples of the steppes is often uncertain, and the term "Scythian" should often be taken loosely; the art of nomads much further east than the core Scythian territory exhibits close similarities as well as differences, and terms such as the "Scytho-Siberian world" are often used. Other Eurasian nomad peoples recognised by ancient writers, notably Herodotus, include the Massagetae, Sarmatians, and Saka, the last a name from Persian sources, while ancient Chinese sources speak of the Xiongnu or Hsiung-nu. Modern archaeologists recognise, among others, the Pazyryk, Tagar, and Aldy-Bel cultures, with the furt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrought Iron
Wrought iron is an iron alloy with a very low carbon content (less than 0.08%) in contrast to that of cast iron (2.1% to 4%). It is a semi-fused mass of iron with fibrous slag Inclusion (mineral), inclusions (up to 2% by weight), which give it a wood-like "grain" that is visible when it is etched, rusted, or bent to structural failure, failure. Wrought iron is tough, malleable, ductile, corrosion resistant, and easily forge welding, forge welded, but is more difficult to welding, weld electrically. Before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. It was given the name ''wrought'' because it was hammered, rolled, or otherwise worked while hot enough to expel molten slag. The modern functional equivalent of wrought iron is Carbon steel#Mild or low-carbon steel, mild steel, also called low-carbon steel. Neither wrought iron nor mild steel contain enough carbon to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass
Glass is a non-crystalline, often transparent, amorphous solid that has widespread practical, technological, and decorative use in, for example, window panes, tableware, and optics. Glass is most often formed by rapid cooling (quenching) of the molten form; some glasses such as volcanic glass are naturally occurring. The most familiar, and historically the oldest, types of manufactured glass are "silicate glasses" based on the chemical compound silica (silicon dioxide, or quartz), the primary constituent of sand. Soda–lime glass, containing around 70% silica, accounts for around 90% of manufactured glass. The term ''glass'', in popular usage, is often used to refer only to this type of material, although silica-free glasses often have desirable properties for applications in modern communications technology. Some objects, such as drinking glasses and eyeglasses, are so commonly made of silicate-based glass that they are simply called by the name of the material. Despite bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
