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Mo Lei Tau
''Mo lei tau'' () is a type of slapstick humour associated with Hong Kong popular culture that developed during the late 20th century. It is a phenomenon which has grown largely from its presentation in modern film media. Its humour arises from the placement of surprising and incongruous elements, and the complex interplay of cultural subtleties. Typical constituents of this humour include nonsensical parodies, juxtaposition of contrasts, sudden surprises in spoken dialogue and action and improbable and deliberate anachronisms. During an interview with Stephen Chow for his 2006 season of ''Asian Invasion'', BBC film critic Jonathan Ross referred to the genre as "Silly Talk", a label that Chow was happy to accept. Semantics ''Mo lei tau'' (Jyutping: mou4 lei4 tau4) is a Cantonese term which may be loosely translated as "with no source", but is generally used to mean "makes no sense". The original phrase was ''mo lei tau gau'' (冇厘頭尻) which literally means "cannot differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapstick
Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders. The term arises from a device developed for use in the broad, physical comedy style known as ''commedia dell'arte'' in 16th-century Italy. The "Clapper (musical instrument), slap stick" consists of two thin slats of wood, which make a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show. Other examples of slapstick humor include ''The Naked Gun'' and Mr. Bean (character), Mr. Bean. Origins The name "slapstick" originates from the Italian ''Batacchio'' or ''Bataccio'' – called the "Clapper (musical instrument), slap stick" in English – a club-like objec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Carroll
Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems ''Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense. Carroll came from a family of high-church Anglicanism, Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, the daughter of Christ Church's dean Henry Liddell, is widely identified as the original inspiration for ''Alice in Wonderland'', though Carroll always denied this. An avid puzzler, Carroll created the word ladder puzzle (which he then called "Doublets"), which he published in his weekly column for ''Vanity Fair ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarchic Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" are too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surreal Humour
Surreal humour (also called surreal comedy, absurdist humour, or absurdist comedy) is a form of humour predicated on deliberate violations of causal reasoning, thus producing events and behaviours that are obviously illogical. Portrayals of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs, irrational or absurd situations, and expressions of nonsense. Surreal humour grew out of surrealism, a cultural movement developed in the 20th century by French and Belgian artists, who depicted unnerving and illogical scenes while developing techniques to allow the unconscious mind to express itself. The movement itself was foreshadowed by English writers in the 19th century, most notably Lewis Carroll and Edward Lear. The humour in surreal comedy arises from a subversion of audience expectations, emphasizing the ridiculousness and unlikeliness of a situation, so that amusement is founded on an unpredictability that is separate from a logical analysis of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Initial D (film)
''Initial D'' is a 2005 Hong Kong action film directed by Andrew Lau and Alan Mak. It is a film adaptation of the Japanese ''Initial D'' manga series, with elements combined from the first, second, and third stages. The main character, Takumi Fujiwara, is portrayed by Jay Chou in his film acting debut. Plot Takumi Fujiwara is a high school student who has been delivering tofu to the resorts in Mount Akina in his father Bunta's Toyota Sprinter Trueno AE86. He also works part-time at a gas station where his friend Itsuki, the owner's son and a high school dropout, aspires to be a street racer. Natsuki Mogi, an attractive classmate, smiles as she walks by Takumi, but she has been secretly going on dates with a sugar daddy who drives a Mercedes. Street racers Takeshi Nakazato of the NightKids, who drives a Nissan Skyline GT-R, and Ryousuke Takahashi of the RedSuns, who drives a Mazda RX-7 (FC), talk about racing each other after they defeat the competition at Akina. When Takeshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedic Device
Comedic device refers to a kind of device used to make a statement more humorous. In layman's terms, it is what makes things funny. List of comedic devices Repetition Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition. It is also the basis for "Englishman, Irishman, and Scotsman" jokes, where repetition is used to set up a modus operandi and build tension before the Irishman (usually assumed to be the stupid one) provides the resolving juxtaposition. Hyperbole, or overstatement Hyperbole, an overstatement, is a figure of speech in which statements are exaggerated or extravagant. It may be used to reflect or affect strong feelings or a strong impression. Understatement An understatement is a figure of speech in which sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Final Combat
''The Final Combat'' () is a 1989 Hong Kong TVB wuxia comedy drama series starring Stephen Chow, Richard Ng, Francis Ng, Jacqueline Law and Yammie Nam as the main cast . It aired on April 3, 1989, to May 12, 1989, with 30 episodes total. Chow also introduced his famous catch phrase ''"Sit down, drink a cup of tea, eat a bun, and talk slowly"''「坐低飲啖茶，食個包」in this drama. Synopsis Ku Fung (Ng Man Tat) and Duen Hoi (Lau Kong), both are apprentices under the Celestine Sect, must fight off their former sect brother Ku Yim Yeung (Ng Man Tat) who is also Ku Fung's twin brother, who has turned evil and women like due to learning the Maiden scripture and then formed his own Maiden Force cult. In order to stop his former disciple Yim Yeung, Fung and Hoi's Si Fu took it upon himself to learn the Blissful scripture, but because this skill requires so much strength and power from the person using it they will die after only using the fighting move once. Not wanting his Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baozi
Baozi (), Pao-tsih or bao, is a type of yeast-leavened filled bun in various Chinese cuisines. There are many variations in fillings ( meat or vegetarian) and preparations, though the buns are most often steamed. They are a variation of ''mantou'' from Northern China. Two types are found in most parts of China and Indonesia: ''Dàbāo'' (大包, "big bun"), measuring about across, served individually, and usually purchased for take-away. The other type, ''Xiǎobāo'' (小包, "small bun"), measure approximately wide, and are most commonly eaten in restaurants, but may also be purchased for take-away. Each order consists of a steamer containing between three and ten pieces. A small ceramic dish for dipping the baozi is provided for vinegar or soy sauce, both of which are available in bottles at the table, along with various types of chili and garlic pastes, oils or infusions, fresh coriander and leeks, sesame oil, and other flavorings. They are popular throughout China and ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catchphrase
A catchphrase (alternatively spelled catch phrase) is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through word of mouth and a variety of mass media (such as films, internet, literature and publishing, television, and radio). Some become the de facto or literal "trademark" or "signature" of the person or character with whom they originated, and can be instrumental in the typecasting of a particular actor. Catchphrases are often humorous, but are never long enough or structured enough to be jokes in themselves. However, a catchphrase can be (or become) the punchline of a joke, or a reminder of a previous joke. Culture According to Richard Harris, a psychology professor at Kansas State University who studied why people like to cite films in social situations, using film quotes in everyday conversation is similar to telling a joke and a way to form solidarity with others. "People a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Hong Kong
The culture of Hong Kong is primarily a mix of Chinese and Western influences, stemming from Lingnan Cantonese roots and later fusing with British culture due to British colonialism (Jyutping: ; Traditional Chinese: 粵英薈萃). As an international financial center dubbed "Asia’s World City", contemporary Hong Kong has also absorbed many international influences from around the world. Moreover, Hong Kong also has indigenous people and ethnic minorities from South and Southeast Asia, whose cultures all play integral parts in modern day Hong Kong culture. As a result, after the 1997 transfer of sovereignty to the People's Republic of China, Hong Kong has continued to develop a unique identity under the rubric of One Country, Two Systems.Lilley, Rozanna. 998(1998) Staging Hong Kong: Gender and Performance in Transition. University of Hawaii. History Languages and writing systems Spoken languages Hong Kong people used to speak Cantonese with some English bad words, which be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Word Play
Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play ''The Importance of Being Earnest'', ''Ernest'' being a given name that sounds exactly like the adjective ''earnest''). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthography, orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese. Techniques Some techniques often used in word play include interpreting idioms literally and creating contradictions and redundancies, as in Tom Swifties: :"Hurry up and get to the back of the shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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