Modernist Film
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Modernist Film
Modernist film is related to the art and philosophy of modernism. History It came to maturity in the eras between WWI and WWII with characteristics such as montage, symbolic imagery, expressionism and surrealism (as featured in the works of Luis Buñuel, Fritz Lang and Alfred Hitchcock) while Postmodernist film – similar to postmodernism as a whole – is a reaction to the modernist works of its field, and to their tendencies (such as nostalgia and angst). Modernist cinema, "explored and exposed the formal concerns of the medium by placing them at the forefront of consciousness. Modernist cinema questions and made visible the meaning-production practices of film."''Beginning Postmodernism'', Manchester University Press: 1999 by Tim Woods The auteur theory and idea of an author producing a work from his singular vision guided the concerns of modernist film. "To investigate the transparency of the image is modernist but to undermine its reference to reality is to engage with the ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Take One
Take One may refer to: Music * ''Take One'' (Adam Lambert album), 2009 * ''Take One!'', a 1980 album by Shakin' Stevens * ''Take One'' (Susanne Sundfør album), 2008 * ''Take One'' (T. S. Monk album), 1992 * '' Primera Toma'' or ''Take One'', an album by La 5ª Estación * "Take One" (song), by Seo Taiji, 1998 * "Take One", a song by Kodak Black from '' Dying to Live'' Other media * ''Take One'' (British magazine), an online film magazine * ''Take One'' (Canadian magazine), a defunct film magazine * ''Take One'', a 2014 Indian film directed by Mainak Bhaumik Mainak Bhaumik is a Bengali film director and editor. He made his directorial debut with 2006 Bengali film ''Aamra''.In 2012, he made another Bengali film Bedroom, a dark ensemble film about the new generation of young Indians. His critically a ... * ''Take 1'' (TV series), a 2022 Netflix docuseries music reality show See also * Take Two (other) {{disambiguation ...
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Bruce Conner
Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist who worked with assemblage, film, drawing, sculpture, painting, collage, and photography. Biography Bruce Conner was born November 18, 1933 in McPherson, Kansas.His well-to-do middle-class family moved to Wichita, when Conner was four. He attended high school in Wichita, Kansas. Conner studied at Wichita University (now Wichita State University) and later at University of Nebraska, where he graduated in 1956 with a bachelor of fine arts degree. During this time as a student he visited New York City. Conner worked in a variety of media from an early age. Early career (mid 1950s / early 1960s) In 1955, Conner studied for six months at Brooklyn Museum Art School on a scholarship. His first solo gallery show in New York City took place in 1956 and featured paintings. His first solo shows in San Francisco, in 1958 and 1959, featured paintings, drawings, prints, collages, assemblages, and sculpture. The Desi ...
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Now Hear This (film)
''Now Hear This'' is a 1962 Warner Bros. '' Looney Tunes'' cartoon directed by Chuck Jones and Maurice Noble, and written by Jones and John Dunn. The short was released on April 27, 1962. It was nominated for the Academy Award for Best Animated Short Film the following year. Background The title comes from a phrase used aboard American naval ships as an instruction to cease activity and listen to the announcement that will follow. Later, Jones described the film as "another picture I didn't understand," saying, "We kind of went out into — I don't know if it was left field; it was somewhere else I didn't understand. Jack Warner wasn't the only one who didn't understand that picture. I called it 'Chuck's Revenge', because it was one of the last pictures I made, and I was trying to find some way of infuriating him." This cartoon resembles a UPA cartoon (whose cartoons had used limited animation techniques) more than a typical Warner Bros. short of the time. Plot Satan, ...
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The Heckling Hare
''The Heckling Hare'' is a ''Merrie Melodies'' cartoon, released on July 5, 1941, and featuring Bugs Bunny and a dopey dog named Willoughby. The cartoon was directed by Tex Avery, written by Michael Maltese, animated by soon-to-be director Robert McKimson, and with musical direction by Carl W. Stalling. In a style that was becoming typical of the Bugs character, he easily outwitted and tormented his antagonist through the short, his only concern being what to do next to the dog. This is the second-to-last Bugs Bunny cartoon directed by Tex Avery to be released following a dispute with producer Leon Schlesinger during production (see "Original Ending" below). The last, ''All This and Rabbit Stew'', was produced before this film. Additionally, it was the fifth cartoon for Bugs and the 55th cartoon Avery directed at Warner Bros. The ''Merrie Melodies'' opening sequence also featured the first usage of the Warner Bros. shield logo zooming in with a carrot-munching Bugs Bunny lying ...
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Daffy Duck And Egghead
''Daffy Duck & Egghead'' is a 1938 Warner Bros. ''Merrie Melodies'' cartoon produced in 1937 and directed by Tex Avery. The cartoon was released on January 1, 1938, and stars Daffy Duck and Egghead. Plot Egghead (in a voice imitating radio comic Joe Penner), who is annoyed by a silhouetted man in the theater audience (Tedd Pierce) who refuses to sit down. After he sits down twice and finally gets shot by Egghead when he will not stay down, out comes Daffy Duck biting his nose. While fighting, a tortoise (imitating radio comic Parkyakarkus) comes and tries to give Daffy and Egghead new weapons. When the tortoise goes away, Egghead uses his real gun and Daffy tries to make him shoot the apple on his head. Egghead misses every time, so Daffy puts a blind sign, a cup of pencils, and disguise glasses on Egghead. Daffy then sings a song (considered semi-obligatory for a Merrie Melodies cartoon at the time), and when he concludes, his own reflection in the water surfaces in three dimen ...
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Zabriskie Point (film)
''Zabriskie Point'' is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the 1960s, counterculture of the United States. Some of the film's scenes were shot on location at Zabriskie Point in Death Valley. The film was an overwhelming commercial failure,Smith, Matt"Zabriskie Point.'''Brattle Theatre Film Notes ''. Retrieved: September 19, 2012. and was panned by most critics upon release. Its critical standing has increased, however, in the decades since. It has to some extent achieved cult film, cult status and is noted for its cinematography, use of music, and direction.Allwood, Emma Hope"Three things you don't know about Zabriskie Point."''Dazed'', July 2015. Retrieved: November 21, 2016. Plot In a room at a university campus in 1970, white and black students argue about an impending student strike. Mark (Mark Frechette) leaves the ...
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Thugs With Dirty Mugs
''Thugs with Dirty Mugs'' is a 1939 Warner Bros. '' Merrie Melodies'' cartoon directed by Tex Avery. The short was released on May 6, 1939. The title is derived from the Warner Bros.' 1938 acclaimed feature film, ''Angels with Dirty Faces''. It is similar to Avery's later MGM crime/detective-oriented cartoon ''Who Killed Who?'' Plot The film takes place in the fictional New York town of Everyville, which is home to a vast total of 112 banks. The title card and technical credits are followed by introductions of the two lead characters: "F.H.A. (Sherlock) Homes" as police chief "Flat-Foot Flanigan with a Floy Floy," and "Edward G. Robemsome" (a caricature of Edward G. Robinson) as notorious gang leader "Killer Diller." After these introductions, Killer and his gang are seen robbing every bank in the town in numerical order (except that they skip the 13th bank out of superstition) — with the newspaper ''Telegraph Post'' reporting the criminals' every move, and even declaring th ...
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In The Year Of The Pig
''In the Year of the Pig'' is an American documentary film directed by Emile de Antonio about American involvement in the Vietnam War. It was released in 1968 while the U.S. was in the middle of its military engagement, and was politically controversial. One year later, the film was nominated for the Academy Award for Best Documentary Feature. In 1990, Jonathan Rosenbaum characterized the film as "the first and best of the major documentaries about Vietnam". Summary The film, which is in black and white, contains much historical footage and many interviews. Those interviewed include Harry Ashmore, Daniel Berrigan, Philippe Devillers, David Halberstam, Roger Hilsman, Jean Lacouture, Kenneth P. Landon, Thruston B. Morton, Paul Mus, Charlton Osburn, Harrison Salisbury, Ilya Todd, John Toller, David K. Tuck, David Wurfel and John White. Produced during the Vietnam War, the film was greeted with hostility by many audiences, with bomb threats and vandalism directed at theaters that s ...
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Allures (film)
''Allures'' is a 1961 American 16mm abstract motion picture directed by Jordan Belson. Summary Using an evocative combination of sound and light effects, the film has been described by Belson as the "space-iest film that had been done until then", creating "a feeling of moving into the void". Legacy In 2011, the experimental film was selected for listing in the National Film Registry by the Library of Congress. See also *1961 in film *Special effects Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual wor ... References External links * {{IMDb title, 0054616 1961 films 1961 short films 1960s English-language films American avant-garde and experimental films United States National Film Registry films 1960s avant-garde and experimental films 1960s American films ...
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Persona (1966 Film)
''Persona'' is a 1966 Swedish psychological drama film, written and directed by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. They move to a cottage, where Alma cares for Elisabet, confides in her, and begins having trouble distinguishing herself from her patient. Characterized by elements of psychological horror, ''Persona'' has been the subject of much critical analysis, interpretation, and debate. The film's exploration of duality, insanity, and personal identity has been interpreted as reflecting the Jungian theory of ''persona'' and dealing with issues related to filmmaking, vampirism, homosexuality, motherhood, abortion, and other subjects. The experimental style of its prologue and storytelling has also been noted. The enigmatic film has been called the Mount Everest of cinematic analysis; acco ...
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Singin In The Rain
''Singin' in the Rain'' is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor, and Debbie Reynolds and featuring Jean Hagen, Millard Mitchell and Cyd Charisse. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to "talkies". The film was only a modest hit when it was first released. O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress. However, it has since been accorded legendary status by contemporary critics, and is often regarded as the greatest musical film ever made and one of the greatest films ever made, as well as the greatest film made in the " Freed Unit" at Metro-Goldwy ...
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