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Oneiric (film Theory)
In film theory, the term oneiric ( , adjective; "pertaining to dreams") refers to the depiction of dream-like states or to the use of the metaphor of a dream or the dream-state in the analysis of a film. The term comes from the Greek Oneiros, Óneiros, the personification of dreams. History Early film theorists such as Ricciotto Canudo (1879–1923) and Jean Epstein (1897–1953) argued that films had a dreamlike quality. Raymond Bellour and Guy Rosolato have made psychoanalytical analogies between films and the dream state, claiming films as having a "latent" content that can be psychoanalysis, psychoanalyzed as if it were a dream. Lydia Marinelli states that before the 1930s, psychoanalysts "primarily attempted to apply the interpretative schemata found in Sigmund Freud's ''Interpretation of Dreams'' to films." Author Douglas Fowler surmises that "images arising from dreams are the well spring of all our efforts to give enduring form and meaning to the urgencies within," seeing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Parajanov
Sergei Parajanov, ka, სერგო ფარაჯანოვი, uk, Сергій Параджанов (January 9, 1924 – July 20, 1990) was an Armenian filmmaker. Parajanov is regarded by film critics, film historians and filmmakers to be one of the greatest and most influential filmmakers in cinema history. He invented his own cinematic style, which was out of step with the guiding principles of socialist realism; the only sanctioned art style in the USSR. This, combined with his lifestyle and behaviour, led Soviet authorities to repeatedly persecute and imprison him, and suppress his films. Despite this, Parajanov was named one of the 20 Film Directors of the Future by the Rotterdam International Film Festival, and his films were ranked among the greatest films of all time by the British Film Institute's magazine Sight & Sound. Although he started professional film-making in 1954, Parajanov later disowned all the films he made before 1965 as "garbage". After directi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaromil Jireš
Jaromil Jireš (10 December 1935 – 24 October 2001) was a director associated with the Czechoslovak New Wave movement. His 1963 film '' The Cry'' was entered into the 1964 Cannes Film Festival. It is often described as the first film of the Czechoslovak New Wave, a movement known for its dark humor, use of non-professional actors, and "art-cinema realism". Another of Jireš's prominent works is '' The Joke'' (1969), adapted from a novel by Milan Kundera. It tells the story of Ludvik Jahn, a man expelled from the Czechoslovakian Communist Party for an idle joke to his girlfriend, and the revenge he later seeks through adultery. The film was produced during the political liberalization of the 1968 Prague Spring and contains many scenes which satirize and criticize the country's communist leadership. Released after the Warsaw Pact invasion of Czechoslovakia, the film had initial success in theaters but was then banned by authorities for the next twenty years. Amos Vogel wrote tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zabriskie Point (film)
''Zabriskie Point'' is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the 1960s, counterculture of the United States. Some of the film's scenes were shot on location at Zabriskie Point in Death Valley. The film was an overwhelming commercial failure,Smith, Matt"Zabriskie Point.'''Brattle Theatre Film Notes ''. Retrieved: September 19, 2012. and was panned by most critics upon release. Its critical standing has increased, however, in the decades since. It has to some extent achieved cult film, cult status and is noted for its cinematography, use of music, and direction.Allwood, Emma Hope"Three things you don't know about Zabriskie Point."''Dazed'', July 2015. Retrieved: November 21, 2016. Plot In a room at a university campus in 1970, white and black students argue about an impending student strike. Mark (Mark Frechette) leaves the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passenger (1975 Film)
''The Passenger'' ( it, Professione: reporter) is a 1975 drama film directed by Michelangelo Antonioni. Written by Antonioni, Mark Peploe, and Peter Wollen, the film is about a disillusioned Anglo-American journalist, David Locke (Jack Nicholson), who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in the current civil war. Along the way, he is accompanied by an unnamed young woman (Maria Schneider). ''The Passenger'' was the final film in Antonioni's three-picture deal with producer Carlo Ponti and Metro-Goldwyn-Mayer, after ''Blowup'' (1966) and ''Zabriskie Point'' (1970). During the film's release, it was in competition for the Palme d'Or at the Cannes Film Festival. Plot David Locke (Jack Nicholson) is a television journalist making a documentary film about post-colonial Africa. In order to finish the film, he is in the Sahara in northern Chad seeking to meet wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Antonioni
Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962)—as well as the English-language film ''Blow-up'' (1966), all considered masterpieces of world cinema. His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Early life Antonioni was born into a prosperous family of landowners in Ferrara, Emilia Romagna, in northern Italy. He was the son of Elisabetta (née Roncagli) and Ismaele Antonioni. The director explained to Italian film cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dog Star Man
''Dog Star Man'' is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in instalments between 1961 and 1964 and comprises a prelude and four parts. In 1992, ''Dog Star Man'' was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Described as a "cosmological epic" and "creation myth" (particularly the ''Prelude''), ''Dog Star Man'' illustrates the odyssey of a bearded woodsman (Brakhage) climbing through a snow-covered mountain with his dog to chop down a tree. While doing so, he witnesses various mystical visions with various recurring imagery such as a woman, child, nature, and the cosmos while making his ascent. The five short films all form one larger film, and they are almost always shown together as one film. In 1965, Brakhage us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage and innocence. His films are for the most part silen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solaris (1972 Film)
''Solaris'' (russian: link=no, Солярис, tr. ''Solyaris'') is a 1972 Soviet science fiction drama film based on Stanisław Lem's 1961 novel of the same title. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev and features a composition by J.S. Bach as its main theme. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station to evaluate the situation, only to encounter the same mysterious phenomena as the others. ''Solaris'' won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was nominated for the Palme d'Or. It received critical acclaim, and is often cited as one of the greatest science fiction films in the history of cinema. The film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Rublev (film)
''Andrei Rublev'' (russian: Андрей Рублёв, ''Andrey Rublyóv'') is a 1966 Soviet Union, Soviet Art film, arthouse Biographical film, biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. The film was re-edited from the 1966 film titled ''The Passion According to Andrei'' by Tarkovsky which was censored during the first decade of the History of the Soviet Union (1964–1982), Brezhnev era in the Soviet Union. The film is loosely based on the life of Andrei Rublev, the 15th-century Russian Iconography, icon painter. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev (actor), Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. Savva Yamshchikov, a famous Russian restorer and Art history, art historian, was a scientific consultant of the film. ''Andrei Rublev'' is set against the background of early-Grand Duchy of Moscow, 15th-century Russia. Although the film is only loo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their Slow cinema, slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's Gerasimov Institute of Cinematography, VGIK under filmmaker Mikhail Romm, and subsequently directed his first five feature film, features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev (film), Andrei Rublev'' (1966), ''Solaris (1972 film), Solaris'' (1972), ''Mirror (1975 film), Mirror'' (1975), and ''Stalker (1979 film), Stalker'' (1979). A number of his films from this period are ranked among the List of films considered the best, best films ever made. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulholland Drive (film)
''Mulholland Drive'' (stylized as ''Mulholland Dr.'') is a 2001 surrealist neo-noir mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Mark Pellegrino, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. The story follows several other vignettes and characters, including a Hollywood film director (Theroux). The American-French co-production was originally conceived as a television pilot, and a large portion of the film was shot in 1999 with Lynch's plan to keep it open-ended for a potential series. After viewing Lynch's cut, however, television executives rejected it. Lynch then provided an ending to the project, making it a feature film. The half-pilot, half-feature result, along with Lynch's characteristic surrealist style, has left the general meaning of the fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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