Novelette (music)
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Novelette (music)
A novelette is "a short piece of lyrical music, especially one for the piano". The word was used by the composer Robert Schumann as a title for some piano pieces, a choice that reflected his literary background and interests. The music in question (op. 21, and op. 99 no. 9) is episodic, however, and does not especially resemble a narrative. The name may also allude to Clara Novello. Schumann was followed by Niels Gade, Theodor Kirchner, Stephen Heller, Anatoly Lyadov, and much later, by Poulenc ('' Trois novelettes''), Lutosławski ("Novelette for Orchestra"), Chaminade, Tcherepnin, Josef Tal, and George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ... ("Novelette in Fourths"). References Musical terminology Robert Schumann {{music-stub ...
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Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Clara Novello
Clara Anastasia Novello (10 June 1818 – 12 March 1908) was an acclaimed soprano, the fourth daughter of Vincent Novello, a musician and music publisher, and his wife, Mary Sabilla Hehl. Her acclaimed soprano and pure style made her one of the greatest vocalists, alike in opera, oratorio and on the concert stage, from 1833 onwards. In 1843 she married Count Gigliucci, and retired in 1861. Charles Lamb wrote a poem ("To Clara N.") in her praise. Biography She was born in Oxford Street, London, on 10 June 1818, the fourth daughter of Vincent Novello and Mary Sabilla Hehl. Mary Victoria Cowden Clarke was her eldest sister. Clara was taken in childhood to York, and was placed under Miss Hill, the leading singer, and John Robinson, organist of the Roman Catholic chapel there. Her talents were at once displayed; and on Easter Sunday, when Miss Hill was suddenly indisposed, Clara offered to sing all her solos from memory, and succeeded. In 1829, she became a pupil of the Instit ...
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Niels Gade
Niels Wilhelm Gade (22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. Together with Johan Peter Emilius Hartmann, he was the leading Danish musician of his day. Biography Gade was born in Copenhagen, the son of a joiner and instrument maker. He was intended for his father's trade, but his passion for a musician's career, made evident by the ease and skill with which he learnt to play upon a number of instruments, was not to be denied. Though he became proficient on the violin under Frederik Wexschall, and in the elements of theory under Christoph Weyse and Weyse's pupil Andreas Berggreen, he was to a great extent self-taught. He began his professional career as a violinist with the Royal Danish Orchestra, which premiered his concert overture ''Efterklange af Ossian'' ("Echoes of Ossian") in 1841. \ When the performance of his first symphony had to be delayed in Copenhagen, it was sent to Felix Mendelssohn. Mendels ...
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Theodor Kirchner
Fürchtegott Theodor Kirchner (10 December 1823 – 18 September 1903) was a German composer and pianist of the Romantic era. Musical career Kirchner enjoyed the friendship and admiration of many leading composers of the 19th century yet was unable to maintain a successful career, apparently due to a disordered way of life which included extravagant spending and an addiction to gambling. He was born at Neukirchen near Chemnitz and at the age of eight was already an accomplished organist and pianist. From 1838 to 1842, he studied in Leipzig under J. Knorr (piano) and K. F. Becker (organ and theory). Kirchner subsequently was a pupil of J. Schneider in Dresden and attended the Leipzig Conservatory for a short time. In 1843, he became organist in Winterthur, Switzerland on the recommendation of Mendelssohn. He remained there for nearly 20 years, but travelled much in Germany, befriending Robert and Clara Schumann and Brahms. Clara Schumann was very fond of him, though she wro ...
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Stephen Heller
Stephen Heller (15 May 1813 – 14 January 1888) was a Hungarian pianist, teacher, and composer whose career spanned the period from Schumann to Bizet. Heller was an influence for later Romantic composers. He outlived his reputation, and was a near-forgotten figure at his death in 1888. Biography Heller was born in Pest, Hungary in 1815. He had been destined for a legal career, but instead decided to devote his life to music. At the age of nine he performed Jan Ladislav Dussek's Concerto for Two Pianos with his teacher, F. Brauer, at the Budapest Theater. He played so well that he was sent to study in Vienna, Austria, under Carl Czerny. Unable to afford Czerny's expensive fees, he became a student of Anton Halm. After a success in his first public concert in Vienna at the age of 15, his father undertook a concert tour through Hungary, Poland and Germany. Heller returned to Budapest by way of Kassel, Frankfurt, Nuremberg, Hamburg, and Augsburg. After passing the winter of 1829 ...
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Anatoly Lyadov
Anatoly Konstantinovich Lyadov (russian: Анато́лий Константи́нович Ля́дов; ) was a Russian composer, teacher, and conductor (music), conductor. Biography Lyadov was born in 1855 in Saint Petersburg, St. Petersburg, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the Saint Petersburg Conservatory, St. Petersburg Conservatory to study piano and violin. He soon gave up instrumental study to concentrate on counterpoint and fugue, although he remained a fine pianist. His natural musical talent was highly thought of by, among others, Modest Mussorgsky, and during the 1870s he became associated with the group of composers known as The Five (composers), The Five. He entered the composition classes of Nikolai Rimsky-Korsakov, but was expelled for absenteeism in 1876. In 1878 he was readmitted to these classes to help him complete his graduatio ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ...
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Trois Novelettes (Poulenc)
''Trois novelettes'' (''Three novelette (music), novelettes'') are three short pieces for piano composed by Francis Poulenc. The first two novelettes, in C major and B-flat minor, FP (Poulenc), FP 47, written in 1927 and 1928 respectively, were originally published together. The third, in E minor, FP 173, was written in 1959. These novelettes demonstrate multi-layered piano writing. *Novelette in C major (1927) is dedicated to Virginie Liénard, a family friend, also the dedicatee of Poulenc's piano suite ''Soirées de Nazelles'' (1930–36). The piece features a neo-classical song-like melody interrupted by a central contrasting section. *Novelette in B-flat minor (1928) is similar in ways to a scherzo. It is dedicated to Poulenc's friend and critic Louis Laloy. *Novelette in E minor (1959) is based on Manuel de Falla, Manuel de Falla's time signature, 7/8 theme from ''El amor brujo'' (1916), simplified by Poulenc into 3/8 time, and without a contrasting section. It employs flui ...
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Witold Lutosławski
Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown ...
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Cécile Chaminade
Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) was a French composer and pianist. In 1913, she was awarded the Légion d'Honneur, a first for a female composer. Ambroise Thomas said, "This is not a woman who composes, but a composer who is a woman." Biography Born in Paris, Chaminade was raised in a musical family. She received her first piano lessons from her mother. Around age 10, Chaminade was assessed by Félix Le Couppey of the Conservatoire de Paris, who recommended that she study music at the Conservatoire. Her father forbade it because he believed it was improper for a girl of Chaminade's class. Her father did, however, allow Chaminade to study privately with teachers from the Conservatoire: piano with Le Couppey, violin with Marie Gabriel Augustin Savard and Martin Pierre Marsick, and music composition with Benjamin Godard. Chaminade experimented in composition as a young child, composing pieces for her cats, dogs and dolls. In 1869, she performed ...
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