Neo-psychedelia
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Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Beat ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ...
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Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ...
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ...
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Hypnagogic Pop
Hypnagogic pop (often abbreviated as h-pop) is pop or psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s as American lo-fi and noise musicians began adopting retro aesthetics remembered from their childhood, such as radio rock, new wave pop, light rock, video game music, synth-pop, and R&B. Recordings circulated on cassette or Internet blogs and were typically marked by the use of outmoded analog equipment and DIY experimentation. The genre's name was coined by journalist David Keenan in an August 2009 issue of ''The Wire'' to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." It was used interchangeably with "chillwave" or " glo-fi" and gained critical attention through artists such as Ariel Pink and James Ferraro. The music has been variously described as a 21st-century update of psychedelia, a reappropri ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ...
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Shoegazing
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ...
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List Of Neo-psychedelia Artists
This is a list of neo-psychedelia artists. Individuals are alphabetized by surname. A–M * Animal Collective * The Apples In Stereo * Apollo Sunshine * The Arcana * Arctic Monkeys * The Bevis Frond * Beck * Blind Melon * The Black Angels * The Brian Jonestown Massacre * The Church * Crumb * Dead Meadow * Dr. Dog * Djo * The Dream Syndicate * Echo & the Bunnymen * Empire of the Sun * Fever the Ghost * Foster the People * The Flaming Lips * Grizzly Bear * Gorky's Zygotic Mynci * Guardian Alien * Jane's Addiction * Robyn Hitchcock * Kasabian * Keane * Kid Cudi * Khruangbin * King Gizzard & the Lizard Wizard * Kula Shaker * Mazzy Star * Melody's Echo Chamber * Mercury Rev * MGMT *Moon Duo * My Morning Jacket N–Z * The Olivia Tremor Control * Oh Sees * Oasis * OOIOO * Phish * Plasticland * Primal Scream * Pond * Psychedelic Porn Crumpets * Quest for Fire
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Indie Music Scene
An independent music scene is a localized independent music-oriented (or, more specifically, indie rock/indie pop-oriented) community of bands and their audiences. Local scenes can play a key role in musical history and lead to the development of influential genres; for example, no wave from New York City, Madchester from Manchester, and grunge from Seattle. Indie scenes are often created as a response to mainstream or popular music. These scenes are created in opposition of mainstream culture and music and often contribute to the formation of oppositional identities among individuals involved in the scene. Notable scenes Asia Japan The Japanese indie music scene began gaining mainstream success in the late 1990s with the so-called "indie boom". Musicians involved with this scene, referred to as "individual producer-composers", included Haruomi Hosono, Komoya Tesuya, Oyamada Keigo (also known as Cornelius), and Oda Tetsuro. Cornelius pioneered an indie music movement called S ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ...
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