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Natural Sounds
Natural sounds are any sounds produced by non-human organisms as well as those generated by natural, non-biological sources within their normal soundscapes. It is a category whose definition is open for discussion. Natural sounds create an acoustic space. The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889. Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into the latter half and into the early 21st, as well. In late 1968, influenced by acoustic efforts in the fields of music and film, this model began to evolve into a much more holistic effort with attention paid to the acoustic experience of entire habitats, inclusive of all the wild animal voices. Expressed as wild soundscapes, these phenomena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organism
In biology, an organism () is any living system that functions as an individual entity. All organisms are composed of cells (cell theory). Organisms are classified by taxonomy into groups such as multicellular animals, plants, and fungi; or unicellular microorganisms such as protists, bacteria, and archaea. All types of organisms are capable of reproduction, growth and development, maintenance, and some degree of response to stimuli. Beetles, squids, tetrapods, mushrooms, and vascular plants are examples of multicellular organisms that differentiate specialized tissues and organs during development. A unicellular organism may be either a prokaryote or a eukaryote. Prokaryotes are represented by two separate domains – bacteria and archaea. Eukaryotic organisms are characterized by the presence of a membrane-bound cell nucleus and contain additional membrane-bound compartments called organelles (such as mitochondria in animals and plants ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animal Communication
Animal communication is the transfer of information from one or a group of animals (sender or senders) to one or more other animals (receiver or receivers) that affects the current or future behavior of the receivers. Information may be sent intentionally, as in a courtship display, or unintentionally, as in the transfer of scent from predator to prey. Information may be transferred to an "audience" of several receivers. Animal communication is a rapidly growing area of study in disciplines including animal behavior, sociology, neurology and animal cognition. Many aspects of animal behavior, such as symbolic name use, emotional expression, learning and sexual behavior, are being understood in new ways. When the information from the sender changes the behavior of a receiver, the information is referred to as a "signal". Signalling theory predicts that for a signal to be maintained in the population, both the sender and receiver should usually receive some benefit from the interact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnopoetics
Ethnopoetics is a method of recording text versions of oral poetry or narrative performances (i.e. verbal lore) that uses poetic lines, verses, and stanzas (instead of prose paragraphs) to capture the formal, poetic performance elements which would otherwise be lost in the written texts. The goal of any ethnopoetic text is to show how the techniques of unique oral performers enhance the aesthetic value of their performances within their specific cultural contexts. Major contributors to ethnopoetic theory include Jerome Rothenberg, Dennis Tedlock, and Dell Hymes. Ethnopoetics is considered a subfield of ethnology, anthropology, folkloristics, stylistics, linguistics, literature and translation studies. A need for ethnopoetics: Rothenberg Jerome Rothenberg coined the term ethnopoetics in the 1960s. According to Catherine S. Quick, Rothenberg had recognized that “most translations of Native American oral traditions . . . failed to capture the power and beauty of the oral perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Semiology
Music semiology (semiotics) is the study of signs as they pertain to music on a variety of levels. Overview Following Roman Jakobson, Kofi Agawu adopts the idea of musical semiosis being introversive or extroversive—that is, musical signs within a text and without. "Topics", or various musical conventions (such as horn calls, dance forms, and styles), have been treated suggestively by Agawu, among others. The notion of gesture is beginning to play a large role in musico-semiotic enquiry. There are strong arguments that music inhabits a semiological realm which, on both ontogenetic and phylogenetic levels, has developmental priority over verbal language. Writers on music semiology include Kofi Agawu (on topical theory, Schenkerian analysis), Robert S. Hatten (on topic, gesture), Raymond Monelle (on topic, musical meaning), Jean-Jacques Nattiez (on introversive taxonomic analysis and ethnomusicological applications), Anthony Newcomb (on narrativity), Thomas Turino (applying the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magvető
Magvető is a Hungarian book publishing company based in Budapest. It primarily publishes domestic and international works of literary fiction. History Magvető was established in 1955 as a publisher of the Magyar Írók Szövetsége (now the Hungarian Writers' Association). Its main task was to publish contemporary Hungarian fiction and classical Hungarian literature. However, it also published world literature works since it was founded. Upon its founding, a special competitive situation was created within the framework of the state socialist system between Magvető and the similar publisher Szépirodalmi Könyvkiadó. It soon became apparent that works which differed from the mainstream of literary policy, which provoked political or aesthetic debates, were more likely to be published by Magvető. Such works included Endre Fejes's '' Rozsdatemető'', Géza Ottlik's '' Hajnali háztetők'' and Ferenc Sánta's ''Húsz óra''. Magvető published works by Iván Mándy, Miklós M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthrophony
Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial. First appearing in the ''Handbook for Acoustic Ecology'' edited by Barry Truax, in 1978, the term has occasionally been used, sometimes interchangeably, with the term acoustic ecology. Soundscape ecologists also study the relationships between the three basic sources of sound that comprise the soundscape: those generated by organisms are referred to as the biophony; those from non-biological natural categories are classified as the geophony, and those produced by humans, the anthropophony. Increasingly, soundscapes are dominated by a sub-set of anthropophony (sometimes referred to in older, more archaic terminology as "anthropogenic noise"), or technophony, the overwhelming presence of electro-mechanical noise. This sub-class of noise pollution or disturbance may produce a negative effect on a wide range of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geophony
Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial. First appearing in the ''Handbook for Acoustic Ecology'' edited by Barry Truax, in 1978, the term has occasionally been used, sometimes interchangeably, with the term acoustic ecology. Soundscape ecologists also study the relationships between the three basic sources of sound that comprise the soundscape: those generated by organisms are referred to as the biophony; those from non-biological natural categories are classified as the geophony, and those produced by humans, the anthropophony. Increasingly, soundscapes are dominated by a sub-set of anthropophony (sometimes referred to in older, more archaic terminology as "anthropogenic noise"), or technophony, the overwhelming presence of electro-mechanical noise. This sub-class of noise pollution or disturbance may produce a negative effect on a wide rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biophony
Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial. First appearing in the ''Handbook for Acoustic Ecology'' edited by Barry Truax, in 1978, the term has occasionally been used, sometimes interchangeably, with the term acoustic ecology. Soundscape ecologists also study the relationships between the three basic sources of sound that comprise the soundscape: those generated by organisms are referred to as the biophony; those from non-biological natural categories are classified as the geophony, and those produced by humans, the anthropophony. Increasingly, soundscapes are dominated by a sub-set of anthropophony (sometimes referred to in older, more archaic terminology as "anthropogenic noise"), or technophony, the overwhelming presence of electro-mechanical noise. This sub-class of noise pollution or disturbance may produce a negative effect on a wide range ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whale Sound
Whales use a variety of sounds for communication and sensation. The mechanisms used to produce sound vary from one family of cetaceans to another. Marine mammals, including whales, dolphins, and porpoises, are much more dependent on sound than land mammals due to the limited effectiveness of other senses in water. Sight is less effective for marine mammals because of the particulate way in which the ocean scatters light. Smell is also limited, as molecules diffuse more slowly in water than in air, which makes smelling less effective. However, the speed of sound is roughly four times greater in water than in the atmosphere at sea level. As sea mammals are so dependent on hearing to communicate and feed, environmentalists and cetologists are concerned that they are being harmed by the increased ambient noise in the world's oceans caused by ships, sonar and marine seismic surveys. The word "song" is used to describe the pattern of regular and predictable sounds made by some speci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Krause
Bernard L. Krause (born December 8, 1938) is an American musician and soundscape ecologist. In 1968, he founded Wild Sanctuary, an organization dedicated to the recording and archiving of natural soundscapes. Krause is an author, a bio-acoustician, a speaker, and natural sound artist who coined the terms geophony, biophony, and anthropophony. Biography Krause was born in Detroit, Michigan. From 1957, he worked as a recording engineer and producer in Ann Arbor while an undergraduate student. Krause joined The Weavers in 1963, occupying the tenor position originated by co-founder Pete Seeger until they disbanded in early 1964. Electronic music Krause moved to the San Francisco Bay Area to study electronic music at Mills College. During this period Krause met Paul Beaver and together they formed Beaver & Krause. They also served as the Moog company's sales representatives on the U.S. West Coast. As such, they were able to exploit the growing fascination in the new synthesizer s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundscape Ecology
Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial. First appearing in the ''Handbook for Acoustic Ecology'' edited by Barry Truax, in 1978, the term has occasionally been used, sometimes interchangeably, with the term acoustic ecology. Soundscape ecologists also study the relationships between the three basic sources of sound that comprise the soundscape: those generated by organisms are referred to as the biophony; those from non-biological natural categories are classified as the geophony, and those produced by humans, the anthropophony. Increasingly, soundscapes are dominated by a sub-set of anthropophony (sometimes referred to in older, more archaic terminology as "anthropogenic noise"), or technophony, the overwhelming presence of electro-mechanical noise. This sub-class of noise pollution or disturbance may produce a negative effect on a wide range of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundscape
A soundscape is the acoustic environment as perceived by humans, in context. The term was originally coined by Michael Southworth, and popularised by R. Murray Schafer. There is a varied history of the use of soundscape depending on discipline, ranging from urban design to wildlife ecology to computer science. An important distinction is to separate soundscape from the broader acoustic environment. The acoustic environment is the combination of all the acoustic resources, natural and artificial, within a given area as modified by the environment. The International Organization for Standardization (ISO) standardized these definitions in 2014.ISO 12913-1:2014 A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology or soundscape ecology. The idea of soundscape refers to both the natural acoustic environment, consisting of natural sounds, including animal vocalizations, the coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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