Nudity In Art
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Nudity In Art
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in th ...
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Obscene
An obscenity is any utterance or act that strongly offends the prevalent morality of the time. It is derived from the Latin ''obscēnus'', ''obscaenus'', "boding ill; disgusting; indecent", of uncertain etymology. Such loaded language can be used to indicate strong moral repugnance and outrage, in expressions such as "obscene profits" and "the obscenity of war". As a legal term, it usually refers to graphic depictions of people engaged in sexual and excretory activity, and related utterances of profane speech. United States obscenity law In the United States, issues of obscenity raise issues of limitations on the freedom of speech and of the press, which are otherwise protected by the First Amendment to the Constitution of the United States. Federal obscenity law in the U.S. is unusual in that there is no uniform national standard. Former Justice Potter Stewart of the Supreme Court of the United States, in attempting to classify what material constituted exactly "what is o ...
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Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ...
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Cycladic Civilization
Cycladic culture (also known as Cycladic civilisation or, chronologically, as Cycladic chronology) was a Bronze Age culture (c. 3200–c. 1050 BC) found throughout the islands of the Cyclades in the Aegean Sea. In chronological terms, it is a relative dating system for artifacts which broadly complement Helladic chronology (mainland Greece) and Minoan chronology (Crete) during the same period of time. History The significant Late Neolithic and Early Bronze Age Cycladic culture is best known for its schematic flat female idols carved out of the islands' pure white marble centuries before the great Middle Bronze Age ("Minoan") culture arose in Crete, to the south. These figures have been stolen from burials to satisfy the Cycladic antiquities market since the early 20th century. Only about 40% of the 1,400 figurines found are of known origin, since looters destroyed evidence of the rest. A distinctive Neolithic culture amalgamating Anatolian and mainland Greek elements arose in t ...
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Bronze Age
The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second principal period of the three-age system proposed in 1836 by Christian Jürgensen Thomsen for classifying and studying ancient societies and history. An ancient civilization is deemed to be part of the Bronze Age because it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from production areas elsewhere. Bronze is harder and more durable than the other metals available at the time, allowing Bronze Age civilizations to gain a technological advantage. While terrestrial iron is naturally abundant, the higher temperature required for smelting, , in addition to the greater difficulty of working with the metal, placed it out of reach of common use until the end o ...
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Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ...
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Classical Greece
Classical Greece was a period of around 200 years (the 5th and 4th centuries BC) in Ancient Greece,The "Classical Age" is "the modern designation of the period from about 500 B.C. to the death of Alexander the Great in 323 B.C." ( Thomas R. Martin, ''Ancient Greece'', Yale University Press, 1996, p. 94). marked by much of the eastern Aegean and northern regions of Greek culture (such as Ionia and Macedonia) gaining increased autonomy from the Persian Empire; the peak flourishing of democratic Athens; the First and Second Peloponnesian Wars; the Spartan and then Theban hegemonies; and the expansion of Macedonia under Philip II. Much of the early defining politics, artistic thought (architecture, sculpture), scientific thought, theatre, literature and philosophy of Western civilization derives from this period of Greek history, which had a powerful influence on the later Roman Empire. The Classical era ended after Philip II's unification of most of the Greek world against th ...
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First Babylonian Dynasty
The Old Babylonian Empire, or First Babylonian Empire, is dated to BC – BC, and comes after the end of Sumer, Sumerian power with the destruction of the Third Dynasty of Ur, and the subsequent Isin-Larsa period. The chronology of the first dynasty of Babylonia is debated, since there is a Babylonian King List A and also a Babylonian King List B. In this chronology, the regnal years of List A are used due to their wide usage. The reign lengths given in List B are longer, generally speaking. Hardship of searching for origins of the First Dynasty The actual origins of the First Babylonian dynasty are rather hard to pinpoint with great certainty — simply because Babylon itself, due to a high water table, yields very few archaeological materials intact. Thus, the evidence that survived throughout the years includes written records such as royal and votive inscriptions, literary texts, and lists of year-names. The minimal amount of evidence in economic and legal documents makes i ...
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Burney Relief
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old- Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. The relief is displayed in the British Museum in London, which has dated it between 1800 and 1750 BCE. It originates from southern Mesopotamia, but the exact find-site is unknown. Apart from its distinctive iconography, the piece is noted for its high relief and relatively large size making it a very rare survival from the period. The authenticity of the object has been questioned from its first appearance in the 1930s, but opinion has generally moved in its favour over the subsequent decades. Provenance Initially in the possession of a Syrian dealer, who may have acquired the plaque in southern Iraq in 1924, the relief was deposited at the British Museum in London and analysed by Dr. H.J. Ple ...
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Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat and Papsukkal). Inanna was worshiped in Sumer at least as early as the Uruk period ( 4000 BCE – 3100 BCE), but she had little cult activity before the conques ...
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Astarte
Astarte (; , ) is the Hellenized form of the Ancient Near Eastern goddess Ashtart or Athtart (Northwest Semitic), a deity closely related to Ishtar (East Semitic), who was worshipped from the Bronze Age through classical antiquity. The name is particularly associated with her worship in the ancient Levant among the Canaanites and Phoenicians, though she was originally associated with Amorite cities like Ugarit and Emar, as well as Mari and Ebla. She was also celebrated in Egypt, especially during the reign of the Ramessides, following the importation of foreign cults there. Phoenicians introduced her cult in their colonies on the Iberian Peninsula. Name Astarte was a goddess of both the Canaanite and the Phoenician pantheon, derived from an earlier Syrian deity. She is recorded in Akkadian as (), the feminine form of Ishtar.K. van der Toorn, Bob Becking, Pieter Willem van der Horst, Dictionary of Deities and Demons in the Bible', p. 109-10. The name appears in Ugaritic as ...
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Art Of The Upper Palaeolithic
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic. "we present dating results for three sites in Spain that show that cave art emerged in Iberia substantially earlier than previously thought. Uranium-thorium (U-Th) dates on carbonate crusts overlying paintings provide minimum ages for a red linear motif in La Pasiega (Cantabria), a hand stencil in Maltravieso (Extremadura), and red-painted speleothems in Ardales (Andalucía). Collectively, these results show that cave art in Iberia is older than ...
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