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Monospaced
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting computer code. Monospaced fonts were widely used in early computers and computer terminals, which often had extremely limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font. Even though computers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samples Of Monospaced Typefaces
This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing. Additional monospaced typefaces *Anonymous Pro by Mark Simonsohttps://www.marksimonson.com/fonts/view/anonymous-pro* Bitstream Vera Sans Mono (a subset of DejaVu fonts#Sans Mono) *Comic Code, a monospaced adaptation of the most infamous yet most popular casual font. https://tosche.net/fonts/comic-code *Comic Mono, a legible monospace font, forked from Comic Shanns. https://dtinth.github.io/comic-mono-font/ *Comic Shanns, a Comic Sans inspired monospaced font. https://github.com/shannpersand/comic-shanns * Cousine *Envy Code R is a font designed by Damien Guard. While it is free to download, it is under a license which forbids redistribution. Its homepage ihttps://damieng.com/envy-code-r *Fantasque Sans Mono *Hack is a variant of Bitstream Vera Sans Mono *Input is a monospace f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inconsolata
Inconsolata is an open-source font created by Raph Levien and released under the SIL Open Font License. It is a humanist monospaced font designed for source code listing, terminal emulators, and similar uses. It was influenced by the proprietary Consolas monospaced font, designed by Lucas de Groot, the proportional Avenir and IBM's classic monospaced Letter Gothic. Inconsolata has received favorable reviews from many programmers who consider it to be a highly readable and clear monospaced font. Initially having no bold weight, when Inconsolata was added to Google Fonts, it was fully hinted and a bold variant was added. A Hellenised version of Inconsolata, containing full support for monotonic Modern Greek Modern Greek (, , or , ''Kiní Neoellinikí Glóssa''), generally referred to by speakers simply as Greek (, ), refers collectively to the dialects of the Greek language spoken in the modern era, including the official standardized form of the ..., was released b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courier (typeface)
Courier is a monospaced slab serif typeface. The typeface was designed by Howard "Bud" Kettler (1919–1999). Initially created for IBM's typewriters, it has been adapted for use as a computer font, and versions of it are installed on most desktop computers. History IBM did not trademark the name Courier, so the typeface design concept and its name are now public domain. According to some sources, a later version for IBM's Selectric typewriters was developed with input from Adrian Frutiger, although Paul Shaw writes that this is a confusion with Frutiger's adaptation of his Univers typeface for the Selectric system. Sources differ on whether the design was published in 1955 or 1956. As a monospaced font, in the 1990s Courier found renewed use in the electronic world in situations where columns of characters must be consistently aligned, for instance, in coding. It has also become an industry standard for all screenplays to be written in 12- point Courier or a close variant. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menlo (typeface)
Menlo is a monospaced sans-serif typeface designed by Jim Lyles. The face first shipped with Mac OS X Snow Leopard. Menlo is based upon the open source font Bitstream Vera and the public domain font DejaVu.Embedded Menlo font info Replacement Menlo was replaced as the system monospaced font: in Mac OS 10.11, with a new Apple-made monospaced font called "SF Mono", a monospaced variant of the San Francisco family of fonts that Apple has created as part of its corporate identity. It is not installed as a user-accessible typeface by default, although it is included with and used by Xcode. SF Mono can be installed on macOS by downloading it from the Apple Developer website. Even if it is installed by the user, SF Mono's license agreement is extraordinarily restrictive; it limits use of the font "solely in conjunction with Apple-branded applications", and it is not allowed to be embedded anywhere. Any other use of the typeface requires written consent from Apple. See also *Apple t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box-drawing Characters
Box-drawing characters, also known as line-drawing characters, are a form of semigraphics widely used in text user interfaces to draw various geometric frames and boxes. Box-drawing characters typically only work well with monospaced fonts. In graphical user interfaces, these characters are much less useful as it is more simple and appropriate to draw lines and rectangles directly with graphical APIs. However, they are still useful for command-line interfaces and plaintext comments within source code. Used along with box-drawing characters are block elements, shade characters, and terminal graphic characters, these can be used for filling regions of the screen and portraying drop shadows. Encodings Unicode Box Drawing Unicode includes 128 such characters in the Box Drawing block. In many Unicode fonts only the subset that is also available in the IBM PC character set (see below) will exist, due to it being defined as part of the WGL4 character set. The image below i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucida Console
Lucida (pronunciation: ) is an extended family of related typefaces designed by Charles Bigelow (type designer), Charles Bigelow and Kris Holmes and released from 1984 onwards. The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand). There are many variants of Lucida, including serif (Fax, Bright), sans-serif (Sans, Lucida Sans Unicode, Sans Unicode, Lucida Grande, Grande, Sans Typewriter) and scripts (Blackletter, Calligraphy, Handwriting). Many are released with other software, most notably Microsoft Office. Bigelow and Holmes, together with the (now defunct) TeX vendor Y&Y, extended the Lucida family with a full set of TeX mathematical symbols, making it one of the few typefaces that provide full-featured text and mathematical typesetting within TeX. Lucida is still licensed commercially through the TeX Users Group, TUG store as well through their own web s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a " sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface " Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), " Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ASCII Art
ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII). The term is also loosely used to refer to text-based visual art in general. ASCII art can be created with any text editor, and is often used with free-form languages. Most examples of ASCII art require a fixed-width font (non-proportional fonts, as on a traditional typewriter) such as Courier for presentation. Among the oldest known examples of ASCII art are the creations by computer-art pioneer Kenneth Knowlton from around 1966, who was working for Bell Labs at the time. "Studies in Perception I" by Ken Knowlton and Leon Harmon from 1966 shows some examples of their early ASCII art. "1966 Studies in Perception I by Ken Knowlton an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Source Code Pro
Source Code Pro is a monospaced sans serif typeface created by Paul D. Hunt for Adobe Systems. It is the second open-source font family from Adobe, distributed under the SIL Open Font License. Source Code Pro (2012) Source Code Pro is a set of monospaced OpenType fonts that have been designed to work well in coding environments. This family of fonts is a complementary design to the Source Sans family. It is available in seven weights (Extralight, Light, Regular, Medium, Semibold, Bold, Black). Changes from Source Sans Pro include: *Long x-height * Dotted zero *Redesigned i, j, and l *Increased sizes of punctuation marks *Optimized shapes of important characters like the greater- and less-than signs *Adjusted heights of dashes and mathematical symbols improving alignment with each other The font has been regularly upgraded since the first release. Italics styles were added in 2015, and variable formats in 2018. See also Adobe's open-source family * Source Sans Pro, the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OCR-A
OCR-A is a font created in 1968, in the early days of computer optical character recognition, when there was a need for a font that could be recognized not only by the computers of that day, but also by humans. OCR-A uses simple, thick strokes to form recognizable characters. The font is monospaced (fixed-width), with the printer required to place glyphs cm ( inch) apart, and the reader required to accept any spacing between cm ( inch) and cm ( inch). Standardization The OCR-A font was standardized by the American National Standards Institute (ANSI) as ANSI X3.17-1981. X3.4 has since become the INCITS and the OCR-A standard is now called ISO 1073-1:1976. There is also a German standard for OCR-A called DIN 66008. Implementations In 1968, American Type Founders produced OCR-A, one of the first optical character recognition typefaces to meet the criteria set by the U.S. Bureau of Standards. The design is simple so that it can be easily read by a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaco (typeface)
Monaco is a monospaced sans-serif typeface designed by Susan Kare and Kris Holmes. It ships with macOS and was already present with all previous versions of the Mac operating system. Characters are distinct, and it is difficult to confuse (figure zero) and (uppercase O), or (figure one), (vertical bar), (uppercase i) and (lowercase L). A unique feature of the font is the high curvature of its parentheses as well as the width of its square brackets, the result of these being that an empty pair of parentheses or square brackets will strongly resemble a circle or square, respectively. Monaco has been released in at least three forms. The original was a bitmap monospace font that still appears in the ROMs of even New World Macs, and is still available in recent macOS releases (size 9, with disabled antialiasing). The second is the outline form, loosely similar to Lucida Mono and created as a TrueType font for System 6 and 7; this is the standard font used for all other sizes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
