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Neo-primitivism
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate a "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as nobler than civilized peoples and was an offshoot of nostalgia for a lost Eden or Golden Age. In Western art, primitivism typically has borrowed from non-Western or prehistoric people perceived to be "primitive", such as Paul Gauguin's inclusion of Tahitian motifs in paintings and ceramics. Borrowings from "primitive" or non-Western art have been important to the development of modern art. Primitivism has often been critiqued for reproducing the racist stereotypes about non-European peoples used by Europeans to justify colonial conquest. The term "primitivism" is often applied to the painting styles that pervaded prior to the Avant-garde. It also refers to the style of naïve or folk art produced by amateurs like Henri Rousseau without commercial intent and solely for the purpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naïve Art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). When this aesthetic is emulated by a trained artist, the result is sometimes called '' primitivism'', ''pseudo-naïve art'', or ''faux naïve art''. Unlike folk art, naïve art does not necessarily derive from a distinct popular cultural context or tradition; indeed, at least in the advanced economies and since the Printing Revolution, awareness of the local fine art tradition has been inescapable, as it diffused through popular prints and other media. Naïve artists are aware of "fine art" conventions such as graphical perspective and compositional conventions, but are unable to fully use them, or choose not to. By contrast, outsider art (''art brut'') denotes works from a similar context but which have only minimal contact with the mainstream art world. N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Rousseau - Combat Of A Tiger And A Buffalo
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Bat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarrel Of The Ancients And The Moderns
The quarrel of the Ancients and the Moderns (french: link=no, querelle des Anciens et des Modernes) began overtly as a literary and artistic debate that heated up in the early 17th century and shook the ''Académie Française''. Origins of the debate It was an essential feature of the European Renaissance to study the culture and institutions inherited from classical (Greek and Roman) antiquity. In contrast to the medieval scholastic emphasis on Christian theology and unchanging monarchy, Renaissance humanists launched a movement to recover, interpret, and assimilate the language, literature, learning and values of ancient Greece and Rome. The 15th century rediscovery of ancient texts and their wide distribution after the invention, in about 1440, of the printing press democratized culture, allowing a faster propagation of ideas; and the resurgence of learning based on classical sources brought revolutions in many intellectual and social scientific pursuits. For example, in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Painting
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Dalrymple Henderson
Linda Dalrymple Henderson (born 1948) is a historian of art whose research involves the connections between modern art, science and technology, and the occult. She is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin. Education and career Henderson entered Dickinson College planning to study mathematics, but graduated in 1969 with a major in art history. She earned a Ph.D. from Yale University in 1975. From 1974 to 1977 she was Curator of Modern Art at the Museum of Fine Arts, Houston; she joined the faculty at the University of Texas at Austin in 1978. In 1999 the university gave her their Robert W. Hamilton Book Award for her book on Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso .... Books Author *''The Fourth Dimension ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-Euclidean Geometry
In mathematics, non-Euclidean geometry consists of two geometries based on axioms closely related to those that specify Euclidean geometry. As Euclidean geometry lies at the intersection of metric geometry and affine geometry, non-Euclidean geometry arises by either replacing the parallel postulate with an alternative, or relaxing the metric requirement. In the former case, one obtains hyperbolic geometry and elliptic geometry, the traditional non-Euclidean geometries. When the metric requirement is relaxed, then there are affine planes associated with the planar algebras, which give rise to kinematic geometries that have also been called non-Euclidean geometry. The essential difference between the metric geometries is the nature of parallel lines. Euclid's fifth postulate, the parallel postulate, is equivalent to Playfair's postulate, which states that, within a two-dimensional plane, for any given line and a point ''A'', which is not on , there is exactly one line through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelites
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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