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Nōkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 finger hole ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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Tempera Paint
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combinat ...
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Japanese Musical Instruments
Traditional Japanese musical instruments, known as in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments. Percussion instruments *; also spelled – clapper made from wooden slats connected by a rope or cord * – wooden or bamboo clappers * – pellet drum, used as a children's toy * – small, ornately decorated hourglass-shaped drum * – hand-held bell tree with three tiers of pellet bells * – small drum used in * – small flat gong * – a pair of sticks which are beaten together slowly and rhythmically * (also called ) – clapper made from a pair of flat wooden sticks * – woodblock carved in the shape of a fish, struck with a wooden stick; often used in Buddhist chanting * – hand drum * or () – singing bowls used by Buddhist monks in religious practice or rituals * – hourglass-shaped double-headed drum; struck only on one side * – clapper made from wooden slats conne ...
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Bamboo Musical Instruments
Bamboos natural hollow form makes it an obvious choice for many musical instruments. Overview Bamboo has been used to create a variety of instruments including flutes, mouth organs, saxophones, trumpets, drums, xylophones. Flutes There are numerous types of bamboo flutes made all over the world, such as the ''dizi'', ''xiao'', '' shakuhachi'', ''palendag'' and '' jinghu''. In the Indian subcontinent, it is a very popular and highly respected musical instrument, available even to the poorest and the choice of many highly venerated maestros of classical music. It is known and revered above all as the divine flute forever associated with Lord Krishna, who is always portrayed holding a '' bansuri'' in sculptures and paintings. Four of the instruments used in Polynesia for traditional hula are made of bamboo: nose flute, rattle, stamping pipes and the jaw harp. Bamboo may be used in the construction of the Australian didgeridoo instead of the more traditional eucalyptus wood. Ot ...
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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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Shinobue
The ''shinobue'' (kanji: 篠笛; also called ''takebue'' (kanji: 竹笛) in the context of Japanese traditional arts) is a Japanese transverse flute or fue that has a high-pitched sound. It is found in hayashi and nagauta ensembles, and plays important roles in noh and kabuki theatre music. It is heard in Shinto music such as ''kagura-den'' and in traditional Japanese folk songs. There are two styles: ''uta'' (song) and ''hayashi'' (festival). The uta is properly tuned to the Western scale, and can be played in ensembles or as a solo instrument. See also * Ryuteki *Bamboo musical instruments Bamboos natural hollow form makes it an obvious choice for many musical instruments. Overview Bamboo has been used to create a variety of instruments including flutes, mouth organs, saxophones, trumpets, drums, xylophones. Flutes There are num ... External linksRon Korb's Asian Flute Gallery(features description and drawing of the Shinobue and other Japanese flutes)(features articl ...
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Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ...
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Venturi Effect
The Venturi effect is the reduction in fluid pressure that results when a fluid flows through a constricted section (or choke) of a pipe. The Venturi effect is named after its discoverer, the 18th century Italian physicist, Giovanni Battista Venturi. Background In inviscid fluid dynamics, an incompressible fluid's velocity must ''increase'' as it passes through a constriction in accord with the principle of mass continuity, while its static pressure must ''decrease'' in accord with the principle of conservation of mechanical energy (Bernoulli's principle). Thus, any gain in kinetic energy a fluid may attain by its increased velocity through a constriction is balanced by a drop in pressure. By measuring pressure, the flow rate can be determined, as in various flow measurement devices such as Venturi meters, Venturi nozzles and orifice plates. Referring to the adjacent diagram, using Bernoulli's equation in the special case of steady, incompressible, inviscid flows (such as t ...
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Sarugaku
was a form of theatre popular in Japan during the 11th to 14th centuries. One of its predecessors was a , a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. Sangaku came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play ( toben), improvised comic party dances ('' ranbu''), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild (''za'') system to which all present-day Noh schools can be traced. ''Kyō ...
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Nohkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 finger hole ...
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Dengaku
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used. In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573). By the end of the Muromachi period, had been eclipsed by . Today it ba ...
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