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Narrative Device
A plot device or plot mechanism is any technique in a narrative used to move the plot forward. A clichéd plot device may annoy the reader and a contrived or arbitrary device may confuse the reader, causing a loss of the suspension of disbelief. However, a well-crafted plot device, or one that emerges naturally from the setting or characters of the story, may be entirely accepted, or may even be unnoticed by the audience. Stories using plot devices Many stories, especially in the fantasy genre, feature an object or objects with some great magical power, such as a crown, sword, or jewel. Often what drives the plot is the hero's need to find the object and use it for good, before the villain can use it for evil, or if the object has been broken by the villains, to retrieve each piece that must be gathered from each antagonist to restore it, or, if the object itself is evil, to destroy it. In some cases destroying the object will lead to the destruction of the villain. In the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Technique
A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used in the making of a narrative to relay information to the audience and particularly to develop the narrative, usually in order to make it more complete, complex, or interesting. Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting } from Homer's epic poem ''Odyssey'', whose role is carried by Leopold Bloom, much of the setting is described realistically, with great attention to detail. The locations within Dublin also represent locations in the Odyssey. Bloom's home is at 7 Eccles Street, and at the same time, Homer's Ithaca, Ithaca, the home of Odysseus. The Post office, Westland Row and Sweny's pharmacy on Lombard Street represent the Dublin location for Ulysses (nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcestis (play)
''Alcestis'' (; grc-gre, Ἄλκηστις, ''Alkēstis'') is an Athenian tragedy by the ancient Greek playwright Euripides. It was first produced at the City Dionysia festival in 438 BC. Euripides presented it as the final part of a tetralogy of unconnected plays in the competition of tragedies, for which he won second prize; this arrangement was exceptional, as the fourth part was normally a satyr play. Its ambiguous, tragicomic tone—which may be "cheerfully romantic" or "bitterly ironic"—has earned it the label of a "problem play." ''Alcestis'' is, possibly excepting the '' Rhesus'', the oldest surviving work by Euripides, although at the time of its first performance he had been producing plays for 17 years. Events prior to the start of the play Long before the start of the play, King Admetus was granted by the Fates the privilege of living past the allotted time of his death. The Fates were persuaded to allow this by the god Apollo (who got them drunk). This unusual ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechane
A mechane (; el, μηχανή, ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,Plato, '' Crat.'' 425d; ''Clit''. 407a hence the Latin term ''deus ex machina'' ("god from the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. It was used to allow actors playing gods to fly through the air. Use in ancient Rome Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service, Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the body i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus
''Deus'' (, ) is the Latin word for "god" or "deity". Latin ''deus'' and ''dīvus'' ("divine") are in turn descended from Proto-Indo-European *'' deiwos'', "celestial" or "shining", from the same root as '' *Dyēus'', the reconstructed chief god of the Proto-Indo-European pantheon. In Classical Latin, ''deus'' (feminine ''dea'') was a general noun referring to a deity, while in technical usage a ''divus'' or ''diva'' was a figure who had become divine, such as a divinized emperor. In Late Latin, ''Deus'' came to be used mostly for the Christian God. It was inherited by the Romance languages in Galician and Portuguese ''Deus'', Catalan and Sardinian ''Déu'', French and Occitan ''Dieu'', Friulian and Sicilian ''Diu'', Italian ''Dio'', Spanish ''Dios'' and (for the Jewish God) Ladino דייו/דיו ''Dio/Dyo'', etc., and by the Celtic languages in Welsh ''Duw'' and Irish ''Dia''. Cognates While Latin ''deus'' can be translated as and bears superficial similarity to Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Lowe (classicist)
Nick Lowe (; born 1956) is a British classical scholar and film critic. He is a reader in classics in the Department of Classics and Philosophy at Royal Holloway, a constituent college of the University of London, with interests including narratology and reception of Greek antiquity in historical fiction. Lowe is also a film reviewer for the science-fiction magazine '' Interzone'', writing the column ''Mutant Popcorn'' since the mid-1980s; he won a British Science Fiction Association Award for the column in 2009. The 25th anniversary of his column was celebrated by a special issue of ''Interzone'' in 2010, including reprints of his first reviews and an interview with Lowe. Early life and education He was born in Manchester, England, and raised in Glasgow, Scotland, before going to read classics at the University of Cambridge, where he received his Master of Arts and Doctor of Philosophy. His doctoral advisor was Geoffrey Kirk. Career He taught classics at three different coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lord Of The Rings
''The Lord of the Rings'' is an epic high-fantasy novel by English author and scholar J. R. R. Tolkien. Set in Middle-earth, intended to be Earth at some time in the distant past, the story began as a sequel to Tolkien's 1937 children's book ''The Hobbit'', but eventually developed into a much larger work. Written in stages between 1937 and 1949, ''The Lord of the Rings'' is one of the best-selling books ever written, with over 150 million copies sold. The title refers to the story's main antagonist, the Dark Lord Sauron, who, in an earlier age, created the One Ring to rule the other Rings of Power given to Men, Dwarves, and Elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following the quest to destroy the One Ring mainly through the eyes of the hobbits Frodo, Sam, Merry and Pippin. Although often called a trilogy, the work was intende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Ring
The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's ''The Lord of the Rings'' (1954–55). It first appeared in the earlier story ''The Hobbit'' (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Rings of Power, Ring of Power and re-wrote parts of ''The Hobbit'' to fit in with the expanded narrative. ''The Lord of the Rings'' describes the hobbit Frodo Baggins's quest to destroy the Ring. Critics have compared the story with the ring-based plot of Richard Wagner's opera cycle ''Der Ring des Nibelungen''; Tolkien denied any connection, but at the least, both men drew on the same mythology. Another source is Tolkien's analysis of Nodens, an obscure pagan god with a temple at Lydney Park, where he studied the Latin inscriptions, one containing a curse on the Ring of Silvianus, thief of a ring. Tolkien rejected the idea that the story was an allegory, saying that applicability t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Voldemort
Lord Voldemort ( , in the films) is a sobriquet for Tom Marvolo Riddle, a character and the main antagonist in J. K. Rowling's series of ''Harry Potter'' novels. The character first appeared in ''Harry Potter and the Philosopher's Stone'', which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, ''Harry Potter and the Prisoner of Azkaban'', in which he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". He attempts to murder the boy, but instead kills his parents, Lily and James Potter, and leaves Harry with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as "You-Know-Who", "He Who Must Not Be Named", or "the Dark Lord". Voldemort's obsession with blood purity signifies his aim to rid the wizardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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