Myriorama (cards)
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Myriorama (cards)
Myriorama originally referred to a set of illustrated cards that 19th century children could arrange and re-arrange, forming different pictures. Later in the century the name was also applied to performances using a sequence of impressive visual effects to entertain and inform an audience. The word ''myriorama'' was invented to mean myriad pictures, following the model of '' panorama, diorama, cosmorama'' and other novelties. These were all part of a wider interest in viewing landscape as panorama, and in new ways of presenting " spectacular" scenes. History The early myrioramas were cards with people, buildings, and other images on compatible backgrounds, and could be laid out in any order, allowing a child to create a variety of imaginary landscapes. Jean-Pierre Brès, a French children's writer, published an early version which he described as a polyoptic picture (''tableau polyoptique'') in the early 19th century, and John Clark of London took up the idea and designed a set o ...
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Myriorama Cards
Myriorama can mean one of several kinds of 19th century entertainment, especially: *A late 19th-century form of the moving panorama The moving panorama was an innovation on panoramic painting in the mid-nineteenth century. It was among the most popular forms of entertainment in the world, with hundreds of panoramas constantly on tour in the United Kingdom, the United States, a ... *A popular optical toy which involved the rearranging of specially-made picture-cards. {{disambiguation ...
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Myriad
A myriad (from Ancient Greek grc, μυριάς, translit=myrias, label=none) is technically the number 10,000 (ten thousand); in that sense, the term is used in English almost exclusively for literal translations from Greek, Latin or Sinospheric languages (Chinese, Japanese, Korean, and Vietnam), or when talking about ancient Greek numerals. More generally, a myriad may be used in colloquial vernaculars to imply an indefinitely large number. History The Aegean numerals of the Minoan and Mycenaean civilizations included a single unit to denote tens of thousands. It was written with a symbol composed of a circle with four dashes . In Classical Greek numerals, a myriad was written as a capital mu: Μ, as lower case letters did not exist in Ancient Greece. To distinguish this numeral from letters, it was sometimes given an overbar: . Multiples were written above this sign, so that for example would equal 4,582×10,000 or 45,820,000. The etymology of the word ''myriad'' itself ...
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Panorama
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "panoptic" experience of a vista. Cartographic experiments during the Enlightenment era prec ...
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Diorama
A diorama is a replica of a scene, typically a three-dimensional full-size or miniature model, sometimes enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling. In the United States around 1950 and onward, natural history dioramas in museums became less fashionable, leading to many being removed, dismantled or destroyed. Etymology The word "diorama" originated in 1823 as a type of picture-viewing device, from the French in 1822. The word literally means "through that which is seen", from the Greek di- "through" + orama "that which is seen, a sight". The diorama was invented by Louis Daguerre and Charles Marie Bouton, first exhibited in Paris in July 1822 and at The Diorama, Regent's Park on September 29, 1823. The meaning "small-scale replica of a scene, etc." is from 1902. Daguerre's and Bouton's diorama consisted of a piece of mater ...
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Cosmorama
A cosmorama is an exhibition of perspective pictures of different places in the world, usually world landmarks. Careful use of illumination and lenses gives the images greater realism. Cosmorama was also the name of an entertainment in 19th century London, at 207-209 Regent Street, at which the public could view scenes of distant lands and exotic subjects through optical devices that magnified the pictures. It was later converted into an exhibition of curiosities named the Prince of Wales Bazaar. Exhibits included a sea lion, a sea serpent and L. Bertolotto's Flea circus. File:John vanderlyn, panoramic view of the palace and gardens of versailles, 1818-1819, 01.JPG, Cosmorama of Chateau Versailles (1819-1818), once in City Hall Park, New York City, now in the Metropolitan Museum of Art File:John vanderlyn, panoramic view of the palace and gardens of versailles, 1818-1819, 02.JPG, Cosmorama of Chateau Versailles (1819-1818), once in City Hall Park, New York City, now in the M ...
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Spectacle
In general, spectacle refers to an event that is memorable for the appearance it creates. Derived in Middle English from c. 1340 as "specially prepared or arranged display" it was borrowed from Old French ''spectacle'', itself a reflection of the Latin ''spectaculum'' "a show" from ''spectare'' "to view, watch" frequentative form of ''specere'' "to look at." The word ''spectacle'' has also been a term of art in theater dating from the 17th century in English drama. The masque and spectacle Court masques and masques of the nobility were most popular in the Jacobean and Caroline era. Such masques, as their name implies, relied heavily upon a non-verbal theater. The character lists for masques would be quite small, in keeping with the ability of a small family of patrons to act, but the costumes and theatrical effects would be lavish. Reading the text of masques, such as ''The Masque at Ludlow'' (most often referred to as ''Comus''), the writing is spare, philosophical, and gran ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Moving Panorama
The moving panorama was an innovation on panoramic painting in the mid-nineteenth century. It was among the most popular forms of entertainment in the world, with hundreds of panoramas constantly on tour in the United Kingdom, the United States, and many European countries. Moving panoramas were often seen in melodramatic plays. It became a new visual element to theatre and helped incorporate a more realistic quality. Not only was it a special effect on stage, but it also served as an ancestor and platform to early cinema. Background The word “panorama” is derived from the Greek words “to see” and “all.” Robert Barker, an Irish-born scene painter, coined the term with his first panorama of Edinburgh, displayed in a specially built rotunda in Leicester Square in 1791. This attraction was extremely popular amongst the middle and lower classes for the way it was able to offer the illusion of transport for the viewer to a completely different location that they had most ...
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Ralph Hyde
Ralph Hyde (25 March 1939 – 5 June 2015) was a curator of graphic arts at the Guildhall Library in London, a pre-eminent historian and writer on the subject of Panoramic painting. On his retirement he lived for a time in France but returned to London to continue as an active scholar in the field. In addition to having curated the Panoramania exhibition at the Barbican, he co-authored with Felix Barker the richly illustrated book ''London As It Might Have Been,'' which illustrates numerous planned, but never built, fanciful structures in London. He was a member of the International Panorama Council, and at the time of his death was compiling a Dictionary of Panoramists. References * ''The Panorama: History of a Mass Medium'' (book review). ''Technology and Culture'': 40.4 (1999), pp. 900–901 * ''London as it Might Have Been.'' Written with Felix Barker. London: John Murray, 1984 * ''Panoramania! The Art and Entertainment of the All-Embracing View.'' Introducti ...
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Moving Panorama
The moving panorama was an innovation on panoramic painting in the mid-nineteenth century. It was among the most popular forms of entertainment in the world, with hundreds of panoramas constantly on tour in the United Kingdom, the United States, and many European countries. Moving panoramas were often seen in melodramatic plays. It became a new visual element to theatre and helped incorporate a more realistic quality. Not only was it a special effect on stage, but it also served as an ancestor and platform to early cinema. Background The word “panorama” is derived from the Greek words “to see” and “all.” Robert Barker, an Irish-born scene painter, coined the term with his first panorama of Edinburgh, displayed in a specially built rotunda in Leicester Square in 1791. This attraction was extremely popular amongst the middle and lower classes for the way it was able to offer the illusion of transport for the viewer to a completely different location that they had most ...
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Panoramic Painting
Panoramic paintings are massive artworks that reveal a wide, all-encompassing view of a particular subject, often a landscape, military battle, or historical event. They became especially popular in the 19th century in Europe and the United States, inciting opposition from some writers of Romantic poetry. A few have survived into the 21st century and are on public display. Typically shown in rotundas for viewing, panoramas were meant to be so lifelike they confused the spectator between what was real and what was image. In China, panoramic paintings are an important subset of handscroll paintings, with some famous examples being ''Along the River During the Qingming Festival'' and ''Ten Thousand Miles of the Yangtze River''. History The word " panorama", a portmanteau of the Greek words ‘''pano''’ (all) and ‘''horama''’ (view), was coined by the Irish painter Robert Barker in 1787. While walking on Calton Hill overlooking Edinburgh, the idea struck him and he obt ...
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