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Mired
Contracted from the term micro reciprocal degree, the mired is a unit of measurement used to express color temperature. Values in mireds are calculated by the formula: : M = \frac, where ''T'' is the colour temperature in units of kelvins and ''M'' denotes the resulting mired dimensionless number. The constant is one million kelvins. For convenience, ''decamireds'' are sometimes used, with each decamired equaling ten mireds. The SI term for this unit is the reciprocal megakelvin (MK−1), shortened to ''mirek'', but this term has not gained traction. The use of the term ''mired'' dates back to Irwin G. Priest's observation in 1932 that the just noticeable difference between two illuminants is based on the difference of the reciprocals of their temperatures, rather than the difference in the temperatures themselves. Examples A blue sky, which has a color temperature ''T'' of about , has a mired value of ''M'' = 40 mireds, while a standard electronic photography flash ...
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Color Temperature
Color temperature is the color of light emitted by an idealized opaque, non-reflective body at a particular temperature measured in kelvins. The color temperature scale is used to categorize the color of light emitted by other light sources regardless of their temperature. Color temperature is a characteristic of visible light that has important applications in lighting, photography, videography, publishing, manufacturing, astrophysics, horticulture, and other fields. In practice, color temperature is meaningful only for light sources that do in fact correspond somewhat closely to the color of some black body, i.e., light in a range going from red to orange to yellow to white to bluish white; it does not make sense to speak of the color temperature of, e.g., a green or a purple light. Color temperature is conventionally expressed in kelvins, using the symbol K, a unit of measure for absolute temperature. Color temperatures over 5000 K are called "cool colors" (bluish) ...
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Flash (photography)
A flash is a device used in photography that produces a brief burst of light (typically lasting 1/1000 to 1/200 of a second) at a color temperature of about 5500  K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. ''Flash'' refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically. Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a ''hot shoe''). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a flas ...
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Units Of Measurement
A unit of measurement is a definite magnitude (mathematics), magnitude of a quantity, defined and adopted by convention or by law, that is used as a standard for measurement of the same kind of quantity. Any other quantity of that kind can be expressed as a multiple of the unit of measurement. For example, a length is a physical quantity. The metre (symbol m) is a unit of length that represents a definite predetermined length. For instance, when referencing "10 metres" (or 10 m), what is actually meant is 10 times the definite predetermined length called "metre". The definition, agreement, and practical use of units of measurement have played a crucial role in human endeavour from early ages up to the present. A multitude of System of measurement, systems of units used to be very common. Now there is a global standard, the International System of Units (SI), the modern form of the metric system. In trade, weights and measures is often a subject of governmental r ...
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Color Cast
A colour cast is a tint of a particular colour, usually unwanted, that evenly affects a photographic image in whole or in part. Certain types of light can cause film and digital cameras to render a colour cast. Illuminating a subject with light sources of different colour temperatures will usually cause colour cast problems in the shadows. The human eye generally does not notice the unnatural colour, because our eyes and brains adjust and compensate for different types of light in ways that cameras cannot. In film, colour casts can also be caused by problems in photo development. Improper timing or imbalanced chemical mixtures can cause unwanted casts. Colour casts can also occur in old photographs due to fading of dyes, particularly under the action of ultraviolet light. These may be correctable on a scanned version of the photograph with image editing techniques. Solutions Most digital cameras try to automatically detect and compensate colour cast and usually have a selec ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Color Gel
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of electr ...
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Photographic Filter
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens. Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding ...
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Color Temperature - Mired Shift
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of electr ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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JOSA
The ''Journal of the Optical Society of America'' is a peer-reviewed scientific journal of optics, published by Optica (society), Optica. It was established in 1917 and in 1984 was split into two parts, A and B. ''Journal of the Optical Society of America A'' Part A covers various topics in optics, Visual system, vision, and Image processing, image science. The editor-in-chief is Olga Korotkova (University of Miami, USA). ''Journal of the Optical Society of America B'' Part B covers various topics in the field of optical physics, such as guided waves, laser spectroscopy, nonlinear optics, quantum optics, lasers, organic and polymer materials for optics, and ultrafast phenomena. The editor-in-chief is Kurt Busch (Humboldt_University_of_Berlin, Humboldt University of Berlin, Germany). References {{reflist External links ''Journal of the Optical Society of America A'' website''Journal of the Optical Society of America B'' website
Publications established in 1917 Optica ...
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