Millioctave
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Millioctave
The millioctave (moct) is a unit of measurement for musical intervals. As is expected from the prefix milli-, a millioctave is defined as 1/1000 of an octave. From this it follows that one millioctave is equal to the ratio 21/1000, the 1000th root of 2, or approximately 1.0006934 (). Given two frequencies ''a'' and ''b'', the measurement of the interval between them in millioctaves can be calculated by :n = 1000 \log_2 \left( \frac \right) \approx 3322 \log_ \left( \frac \right) Likewise, if you know a note ''b'' and the number ''n'' of millioctaves in the interval, then the other note ''a'' may be calculated by: :a = b \times 2 ^ \frac Like the more common cent, the millioctave is a linear measure of intervals, and thus the size of intervals can be calculated by adding their millioctave values, instead of multiplication, which is necessary for calculations of frequencies. A millioctave is exactly 1.2 cents. History and use The millioctave was introduced by the German physi ...
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Savart
The savart is a unit of measurement for musical pitch intervals (). One savart is equal to one thousandth of a decade ( 10/1: 3,986.313714 cents): 3.9863 cents. Musically, in just intonation, the interval of a decade is precisely a just major twenty-fourth, or, in other words, three octaves and a just major third. Today the savart has largely been replaced by the cent and the millioctave. The savart is practically the same as the earlier heptameride (eptameride), one seventh of a meride (). One tenth of an heptameride is a decameride () and a hundredth of an heptameride (thousandth of a decade) is approximately one jot (). Definition If \frac is the ratio of frequencies of a given interval, the corresponding measure in savarts is given by: s = 1000 \log_ or \frac = 10^ Like the more common cent, the savart is a logarithmic measure, and thus intervals can be added by simply adding their savart values, instead of multiplying them as you would frequencies. The number of sava ...
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Arthur Von Oettingen
Arthur Joachim von Oettingen ( – 5 September 1920) was a Baltic German physicist and music theorist. He was the brother of theologian Alexander von Oettingen (1827–1905) and ophthalmologist Georg von Oettingen (1824–1916). Biography He studied astronomy and physics at the University of Dorpat, and furthered his education of physics in Paris in the laboratories of Antoine César Becquerel (1788–1878) and Henri Victor Régnault (1810–1878), and afterwards at Berlin in the laboratories of Heinrich Gustav Magnus (1802–1870), Johann Christian Poggendorff (1796–1877) and Heinrich Wilhelm Dove (1803–1879). In 1868 he became a professor at Dorpat, where he founded a meteorological observatory. In 1893 he moved to the University of Leipzig, where he remained until 1919 as a teacher and honorary professor. In 1898 and 1904 he published the third and fourth volumes of Poggendorff's ''Biographisch-Literarisches Handwörterbuch der exakten Naturwissenschaften''. Oettin ...
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Cent (music)
The cent is a logarithmic unit of measure used for musical intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals, or to compare the sizes of comparable intervals in different tuning systems, and in fact the interval of one cent is too small to be perceived between successive notes. Cents, as described by Alexander John Ellis, follow a tradition of measuring intervals by logarithms that began with Juan Caramuel y Lobkowitz in the 17th century. Ellis chose to base his measures on the hundredth part of a semitone, , at Robert Holford Macdowell Bosanquet's suggestion. He made extensive measurements of musical instruments from around the world, using cents extensively to report and compare the scales employed, and further described and employed the system in his 1875 edition of Hermann von Helmholtz's ''On the Sensations of Tone''. It has become the standard method of representing ...
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Cent (music)
The cent is a logarithmic unit of measure used for musical intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals, or to compare the sizes of comparable intervals in different tuning systems, and in fact the interval of one cent is too small to be perceived between successive notes. Cents, as described by Alexander John Ellis, follow a tradition of measuring intervals by logarithms that began with Juan Caramuel y Lobkowitz in the 17th century. Ellis chose to base his measures on the hundredth part of a semitone, , at Robert Holford Macdowell Bosanquet's suggestion. He made extensive measurements of musical instruments from around the world, using cents extensively to report and compare the scales employed, and further described and employed the system in his 1875 edition of Hermann von Helmholtz's ''On the Sensations of Tone''. It has become the standard method of representing ...
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Units Of Measurement
A unit of measurement is a definite magnitude (mathematics), magnitude of a quantity, defined and adopted by convention or by law, that is used as a standard for measurement of the same kind of quantity. Any other quantity of that kind can be expressed as a multiple of the unit of measurement. For example, a length is a physical quantity. The metre (symbol m) is a unit of length that represents a definite predetermined length. For instance, when referencing "10 metres" (or 10 m), what is actually meant is 10 times the definite predetermined length called "metre". The definition, agreement, and practical use of units of measurement have played a crucial role in human endeavour from early ages up to the present. A multitude of System of measurement, systems of units used to be very common. Now there is a global standard, the International System of Units (SI), the modern form of the metric system. In trade, weights and measures is often a subject of governmental r ...
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Intervals (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ...
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Equal Temperaments
Equal(s) may refer to: Mathematics * Equality (mathematics). * Equals sign (=), a mathematical symbol used to indicate equality. Arts and entertainment * ''Equals'' (film), a 2015 American science fiction film * ''Equals'' (game), a board game * The Equals, a British pop group formed in 1965 * "Equal", a 2016 song by Chrisette Michele from ''Milestone'' * "Equal", a 2022 song by Odesza featuring Låpsley from '' The Last Goodbye'' * "Equals", a 2009 song by Set Your Goals from ''This Will Be the Death of Us'' * ''Equal'' (TV series), a 2020 American docuseries on HBO * ''='' (album), a 2021 album by Ed Sheeran * "=", a 2022 song by J-Hope from ''Jack in the Box'' Other uses * Equal (sweetener), a brand of artificial sweetener. * EQUAL Community Initiative, an initiative within the European Social Fund of the European Union. See also * Equality (other) * Equalizer (other) * Equalization (other) Equalization may refer to: Science and technology * B ...
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Chiliagon
In geometry, a chiliagon () or 1000-gon is a polygon with 1,000 sides. Philosophers commonly refer to chiliagons to illustrate ideas about the nature and workings of thought, meaning, and mental representation. Regular chiliagon A '' regular chiliagon'' is represented by Schläfli symbol and can be constructed as a truncated 500-gon, t, or a twice-truncated 250-gon, tt, or a thrice-truncated 125-gon, ttt. The measure of each internal angle in a regular chiliagon is 179°38'24"/\fracrad. The area of a regular chiliagon with sides of length ''a'' is given by :A = 250a^2 \cot \frac \simeq 79577.2\,a^2 This result differs from the area of its circumscribed circle by less than 4 parts per million. Because 1,000 = 23 × 53, the number of sides is neither a product of distinct Fermat primes nor a power of two. Thus the regular chiliagon is not a constructible polygon. Indeed, it is not even constructible with the use of an angle trisector, as the number of sides is neither a ...
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Degree (angle)
A degree (in full, a degree of arc, arc degree, or arcdegree), usually denoted by ° (the degree symbol), is a measurement of a plane (mathematics), plane angle in which one Turn (geometry), full rotation is 360 degrees. It is not an SI unit—the SI unit of angular measure is the radian—but it is mentioned in the SI Brochure, SI brochure as an Non-SI units mentioned in the SI, accepted unit. Because a full rotation equals 2 radians, one degree is equivalent to radians. History The original motivation for choosing the degree as a unit of rotations and angles is unknown. One theory states that it is related to the fact that 360 is approximately the number of days in a year. Ancient astronomers noticed that the sun, which follows through the ecliptic path over the course of the year, seems to advance in its path by approximately one degree each day. Some ancient calendars, such as the Iranian calendar, Persian calendar and the Babylonian calendar, used 360 days for a year. ...
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Logarithm
In mathematics, the logarithm is the inverse function to exponentiation. That means the logarithm of a number  to the base  is the exponent to which must be raised, to produce . For example, since , the ''logarithm base'' 10 of is , or . The logarithm of to ''base''  is denoted as , or without parentheses, , or even without the explicit base, , when no confusion is possible, or when the base does not matter such as in big O notation. The logarithm base is called the decimal or common logarithm and is commonly used in science and engineering. The natural logarithm has the number  as its base; its use is widespread in mathematics and physics, because of its very simple derivative. The binary logarithm uses base and is frequently used in computer science. Logarithms were introduced by John Napier in 1614 as a means of simplifying calculations. They were rapidly adopted by navigators, scientists, engineers, surveyors and others to perform high-a ...
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Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ...
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Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ...
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