New Wave Music In Yugoslavia
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New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Džuboks
''Džuboks'' ( sr-cyr, italic=yes, Џубокс, trans. ''Jukebox'') was a Yugoslav music magazine. Launched in 1966, it was the very first magazine in SFR Yugoslavia dedicated predominantly to rock music and the first rock music magazine to be published in a communist country. History Launch ''Džuboks'' was launched during spring 1966 by the Belgrade-based Duga publishing company in the aftermath of the three-day Gitarijada music festival, whose large attendance and euphoric atmosphere several months earlier at the Belgrade Fair were indicative of the rising popularity of rock music locally. The idea for a monthly rock music magazine came from Duga staff journalists who had already been putting together a weekly film magazine, ''Filmski svet'' (Film World), feeling an entirly new publication catering to the growing number of rock music fans in Yugoslavia could prove successful. As Duga had no rock music writers or reviewers among its staff, they reached out to Nikola Karaklaji ...
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Maljčiki
"Maljčiki" (Serbian Cyrillic: Маљчики, Russian for "Boys") is the second single by the Serbian and former Yugoslav new wave music band Idoli. It also appeared on the Yugoslav new wave compilation '' Paket aranžman'' which is one of the most important Yugoslav rock releases. History Vlada Divljan, the member of Idoli wanted to create a song which would be a parody on the Soviet Socialist realism. Prior to the release of Maljčiki, Idoli had written songs about freedom of love like "Retko te viđam sa devojkama" (re-released as the B-side on the single) but had not done anything explicitly political. The Soviet embassy condemned the release of the song. The song depicts a sort of Stakhanov-like proletarian who enthusiastically wakes up in the early dawn to go to work in a mine and a metallurgy factory. The official release of the song featured the following lyrics: "Plamene zore bude me iz sna; Fabrička jutra, dim iz dimnjaka" ("Dawns on fire, wake me from my dream; ...
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Idoli
Idoli ( sr-cyr, Идоли; trans. The Idols) were a Serbian new wave band from Belgrade. They are considered to be one of the most notable acts of the Yugoslav rock scene, and their 1982 album ''Odbrana i poslednji dani'' was on several occasions voted by the music critics as the greatest Yugoslav rock album. History Merlin and Zvuk Ulice The roots of Idoli can be found in a band called Merlin (not to be confused with the Sarajevo pop rock band of the same name) and then Zvuk Ulice consisting of Vlada Divljan on guitar and vocals, bassist Zdenko Kolar, keyboard player Dragan Mitrić, drummer Kokan Popović, Bora Antić on saxophone and Dragana Milković on piano and vocals. The band played a combination of jazz and pop rock. Besides performing cover versions of notable foreign bands from the sixties, the band wrote their own songs. In 1978, the band performed at the Novi Sad BOOM Festival and at the Zaječar Gitarijada feastival. Even though the band had several recordi ...
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Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата; trans. ''Charlot the Acrobat'', a Serbo-Croatian language version of Charlie Chaplin's name in the Kingdom of Yugoslavia) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво; trans. ''Lemon Tree''), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir Mihajlović "Gagi", after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan Kojić "Koja" and drummer Ivan Vdović "VD". After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, aft ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Social Criticism
Social criticism is a form of academic or journalistic criticism focusing on social issues in contemporary society, in particular with respect to perceived injustices and power relations in general. Social criticism of the Enlightenment The origins of modern social criticism go back at least to the Age of Enlightenment. According to the historian Jonathan Israel the roots of the radical enlightenment can be found in Spinoza and his circle. Radical enlighteners like Jean Meslier were not satisfied with the social criticism of the time, which was essentially a criticism of religion. The focus of his criticism was the suffering of the peasants. In addition, there was also a criticism of civilization for religious reasons, such as that which emanated from the Quakers in England. Jean-Jacques Rousseau developed a social criticism in his political philosophy which influenced the French Revolution and in his pedagogy. Academic forms The positivism dispute between critical rationalism ...
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Political Criticism
Political criticism (also referred to as political commentary or political discussion) is criticism that is specific of or relevant to politics, including policies, politicians, political parties, and types of government. See also * Bad Subjects * Political communication *Political satire Criticism Criticism is the construction of a judgement about the negative qualities of someone or something. Criticism can range from impromptu comments to a written detailed response. , ''"the act of giving your opinion or judgment about the good or bad q ... Criticism {{Poli-stub ...
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Azra
Azra was a Croatian and Yugoslav rock band that was one of the most popular acts of the Yugoslav new wave music of the 1980s. Azra was formed in 1977 by its frontman Branimir "Johnny" Štulić. The other two members of the original line-up were Mišo Hrnjak ( bass) and Boris Leiner (drums). The band is named after a verse "''Und der Sklave sprach: “Ich heiße Mohamet, ich bin aus Yemen, Und mein Stamm sind jene Asra, Welche sterben, wenn sie lieben.”''" (trans. "''My name is El Muhamed/From the tribe of the old Azras/who die for love/And die when they kiss!''") from "Der Asra" by Heinrich Heine. They are considered to be one of the most influential bands from the Yugoslav new wave rock era and the Yugoslav rock scene in general. They released their first single in 1979 with songs "Balkan" and "A šta da radim". The first album named ''Azra'' was published in 1980 and achieved commercial success and popularized Azra in Yugoslavia. Their second album was released in 1981. Azra ...
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Censorship
Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments, private institutions and other controlling bodies. Governments and private organizations may engage in censorship. Other groups or institutions may propose and petition for censorship.https://www.aclu.org/other/what-censorship "What Is Censorship", ACLU When an individual such as an author or other creator engages in censorship of his or her own works or speech, it is referred to as ''self-censorship''. General censorship occurs in a variety of different media, including speech, books, music, films, and other arts, the press, radio, television, and the Internet for a variety of claimed reasons including national security, to control obscenity, pornography, and hate speech, to protect children or other vulnerable groups, to promote or ...
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League Of Communist Youth Of Yugoslavia
, SKOJ mk, Сојуз на комунистичката младина на Југославија, СКМЈ sl, Zveza komunistične mladine Jugoslavije, ZKMJ , colorcode = red , founded = 1919 , dissolved = 1948 , succeeded by = League of Socialist Youth of Yugoslavia , ideology = CommunismMarxism–Leninism , headquarters = Belgrade , mother party = Communist Party of Yugoslavia , international = World Federation of Democratic Youth League of Communist Youth of Yugoslavia, commonly known in English as the Young Communist League of Yugoslavia, or simply Communist Youth, was the youth wing of the Communist Party of Yugoslavia from 1919 to 1948. Although it was banned just two years after its establishment and at times ruthlessly prosecuted, it continued to work clandestinely and was an influential organization among revolutionary youth in the Kingdom of Yugoslavia, and consequently became a major organizer of Partisan resistance to Axis occupation and local Quisling f ...
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