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Merukhand
Merukhand is an improvisational style in Hindustani classical music involving permutations of a fixed set of swaras or notes (''meru'', axis or skeleton) broken up in various ways (''khand'', fragment), while retaining the proper emphasis on various notes as required by the raga. Merukhand techniques were developed within the Bhendibazar gharana and popularized by masters like Aman Ali Khan and Abdul Waheed Khan. In the mid-1950s, they were adopted by the eclectic Amir Khan in his own badhat (progression), although he did not use pure merukhand but inserted merukhandi passages into his performance. His disciple Thomas Ross says of this permutational style that :improvisational forays treating merely three or four notes may occupy twenty minutes or more. Merukhand is now a part of the improvisational strategy within the Indore gharana Indore gharana is one of the vocal gharanas of Indian classical music. It was founded by Amir Khan, who studied the styles of Abdul Wahid Khan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Khan (singer)
Ustad Amir Khan (; 15 August 1912 – 13 February 1974) was one of the greatest and most influential Indian vocalists in the Hindustani classical tradition. He was the founder of the Indore gharana. Early life and background Amir Khan was born in a family of musicians in Kalanaur, India. His father, Shahmir Khan, a sarangi and veena player of the Bhendibazaar gharana, served at the court of the Holkars of Indore. His grandfather, Change Khan, was a singer in the court of Bahadurshah Zafar. Amir Ali's mother died when he was nine years old. He had a younger brother, Bashir, who went on to become a sarangi player at the Indore station of All India Radio. He was initially trained in the sarangi by his father. However, seeing his interest in vocal music, his father gradually devoted more time to vocal training, focusing on the merukhand technique. Amir Khan was exposed at an early age to many different styles, since just about every musician who visited Indore would come to their ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indore Gharana
Indore gharana is one of the vocal gharanas of Indian classical music. It was founded by Amir Khan, who studied the styles of Abdul Wahid Khan, Aman Ali Khan, Rajab Ali Khan and Abdul Karim Khan and amalgamated their style. Amir Khan grew up in Indore, India but he did not like the factionalism inherent in the gharana tradition. In an interview to Akashvani, Indore, he said: Performances in the Indore gharana are noted by the vilambit tempo in the style of Abdul Wahid Khan, and the taans reminiscent of Rajab Ali Khan. The merukhand structure is similar to that practiced by Aman Ali Khan of the Bhendibazaar gharana. The khayal gayaki in the 'Indore gharana' retains the slow development and restraint from frills as in the dhrupad. Mohan Nadkarni says of Amir Khan's music that whereas Bade Ghulam Ali Khan's music was extroverted and exuberant, Amir Khan's music was an introverted, dignified 'darbar' style Amir Khan's conviction about the importance of poetry in khyal composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhendibazar Gharana
The Bhendibazaar gharana is one of the vocal gharanas of Indian classical music, which originated in Bhendi Bazaar area of Mumbai in 1890. History and features The Bhendibazaar gharana was founded around 1890 by brothers Chhajju Khan, Nazir Khan and Khadim Hussain Khan in the Bhendi bazaar area of Mumbai. The features of this gharana include using 'aakaar' for presenting khyals in an open voice, with clear intonation, a stress on breath-control, singing long passages in a single breath, a preference for madhyalaya (medium tempo) and use of the well-known ''Merukhand'' or ''Khandmeru'' system for extended ''alaps''. Chhajju Khan's son Aman Ali Khan and Anjanibai Malpekar, are well-known exponents of this gharana. Amir Khan's father Shahmir Khan belonged to this gharana and passed on the tradition to his son. Prominent exponents Fourth generation- Disciples of Aman Ali Khan (1888-1953) * Pandit Shivkumar Shukla (1918-1998) * Ramesh Nadkarni (1921–1995) * T.D. Janorikar ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aman Ali Khan
Ustad Aman Ali Khan ‘Amar’ (1888–1953) was an Indian classical vocalist and composer from the Bhendibazaar Gharana The Bhendibazaar gharana is one of the vocal gharanas of Indian classical music, which originated in Bhendi Bazaar area of Mumbai in 1890. History and features The Bhendibazaar gharana was founded around 1890 by brothers Chhajju Khan, Nazir Khan .... He brought many Carnatic ragas into Hindustani classical music. Aman Ali was the son of Chhajju Khan, one of the founders of the Bhendibazaar Gharana, who came from Uttar Pradesh and settled in the Bhendibazaar area of Mumbai, Bombay. Aman Ali learned Carnatic music under the guidance of Kalanidhi Bidaram Krishnappa, court musician of Mysore state. He introduced rhythmic play (layakari) and style of solfa singing (Sargam (music), sargam) to the Bhendibazaar gharana. Aman Ali's music was especially noted for its rhythmic sargam patterns, for which he derived inspiration from Carnatic music. The great vocalist Ami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdul Wahid Khan
Ustad Abdul Wahid Khan (1871–1949) was an Indian subcontinental singer from the Kirana gharana. He died in 1949 in Saharanpur, India.Profile of Ustad Abdul Wahid Khan on parrikar.org website Retrieved 12 January 2022 Early life and background Ustad Abdul Wahid Khan was born in Kirana, Uttar Pradesh in 1871.Treasures from the Past – Abdul Wahid Khan (Profile of Abdul Wahid Khan on ITC Sangeet Research Academy website)Retrieved 12 January 2022 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Styles Of Music
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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