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Music Of Latin America
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporates African music from enslaved African people who were transported from West and Central Africa to the Americas by European settlers, as well as music from the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain The Iberia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cueca
Cueca () is a family of musical styles and associated dances from Chile, Argentina, and Bolivia. In Chile, the cueca holds the status of national dance, where it was officially declared as such by the Pinochet dictatorship on September 18, 1979. Origins While cueca's origins are not clearly defined, it is considered to have mostly European Spanish and arguably indigenous influences. The most widespread version of its origins relates it with the zamacueca which arose in Peru as a variation of Spanish Fandango dancing with '' criollo''. The dance is then thought to have passed to Chile and Bolivia, where its name was shortened and where it continued to evolve. Due to the dance's popularity in the region, the Peruvian evolution of the zamacueca was nicknamed "la chilena", "the Chilean", due to similarities between the dances. Later, after the Pacific War, the term marinera, in honor of Peru's naval combatants and because of hostile attitude towards Chile, was used in place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuarteto
Cuarteto ( es, quartet), sometimes called cuartetazo, is a musical genre born in Córdoba, Argentina. The roots of the cuarteto ensemble are in Italian and Spanish dance ensembles. The name was coined because the early dance-hall numbers were invariably four-piece bands (violin-piano-accordion-bass). Cuarteto is almost always upbeat; its rhythm range is similar to that of modern Dominican merengue. In the 1970s, cuarteto became one of the cornerstones of Córdoba's cultural identity—together with ''Hortensia'' magazine. Both reflected a local brand of popular culture overlooked by the establishment, and proposed an alternative to the Buenos Aires-centered culture that television was spreading to the rest of the country. Cuarteto was one of the genres that gave birth to the Buenos Aires ''tropical'' scene, which was renamed as '' bailanta'' in the 1990s following the usage of Corrientes province. Famous Names Cuarteto Leo was the leading cuarteto band for almost 30 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrido
The corrido () is a popular narrative metrical tale and poetry that forms a ballad. The songs are often about oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant topics. Corridos were widely popular during the Mexican Revolution, and in the Southwestern American frontier as it was also a part of the development of Tejano music and New Mexico music, which later influenced Western music. The ''corrido'' derives largely from the romance, and in its most known form consists of a salutation from the singer and prologue to the story, the story itself, and a moral and farewell from the singer. It is still a popular genre today in Mexico. Outside Mexico corridos are popular in Chilean national celebrations of Fiestas Patrias. History Corridos play an important part in Mexican and Mexican American culture. The name comes from the Spanish word ''correr'' ("to run"). The formula of a standard corrido is of eight quatrains that have four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxophones, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed ' Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changüí
''Changüí'' is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. ''Changüí'' combines the structure and elements of Spain's ''canción'' and the Spanish guitar with African rhythms and percussion instruments of Bantu origin. Changüí is considered a predecessor of '' son montuno'' (the ancestor of modern salsa Salsa most often refers to: * Salsa (Mexican cuisine), a variety of sauces used as condiments * Salsa music, a popular style of Latin American music * Salsa (dance), a Latin dance associated with Salsa music Salsa or SALSA may also refer to: A ...), which has enjoyed tremendous popularity in Cuba throughout the 20th century. Changüí is related to the other regional genres of ''nengón'' and ''kiribá'' and is descended from ''nengón.'' Technically, the changüi ensemble consists of: marí ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
