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Milonga (dance)
Milonga dance is dancing to milonga music. Technique There are different styles of milonga: ''milonga lisa'' (simple milonga), in which the dancer steps on every beat of the music; and ''milonga con traspié'', in which the dancer uses ''traspiés'' or ''contrapasos'' (changes of weight from one foot to the other and back again in double time or three steps in two beats) to interpret the music. The beat of milonga music is syncopated. It consist of 8 counts with the accents on the first, however it can also sometimes be on the second, additionally the accents are present on the forth, fifth and seventh counts. Thus, dynamics may be danced without having to run fast or without the use of much space. Overall, milonga is danced in a faster pace than tango which makes this dance "unforgiving" regarding mistakes or clumsiness. In a book published in 1883 Ventura Lynch, a noted contemporary student of the dances and folklore of Buenos Aires Province, noted the influence the Afro-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the Country dance, English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an Rhythm in Sub-Saharan Africa, African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo (music), mambo and cha-cha-chá (music), cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Milonga De New Orleans
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm II, German Emperor
Wilhelm II (Friedrich Wilhelm Viktor Albert; 27 January 18594 June 1941) was the last German Emperor (german: Kaiser) and King of Prussia, reigning from 15 June 1888 until his abdication on 9 November 1918. Despite strengthening the German Empire's position as a great power by building a powerful navy, his tactless public statements and erratic foreign policy greatly antagonized the international community and are considered by many to be one of the underlying causes of World War I. When the German war effort collapsed after a series of crushing defeats on the Western Front in 1918, he was forced to abdicate, thereby marking the end of the German Empire and the House of Hohenzollern's 300-year reign in Prussia and 500-year reign in Brandenburg. Wilhelm II was the son of Prince Frederick William of Prussia and Victoria, German Empress Consort. His father was the son of Wilhelm I, German Emperor, and his mother was the eldest daughter of Queen Victoria of the United Kingdom and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas II Of Russia
Nicholas II or Nikolai II Alexandrovich Romanov; spelled in pre-revolutionary script. ( 186817 July 1918), known in the Russian Orthodox Church as Saint Nicholas the Passion-Bearer,. was the last Emperor of Russia, King of Congress Poland and Grand Duke of Finland, ruling from 1 November 1894 until his abdication on 15 March 1917. During his reign, Nicholas gave support to the economic and political reforms promoted by his prime ministers, Sergei Witte and Pyotr Stolypin. He advocated modernization based on foreign loans and close ties with France, but resisted giving the new parliament (the Duma) major roles. Ultimately, progress was undermined by Nicholas's commitment to autocratic rule, strong aristocratic opposition and defeats sustained by the Russian military in the Russo-Japanese War and World War I. By March 1917, public support for Nicholas had collapsed and he was forced to abdicate the throne, thereby ending the Romanov dynasty's 304-year rule of Russia (16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancing Times
''Dancing Times'' is a dancing magazine based in the UK, the oldest dance magazine to be still published. The magazine helped found the Royal Academy of Dance, the Camargo Society, and the British Dance Council. ''Dance Today'', a ballroom magazine, is a spin-off of ''Dancing Times''. History ''Dancing Times'', first published in 1894 as the house magazine of the Cavendish Rooms, London, a ballroom dancing establishment, is the oldest monthly devoted to dancing. It was bought in 1910 by Phillip J. S. Richardson Phillip J. S. Richardson (full name: Phillip John Sampey Richardson; 1875–1963) was a British writer on dancing."Philip J. S. Richardson" ''Oxford Dictionary of Dance'', 2000, p. 394 He was born in Winthorpe, Nottinghamshire, UK, on 17 March 187 ... and T. M. Middleton and transformed into a national periodical, covering all forms of dancing, and reporting worldwide. Largely through the initiative of Richardson, and his contacts throughout the dance teaching and per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quebrada (tango)
Figures of Argentine tango are elements of Argentine tango. Introduction and terminology History On the basis of several instructional tango books published between 1911–1925 early tango figures can be grouped into eight categories: corte, paseo, la marcha, ocho, grapevine, ruedas, media luna, molinette. From that period we still have: ocho, sentada, media luna, molinete, sandwich. In 2010 there exists as many as 200 instructional DVDs discussing elements of Argentine tango dance. These include titles devoted to tango technique and basics (head, hands, arms, legs, feet, natural step, pivot, ochos, turn, cross, boleo, sacada, barrida, contact, enganche, adorments) (el eje, la intención, el caminar, la contraposición, el abrazo, basico cuadrado y cruzado, primer secuencia caminada, ocho adelante, ocho atrás, combinación del ocho adelante y atrás, medio giro derecha e izquirda) tango nuevo DVD, in Spanish with English subtitles (colgada en línea, colgada circular, colga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ-grinder
A street organ (french: orgue de rue or ''orgue de barbarie''; german: Straßenorgel) played by an organ grinder is a French-German automatic mechanical pneumatic organ designed to be mobile enough to play its music in the street. The two most commonly seen types are the smaller German and the larger Dutch street organ. History The first descriptions of the street organ, at that time always a barrel organ owing to its use of a pinned cylinder (barrel) to operate levers and play notes, can be found in literature as early as the late 18th century. Many were built by Italian organ builders who had settled in France and Germany, creating companies such as Frati, Gavioli, Gasparini and Fassano. These early organs had more pipes than the serinette, could play more than one tune, and were considerably larger, in sizes up to 75 cm (29 in) long and 40 cm (16 in) deep. Wooden bass pipes were placed underneath the organ and on the front were often mounted a set of pan- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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