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Multi-cam
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera. Description Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film or video editing. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart from saving editing time ...
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Single-camera Setup
The single-camera setup, or single-camera mode of production, also known as portable single camera, is a method of filmmaking and video production. The single-camera setup originally developed during the birth of the classical Hollywood cinema in the 1910s and has remained the standard mode of production for cinema. In television production, both single-camera and multiple-camera methods are commonly used. Description In this setup, each of the various shots and camera angles are taken using the same camera, or multiple cameras pointed in one direction, which are moved and reset to get each shot or new angle. If a scene cuts back and forth between actor A and actor B, the director will first point the camera toward A and run part or all of the scene from this angle, then move the camera to point at B, relight, and then run the scene through from this angle. Choices can then be made during the post-production editing process for when in the scene to use each shot, and when to cut ...
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Soap Operas
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by "horse opera", a derogatory term for low-budget Westerns. BBC Radio's ''The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is ''Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by ''Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert M ...
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Soap Opera
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by "horse opera", a derogatory term for low-budget Westerns. BBC Radio's ''The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is '' Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by '' Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Alber ...
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Vision Mixer
A vision mixer is a device used to select between several different live video sources and, in some cases, compositing live video sources together to create visual effects. In most of the world, both the equipment and its operator are called a vision mixer or video mixer; however, in the United States, the equipment is called a video switcher, production switcher or video production switcher, and its operator is known as a technical director (TD). The role of the vision mixer for video is similar to what a mixing console does for audio. Typically a vision mixer would be found in a video production environment such as a production control room of a television studio, production truck or post-production facility. Capabilities and usage Besides hard cuts (switching directly between two input signals), mixers can also generate a variety of transitions, from simple dissolves to pattern wipes. Additionally, most vision mixers can perform keying operations (called mattes in t ...
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Studio Audience
A studio audience is an audience present for the recording of all or part of a television program or radio program. The primary purpose of the studio audience is to provide applause and/or laughter to the program's soundtrack (as opposed to canned laughter). In the United States, tickets to be a part of a studio audience are usually given away. However, as an enticement to attend, one or more members of the audience may be selected to win a prize, which is usually provided by a manufacturer in exchange for an advertisement, usually at the end of the show. Some game shows, such as ''Let's Make a Deal'' and ''The Price is Right'', select contestants directly from the studio audience. For sitcom/sketch comedy shows like ''All in the Family'', ''Saturday Night Live'' and ''Happy Days'' (for indoor scenes), the use of a live studio audiences essentially turns them into de facto stage productions while shooting individual scenes, with minor problems like the audience applauding or upr ...
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Broadcasting Of Sports Events
The broadcasting of sports events (also known as a sportscast) is the live coverage of sports as a television program, on radio, and other broadcasting media. It usually involves one or more sports commentators describing events as they happen. Origin The broadcasting of sports events (also known as a sportscast) is the live coverage of sports as a television program, on radio, and other broadcasting media. It usually involves one or more sports commentators describing events as they happen. Sportscaster's environment is usually in booth, sets, and radio or television studios. Depending on the sportscasters specific job it is a time sensitive job, especially when depending on a play by play, they cannot miss any action, and due to their job they have to be flexible with schedule. Sports broadcasters have a variety of sections to deliver footage and their job can provide postgame coverage and interviews with athletes and coaches. Sports casting is a big industry throughout the ...
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Camera Control Unit
The camera control unit (CCU) is typically part of a live television broadcast chain. It is responsible for powering the professional video camera, handling signals sent over the camera cable to and from the camera, and can be used to control various camera parameters remotely. History Before cameras became self-contained units, broadcast cameras required vast racks of control units just to generate a usable picture. In outside broadcast production, these racks took up an entire section of the OB truck and were operated by a small team of skilled engineers. These vision engineers had two roles. Firstly, they set up the CCUs at the start of a production and ensured that the picture created was of broadcast quality. This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem. During production, it was the vision engineers job to operate the CCUs and con ...
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Tally Light
In a television studio, a tally light is a small signal-lamp on a professional video camera or monitor. It is usually located just above the lens or on the electronic viewfinder (EVF) and communicates, for the benefit of those in front of the camera as well as the camera operator, that the camera is 'live' - i.e. its signal is being used for the 'main program' at that moment. For television productions with more than one camera in a multiple-camera setup, the tally lights are generally illuminated automatically by a vision mixer trigger that is fed to a tally breakout board and then to a special video router designed for tally signals. The video switcher keeps track of which video sources are selected by the technical director and output to the main program bus. A switch automatically closes the appropriate electrical contacts to create a circuit, which activates the tally unit located in the camera control units (CCU). If more than one camera is on-air simultaneously (as in ...
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Technical Director
A technical director (TD) is usually a senior technical person within e.g. a software company, engineering firm, film studio, theatre company or television studio. This person usually has the highest level of skill within a specific technical field. It is also a common alternative title in association football for the position of Sporting director. Software In software development, a technical director is typically responsible for the successful creation and delivery of the company's product to the marketplace by managing technical risks and opportunities; making key software design and implementation decisions with the development teams, scheduling of tasks including tracking dependencies, managing change requests, and guaranteeing quality of deliveries and educating the team on technical best practices. Typical responsibilities: * Defines the technological strategy in conjunction with the development team of each project: pipeline, tools, and key development procedures * ...
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Television Director
A television director is in charge of the activities involved in making a television program or section of a program. They are generally responsible for decisions about the editorial content and creative style of a program, and ensuring the producer's vision is delivered. Their duties may include originating program ideas, finding contributors, writing scripts, planning 'shoots', ensuring safety, leading the crew on location, directing contributors and presenters, and working with an editor to assemble the final product. The work of a television director can vary widely depending on the nature of the program, the practices of the production company, whether the program content is factual or drama, and whether it is Live television, live or recorded. Types of television director Factual television director Factual or documentary TV directors may take any number of roles in the television production process, or combine several roles in one. Entertainment television director I ...
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Sitcoms
A sitcom, a portmanteau of situation comedy, or situational comedy, is a genre of comedy centered on a fixed set of characters who mostly carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use new characters in each sketch, and stand-up comedy, where a comedian tells jokes and stories to an audience. Sitcoms originated in radio, but today are found mostly on television as one of its dominant narrative forms. A situation comedy television program may be recorded in front of a studio audience, depending on the program's production format. The effect of a live studio audience can be imitated or enhanced by the use of a laugh track. Critics disagree over the utility of the term "sitcom" in classifying shows that have come into existence since the turn of the century. Many contemporary American sitcoms use the single-camera setup and do not feature a laugh track, thus often resembling the dramedy shows of the 1980s and 1990s rather tha ...
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