Music Of The Trecento
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Music Of The Trecento
The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music. The music of the Trecento paralleled the achievements in the other arts in many ways, for example, in pioneering new forms of expression, especially in secular song in the vernacular language, Italian. In these regards, the music of the Trecento may seem more to be a Renaissance phenomenon; however, the predominant musical language was more closely related to that of the late Middle Ages, and musicologists generally classify the Trecento as the end of the medieval era. ''Trecento'' means "three hundred" in Italian but is usually used to refer to the 1300s. However, the greatest flowering of music in the Trecento happened late in the century, and the period is usually extended to include music up to around 1420. History Background and early history (to 1330) Very little Italian music remains from the 13th century, so the immediate antecedents of the music ...
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Landini
Landini may refer to * Landini (surname) **Francesco Landini *Landini (tractor) produced by the Italian company Landini SpA *Landini cadence, a technique in music composition named after composer Francesco Landini Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered c ...
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Franco Of Cologne
Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone. The result was Franconian notation, described most famously in his ''Ars cantus mensurabilis''. Life Some details are known about his life, and more can be inferred. In his own treatise he described himself as the papal chaplain and the preceptor of the Knights Hospitallers of St. John at Cologne, an extremely powerful position in northern Europe in the 13th century. Other documents of the time refer to him as "Franco of Paris" as well as "Franco teutonicus"; since his writing on music is intimately associated with the Notre Dame school of Paris, and his Teutonic origin is mentioned in several sources, he was probably ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Bartolo Da Firenze
Bartolo may refer to: * Bartolo, California *Bartolo Nardini, Italian grappa company *Dr. Bartolo, a figure in Rossini's opera The Barber of Seville, and Mozart's The Marriage of Figaro *Bartolo, the highest mountain in the Desert de les Palmes Mountains, close to Castelló, Spain People with that name * Bartolo (given name) * Bartolo (surname) See also *Bartholomew *Saint Bartholomew Bartholomew (Aramaic: ; grc, Βαρθολομαῖος, translit=Bartholomaîos; la, Bartholomaeus; arm, Բարթողիմէոս; cop, ⲃⲁⲣⲑⲟⲗⲟⲙⲉⲟⲥ; he, בר-תולמי, translit=bar-Tôlmay; ar, بَرثُولَماو ... * San Bartolo (other) {{Disambig ...
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Verona
Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the Opera, opera season in the Verona Arena, Arena, an ancient Ancient Rome, Roman Amphitheatre, amphitheater. Between the 13th and 14th century the city was ruled by the Scaliger, della Scala Family. Under the rule of the family, in particular of Cangrande I della Scala, the city experienced great prosperity, becoming rich and powerful and being surrounded by new walls. The Della Scala era is survived in numerous monuments around Verona. Two of William Shakespeare's ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Jacopo Da Bologna
Jacopo da Bologna ( fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the '' Italian ars nova''. He was one of the first composers of this group, making him a contemporary of Gherardello da Firenze and Giovanni da Firenze. He concentrated mainly on madrigals, including both canonic (caccia-madrigal) and non-canonic types, but also composed a single example each of a caccia, lauda-ballata, and motet. His setting of ''Non al suo amante'', written about 1350, is the only known contemporaneous setting of Petrarch's poetry. Jacopo's ideal was "suave dolce melodia" (sweet, gentle melody). His style is marked by fully texted voice parts that never cross. The untexted passages which connect the textual lines in many of his madrigals are also noteworthy. He is well represented in the Squarcialupi Codex, the large collection of 14th-century music long owned by the Medici family; twenty-nine compositions of his are found in that source, t ...
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Vincenzo Da Rimini
Vincenzo da Rimini, also Magister Dominus Abbas de Arimino, L’abate Vincençio da Imola, Frate Vincenço, was an Italian composer of the medieval era, active in the middle of the 14th century. Life and career All of the biographical details concerning Vincenzo's life are circumstantial. Rimini is a city near Bologna, and is a probable place of birth or employment. He is depicted in the Squarcialupi Codex as a Benedictine monk. Scholars have proposed that he was at a Benedictine monastery in Regola between 1362 and 1364, but this is not strongly substantiated. Allusions in the lyrics of his works suggest he worked under the Alberti or Malatesta families in Florence. Music Six of Vincenzo's pieces survive to the present day: four of them are madrigals and two are '' cacce''. Stylistic indications place Vincenzo as younger than Jacopo da Bologna and older than Lorenzo da Firenze and Donato da Cascia. Vincenzo makes more use of imitation in the madrigals than did Jacopo. Both of his ...
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Giovanni Da Cascia
Giovanni da Cascia, also Jovannes de Cascia, Johannes de Florentia, Maestro Giovanni da Firenze, was an Italian composer of the medieval era, active in the middle of the fourteenth century. Life and career Virtually nothing is known about Giovanni's life. From his surname it is presumed that he was born in the village of Cascia, near Florence. It was once thought that he held a post at Florence Cathedral, but this is no longer accepted. A Florentine chronicle states that Giovanni and Jacopo da Bologna competed at Mastino II of Scala's court; Mastino died in 1351. The metaphors used in his works are consistent with prevailing idioms of the mid-14th century. His portrait in the Squarcialupi Codex shows him without priestly garments. Music Nineteen of Giovanni's compositions survive, scattered in nine manuscripts. Sixteen of these are madrigals, and three of them are '' cacce''. He is thought to have written some of his own texts. Musically, Giovanni's madrigals are of importance in ...
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Maestro Piero
Maestro Piero (Magister Piero or Piero) (born before 1300, died shortly after 1350) was an Italian composer of the late medieval era. He was one of the first composers of the Trecento who is known by name, and probably one of the oldest. He is mainly known for his madrigals. Life No details are known of his life other than what can be inferred from his music, and from an illustration which probably contains his picture. He is depicted as a man of 50–60 years old in a Bolognese illustration from the first half of the 14th century, so he was probably born before 1300. Unlike many of the Trecento composers, he was not a Florentine, since he does not appear in the chronicle by Filippo Villani, which includes all of the musicians active there throughout the 14th century. Piero was possibly from Assisi, and is known to have been in Milan and Verona, employed by the Visconti and della Scala families, respectively; in addition, he may have been in Padua with Antonio della Scala b ...
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