Minimal Techno
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Minimal Techno
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell.Sicko, D., ''Techno Rebels: The Renegades of Electronic Funk'', Billboard Books, 1999, (pp. 199–200). By the early 2000s the term 'minimal' generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Origins Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno. According to Derrick May, "while the first-wave artists were enjoying their early global success, techno also inspired many up-and-coming DJs and bedroom producers in Detroit". This younger generation included produce ...
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Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ...
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Jeff Mills
Jeff Mills (born June 18, 1963, in Detroit, Michigan) is an American DJ, record producer, and composer. Thanks to his technical abilities as a DJ, Mills became known as ''The Wizard'' in the early to mid 1980s. In the late 1980s Mills founded the techno collective Underground Resistance with fellow Detroit techno producers 'Mad' Mike Banks and Robert Hood but left the group to pursue a career as a solo artist in the early 90s. Mills founded Axis Records in 1992. The label is based in Chicago, Illinois and is responsible for the release of much of his solo work. Mills has received international recognition for his work both as a DJ and producer. Mills was also featured in ''Man From Tomorrow'', a documentary about techno music that he produced along with French filmmaker Jacqueline Caux. He continued working in film, releasing ''Life to Death and Back'', a film he shot in the Egyptian wing of the Louvre Museum where he also had a four-month residency. In 2017 the president of t ...
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Linear Progression
In music, a linear progression (''Auskomponierungszug'' or ''Zug'', abbreviated: ''Zg.'') is a passing note elaboration involving stepwise melodic motion in one direction between two harmonic tones. "The compositional unfolding of a specific interval, one of the intervals of the chord of nature."Jonas, Oswald (1982). ''Introduction to the Theory of Heinrich Schenker'', p.62. (1934: ''Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers''). Trans. John Rothgeb. . The mention of the "chord of nature" in this context reflects Jonas' own opinion, which Schenker would not have shared, if only because the minor chord cannot be a "chord of nature". See Klang (music). For example: -- over the tonic. According to Schenker: "A linear progression always presupposes a passing note; there can be no linear progression without a passing note, no passing note without a linear progression." In German ''Zug'' may be combined with prefixes to create related word ...
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Juan Atkins
Juan Atkins (born September 12, 1962), also known as Model 500 and Infiniti, is an American record producer and DJ from Detroit, Michigan. ''Mixmag'' has described him as "the original pioneer of Detroit techno." He has been a member of The Belleville Three, Cybotron, and Borderland. Early life Juan Atkins was born in Detroit, Michigan. His father is a concert promoter. At an early age, he played guitar and bass guitar in funk/garage bands with his friends. After his parents split, he moved to Belleville, Michigan. In junior high school, he met Derrick May and Kevin Saunderson. The three would later be known as The Belleville Three. At the age of 15, he bought his first synthesizer, a Korg MS-10. Career Juan Atkins formed Cybotron with Richard Davis in 1980. The duo's debut studio album, '' Enter'', was released in 1983. Atkins and Davis split ways in 1985. In 1985, Atkins founded the record label Metroplex. In that year, he started making solo records under the alias Model 5 ...
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Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ...
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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Philip Sherburne
Philip Sherburne is an American journalist, musician and DJ based in Barcelona. He coined the term "Microhouse" (in a 2001 article for ''The Wire'')Cox, Christoph; Daniel Warner (Eds.) (2004). ''Audio Culture: Readings in Modern Music''. Continuum International Publishing Group, 319.Michaelangelo Matos (April 7, 2010)"Pantha Du Prince: Techno Music A Rock Fan Can Love" ''NPR Music''. and appeared in the film ''Speaking in Code''. Career Sherburne is a critic and columnist for ''Pitchfork'' and ''The Wire''. He is also the electronic/dance editor for Rhapsody.com. He regularly appears on Resident Advisor and eMusic.com and has contributed to a number of publications which include: ''The New York Times'', ''Spin'', ''Slate'', ''frieze'', ''XLR8R'', ''Wired'', Rhapsody, Spain's ''Trax'', and Germany's ''Groove'' and '' De:Bug''. His has also contributed to books such as ''Audio Culture: Readings in Modern Music'', ''Time Out 1000 Songs to Change Your Life'' and ''The Pitchfork 500: ...
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Richie Hawtin @ Fabric
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Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Gabber
Gabber (; ) is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples, and was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The word "gabber" comes from Amsterdam Bargoens slang and means "friend". Gabber remains highly popular in the Netherlands, and has seen a major resurgence recent years. Gabber formed as an underground, anti-establishment movement with small, underground raves, most often illegally held in empty warehouses, basements and tunnels. Rave parties such as Thunderdome held by ID&T and Mysteryland became hugely popular, eventually becoming part of mainstream Dutch culture in ...
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Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ...
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