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Mock Combat
Mock combat involves the execution of combative actions without intent to harm. Participants can engage in such sparring for ritual, training, recreational or performance reasons. The nature of mock combat can vary from realistic to symbolic. Mock combat can be classified into choreographed and unchoreographed forms. Unchoreographed * Display behaviour in tournament species ** Threat display * Ritual battle ** Tinku * Battle reenactment * Military simulation or war games * Sparring Choreographed * Stage combat * Theatrical fencing * Cinematic fencing * Arranged performance fighting * War dance ** Capoeira ** Juego de maní ** Kailao * Kata in Japanese martial arts * Hyung, or poomsae (in Korean martial arts) *Professional Wrestling Professional wrestling is a form of theater that revolves around staged wrestling matches. The mock combat is performed in a ring similar to the kind used in boxing, and the dramatic aspects of pro wrestling may be performed both in the ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Dogs Seems Like Fighting But Are NOT Jan 2008 Shot In Jalandhar Punjab India By Gopal1035 003
2 (two) is a number, numeral and digit. It is the natural number following 1 and preceding 3. It is the smallest and only even prime number. Because it forms the basis of a duality, it has religious and spiritual significance in many cultures. Evolution Arabic digit The digit used in the modern Western world to represent the number 2 traces its roots back to the Indic Brahmic script, where "2" was written as two horizontal lines. The modern Chinese and Japanese languages (and Korean Hanja) still use this method. The Gupta script rotated the two lines 45 degrees, making them diagonal. The top line was sometimes also shortened and had its bottom end curve towards the center of the bottom line. In the Nagari script, the top line was written more like a curve connecting to the bottom line. In the Arabic Ghubar writing, the bottom line was completely vertical, and the digit looked like a dotless closing question mark. Restoring the bottom line to its original horizontal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Military Simulation
Military simulations, also known informally as war games, are simulations in which theories of warfare can be tested and refined without the need for actual hostilities. Military simulations are seen as a useful way to develop tactical, strategical and doctrinal solutions, but critics argue that the conclusions drawn from such models are inherently flawed, due to the approximate nature of the models used. Many professional analysts object to the term ''wargames'' as this is generally taken to be referring to the civilian hobby, thus the preference for the term ''simulation''. Simulations exist in many different forms, with varying degrees of realism. In recent times, the scope of simulations has widened to include not only military but also political and social factors, which are seen as inextricably entwined in a realistic warfare model. Whilst many governments make use of simulation, both individually and collaboratively, little is known about it outside professional circles. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyung
The Korean terms hyeong, pumsae, poomsae and teul (meaning "form" or "pattern") are all used to refer to martial arts forms that are typically used in Korean martial arts such as Taekwondo and Tang Soo Do. * Hyeong is often romanized as ''hyung''. This term is used primarily in earlier styles of taekwondo, often referred to as ''traditional taekwondo''. * Pumsae is often romanized as ''poomsae'' or ''poomse''. This term is used primarily in Kukkiwon/ WTF-style taekwondo. * Teul is often romanized as ''tul''. This term is used primarily in ITF-style taekwondo. A hyeong is a systematic, prearranged sequence of martial techniques that is performed either with or without the use of a weapon. In traditional dojangs (training halls), hyeong are used primarily as a form of interval training that is useful in developing mushin, proper kinetics and mental and physical fortitude. Hyeong may resemble combat, but are artistically non-combative and woven together so as to be an effecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kata
''Kata'' is a Japanese word ( 型 or 形) meaning "form". It refers to a detailed choreographed pattern of martial arts movements made to be practised alone. It can also be reviewed within groups and in unison when training. It is practised in Japanese martial arts as a way to memorize and perfect the movements being executed. Korean martial arts with Japanese influence (hapkido, Tang Soo Do) use the derived term ''hyeong'' (hanja: 形) and also the term ''pumsae'' (hanja: 品勢 hangeul: 품새). Kata are also used in many traditional Japanese arts such as theatre forms like kabuki and schools of tea ceremony (''chadō''), but are most commonly known in the martial arts. Kata are used by most Japanese and Okinawan martial arts, such as iaido, judo, kendo, kenpo, and karate. Background Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practising kata allowed a company of persons to engage in a strug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kailao
The kailao is a cultural dance from the South Pacific country of Tonga. It originates from Wallis and Futuna. History The kailao originated on the island collectivity of Wallis and Futuna, where it is still performed in public ceremonies. In Tonga it is performed at public and private ceremonies. The men, bearing stylized clubs (pate kailao), dance in a fierce manner that emulates fighting, to the accompaniment of a beaten slit drum or tin box which sets the tempo. Unlike most other Tongan dances, it is performed without singing. The sequences of movements are called by the lead dancer, who calls out the names of the sequences and signals when to do them. They can involve mock combat between dancers, changes in formation, and tricks involving the pate kailao themselves. The moves display the dancers' discipline, obedience, and skills with their weapons. A similar Rotuman dance, also derived from the 'Uvean original, is similarly called the ''ka'loa''. The 'Ikale Tahi, the Tongan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juego De Maní
('game of war') often simply called or , sometimes referred to as ('dance of war') or , is a combined martial art and dance that was developed in Cuba by Atlantic slave trade, African slaves. It has its roots in the Kongo people, Kongo-Angola culture and is still kept alive today in Cuba by folkloric groups. Practitioners are referred to as . Etymology The word ''mani'' (or accented in Spanish to indicate stress on the final syllable) is said to mean 'war', in an indeterminate African language, and is not a reference to 'peanuts', which the word can also refer to in Cuban Spanish. Detailed interview with a contemporary instructor. Its longer Spanish names, , ('game of ''mani''' or ' game') and ('dance of ' or ' dance') would thus mean 'war game' or 'war dance', respectively, when fully translated from both languages. An even longer name recorded is (loosely, ' greased game' or 'war game with grease') because of its smooth and slippery qualities. In English, some modern pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the '' ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Dance
A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. It could also be for celebration of valor and conquest. Many such martial arts incorporate music, especially strong percussive rhythms. War dances Examples of war dances include: :* Aduk-Aduk – Brunei :* Ardah – Arabian Peninsula, Kuwait :* Ayyalah – Arabian Peninsula :* Baris – Bali, Indonesia :* Bende War Dance – Nigeria :* Buza – Russia :* Blood walk – Bloods of United States :*Cakalele – Maluku, Indonesia :*Capoeira, as well as some similar Afro-Caribbean arts :* Cibi – Fiji :*Crip Walk – Crips of United States :*Dirk dance and Scottish sword dances – Scotland :* European sword danc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arranged Performance Fighting
Combat reenactment is a side of historical reenactment which aims to depict historical forms of combat. This may refer to either single combat, melees involving small groups, or nearly full-scale battles with hundreds of participants. Depending on the intended effect, performances may have the aim of presenting historical martial arts reconstruction, or just offer entertainment, and different groups have different standards of authenticity. Historical martial arts demonstrations Demonstration of historical fencing begins with Alfred Hutton in the 1890s. The Association for Renaissance Martial Arts distinguishes the following modes of historical martial arts demonstrations: *Theatrical Fencing (stage-combat, performance fighting) in the sense of a performance art, not a martial art, although relying on a foundation of martial techniques and principles, serving the end of dramatic entertainment. *Arranged Performance Fighting, as distinct from both theatrical fencing and histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematic Fencing
Cinematic fight choreography or staged fights in cinema include performances of archery, classical fencing, historical fencing, martial arts, close combat, and duels in general, as well as choreography of full-scale battles with hundreds of combatants. Asian martial arts The 1970s in Hong Kong saw the rise and sudden death of international martial arts and film superstar Bruce Lee, who is known for popularizing Hong Kong action cinema. He was succeeded in the 1980s by Jackie Chan, who popularized the use of comedy and dangerous stunts in action films. Hong Kong-based fight choreographer Yuen Wo-ping is famed for his work on ''Crouching Tiger, Hidden Dragon'' and the ''Matrix'' trilogy, in which the often unrealistic fighting techniques are complemented by directorial techniques such as bullet time. Ching Siu-tung is particularly noted in the field of Hong Kong action cinema for his use of graceful wire fu techniques. Notable Asian martial arts choreographers: *Yoshio Sugino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Fencing
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. History Ancient The history of stage fighting and mock combat can be traced to antiquity, with Aristotle quoted as noting that tragedy is conflict between people or indeed it may be traced to the origins of the human species and primate display behaviour. Display of martial aptitude is a natural occurrence in warrior societies, and ritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Combat
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. History Ancient The history of stage fighting and mock combat can be traced to antiquity, with Aristotle quoted as noting that tragedy is conflict between people or indeed it may be traced to the origins of the human species and primate display behaviour. Display of martial aptitude is a natural occurrence in warrior societies, and rituali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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