Musca Depicta
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Musca Depicta
''Musca depicta'' ("painted fly" in Latin; plural: ''muscae depictae'') is a depiction of a fly as a conspicuous element of various paintings. The feature was widespread in 15th- and 16th-century European paintings, and its presence has been subject to various interpretations by art historians. Interpretations James N. Hogue, writing in the ''Encyclopedia of Insects'', lists the following reasons behind ''musca depicta'': as a jest; to symbolize the worthiness of even minor "objects of creation"; as an exercise in artistic privilege; as an indication that the portrait is ''post mortem''; and as an imitation of works of previous painters. Many art historians argue that the fly holds religious significance, carrying connotations of sin, corruption or mortality. Another theory is that Renaissance artists strove to demonstrate their mastery in portraying nature, with André Chastel writing that ''musca depicta'' became as an "emblem of the avant-garde in painting" at the time. Ther ...
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Christus Carthusian
Christus may refer to: * Christ (title) People * Petrus Christus (c. 1410s – c. 1475), Dutch painter * Sir Christus (1978–2017), Finnish musician Music * ''Christus'' (Liszt), an oratorio * ''Christus'' (Mendelssohn), an unfinished oratorio Op.97 * ''Christus'' (opera), by Anton Rubinstein * '' Christus. Mysterium in a Prelude and Three Oratorios'', by Felix Draeseke Art * ''Christus'' (statue), by Bertel Thorvaldsen * Christus (Indianapolis), statue by unknown located in Indianapolis, Indiana Other * CHRISTUS Health, a nonprofit company See also * Christos (other) * Christo (name) * Christa (other) * Christ (other) Christ is a title given to Jesus, in his role as the Jewish Messiah in Christianity. Christ also may refer to: Religion * ''Christ'' (title), a title for the saviour and redeemer who would bring salvation to the Jewish people and mankind * Ch ...
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Panel Painting
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, fo ...
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Rosenkranzfest
''Feast of the Rosary'' (German: ''Rosenkranzfest'') is a 1506 oil painting by Albrecht Dürer, now in the National Gallery, Prague, Czech Republic. According to Czechoslovakian art historian Jaroslav Pešina, it is "probably the most superb painting that a German master has ever created." The work also relates to a series of artworks commissioned by Maximilian I, his Burgundian subjects or figures close to his family to commemorate the Duchess Mary of Burgundy, Maximilian's first wife and to provide the focus for a cult-like phenomenon that associated her name-saint the Virgin Mary. History The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice. The contract was renewed in the Italian city by the fraternity of traders from Nuremberg (Dürer's hometown) and from other German cities, the latter being ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked ...
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Portrait Painting
Portrait Painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, or they may be inspired by admiration or affection for the subject. Portraits often serve as important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals. In addition to painting, portraits can also be made in other media such as prints (including etching and lithography), photography, video and digital media. It might seem obvious that a painted portrait is intended to achieve a likeness of the sitter that i ...
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Clara Peeters
Clara Peeters (active 1607–1621) was a Flemish still-life painter from Antwerp who worked in both the Spanish Netherlands and Dutch Republic. Peeters is the best-known female Flemish artist of this era and one of the few women artists working professionally in seventeenth-century Europe, despite restrictions on women's access to artistic training and membership in guilds. Peeters specialized in still-life paintings with food and was prominent among the artists who shaped the traditions of the Netherlandish ''ontbijtjes'', "breakfast pieces," scenes of food and simple vessels, and ''banketjes'', "banquet pieces" with expensive cups and vessels in precious metals. Life Details of Peeters' life are unclear. It is generally agreed by scholars that her work points to her being a native of Antwerp. The city of Antwerp's archives hold a record of a Clara Peeters, daughter of Jean (Jan) Peeters, baptized on 15 May 1594 in the Church of St. Walburga in Antwerp.Harris, Ann Sutherland, ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Carlo Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after bein ...
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Abraham Van Calraet
Abraham van Calraet, or Kalraat (7–12 October 1642, Dordrecht – 11 June 1722, Amsterdam) was a Dutch Golden Age painter and engraver. Biography He learned to paint from ''AEmilius'' and ''Samuel Hup'', or ''Huppe'', who were well known sculptors in the city of Dordrecht. After learning to sculpt, young Abraham took to the painter's brush, and started on fruit, while helping his father, who was a wood sculptor. He resided throughout his life in Dordrecht, and may have been a pupil of Aelbert Cuyp, who was a generation older. Cuyp's signature was often forged on top of Calraet's paintings. Abraham Bredius was responsible for the first "rediscovery" of this painter, re-attributing two of his still life paintings that at that time were considered to be by Cuyp. Cornelis Hofstede de Groot strongly disagreed with him and the Cuyp-Calraet question was escalated in the Dutch newspapers after Frits Lugt announced a new Abraham Calraet painting in the Frans Hals Museum The Frans Hals ...
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Balthasar Van Der Ast
Balthasar van der Ast (1593/94 – 7 March 1657) was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards. He was born in Middelburg and died in Delft.Irene Haberland. "Ast, Balthasar van der." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 May. 2016 His lifetime of works was once summarized by an Amsterdam doctor who said, "In flowers, shells and lizards, beautiful". Biography Balthasar van der Ast was born in Middelburg in the Southern Dutch province of Zeeland, in the family of a prosperous wool merchant. His birth was not recorded, but years later, on 30 June 1618, his older brother Jacob's legal action indicated that Balthasar was around 25 years old at the time, making his birth date 1593 or 1594. His father, Hans, was a widower, and when he die ...
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Willem Van Aelst
Willem van Aelst (16 May 1627 – buried 22 May 1683)Aelst, Willem van
at the
was a artist who specialized in with flowers or game.


Biography

Van Aelst was born in to a fa ...
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