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Moombahton
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the house ...
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Moombahcore
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the ho ...
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Electro House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being ...
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Dutch House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being ...
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Dutch House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being ...
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Dave Nada
David Villegas, better known professionally as Dave Nada, is an Ecuadorian-American DJ and producer credited with creating the fusion-genre Moombahton. He is a member of the production and DJ duo Nadastrom and co-founder of Hermanito Label along with Jesse Tittsworth. Career Originally from College Park, Maryland, Nada began his music career in DC-area hardcore bands including De Nada, Super Chinchilla Rescue Mission, Medic, and Bison. He started as a radio DJ while going to college at the University of Maryland for 88.1 WMUC which led to his interest in production and being a DJ. In the early 2000s, Nada met Jesse Tittsworth through a mutual friend and was invited to spin at his party, Crunk, in Washington D.C. He went on to host TaxLo in Baltimore. In 2007 Tittsworth introduced Nada to Matt Nordstrom with whom he formed the DJ and production duo Nadastrom which was the forefront of his career for a decade. Nada's sets and productions notably include electro, house, Balt ...
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Chuckie (DJ)
Clyde Sergio Narain (born 25 June 1978), known professionally as Chuckie, is a Surinamese DJ and producer. He lives in Aruba. Chuckie was born in Paramaribo, Suriname. He is a producer of what has been called the "dirty trance" scene, a cultural movement centered on lively urban club events featuring dancing, bright lights and interactive stage elements. He has also helped develop a style of music known as "Dirty trance", a genre characterized by high pitched lead synths over Latin-inspired rhythms and samples. Hits including "Let the Bass Kick", "Aftershock" and "Make Some Noise" (with Junxterjack) have contributed to his success. Chuckie has also remixed songs for, among others, Michael Jackson and David Guetta and has produced for 50 Cent, Kesha and Akon. Further, his work has been showcased on the popular EDM focused show "What's Hot in EDM?" on BBC Radio 1. He also owns his record label, Dirty Dutch Music. He currently hosts the one-hour rap, trap and hip hop show on Kis ...
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Reggae Fusion
Reggae fusion is a genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip hop, R&B, jazz, funk, soul, disco, electronic and latin. Origin Although artists have been mixing reggae with other genres from as early as the early 1970s, no official term had been used to describe this practice. Artists such as UB40 were described using terms that joined the various genres they performed (e.g. "reggae funk", "reggae pop", "reggae-disco"). It was not until the late 1990s when the term was coined. The subgenre predominantly evolved from late 1980s and early 1990s dancehall music which instrumentals or " riddims" contained elements from the R&B and hip hop genres. Due to this, some consider dancehall artists such as Mad Cobra, Shabba Ranks, Super Cat, Buju Banton and Tony Rebel as pioneers of reggae fusion. For some of these artists, such as Buju Banton, reggae fusion became a staple throughout their careers. However, reggae fusion can be traced ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Disc Jockey
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. This enables them to blend tracks together to create ...
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Music Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artis ...
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Rave Music
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and even ...
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Portmanteau
A portmanteau word, or portmanteau (, ) is a blend of wordsGarner's Modern American Usage
, p. 644.
in which parts of multiple words are combined into a new word, as in ''smog'', coined by blending ''smoke'' and ''fog'', or ''motel'', from ''motor'' and ''hotel''. In , a portmanteau is a single morph that is analyzed as representing two (or more) underlying morphemes. When portmanteaus shorten established
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