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Memory Jug
A memory jug is an African American folk art form that memorializes the dead. It is a general term for a vessel whose surface is adorned with an assortment of broken china, glass shards, and small objects, especially items associated with a dead person. They are also called forget-me-not jugs, mourning jugs, memory vessels, spirit jars, whatnot jars, ugly jugs, and whimsy jars. History and technique A memory jug may be any kind of vessel but is most usually a jug or vase. Items used to cover the surface range from shards of china, glass, and mirror to shells, beads, buttons, coins, medals, keys, jewelry, toys, watches, and other small objects. These are adhered to the surface using some kind of adhesive, typically putty or cement. The final piece may also be overpainted to create a more uniform surface. Memory jugs are closely related to the broken-china mosaic form known as trencadís that began to appear in the early 20th century. Most of the existing memory jugs date back no fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memory Jug With Finial-saam 1986
Memory is the faculty of the mind by which data or information is encoded, stored, and retrieved when needed. It is the retention of information over time for the purpose of influencing future action. If past events could not be remembered, it would be impossible for language, relationships, or personal identity to develop. Memory loss is usually described as forgetfulness or amnesia. Memory is often understood as an informational processing system with explicit and implicit functioning that is made up of a sensory processor, short-term (or working) memory, and long-term memory. This can be related to the neuron. The sensory processor allows information from the outside world to be sensed in the form of chemical and physical stimuli and attended to various levels of focus and intent. Working memory serves as an encoding and retrieval processor. Information in the form of stimuli is encoded in accordance with explicit or implicit functions by the working memory processor. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with naive art, 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." For a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trencadís
''Trencadís'' (), also known as pique assiette, broken tile mosaics, bits and pieces, memoryware, and shardware, is a type of mosaic made from cemented-together tile shards and broken chinaware. Glazed china tends to be preferred, and glass is sometimes mixed in as well, as are other small materials like buttons and shells. Artists working in this form may create random designs, pictorial scenes, geometric patterns, or a hybrid of any of these. Although as a folk art the method itself may be centuries old, the two most commonly used terms are both of modern origin. Trencadís, a Catalan term that means 'chopped', is the name for this method as it was revived in early 20th century Catalan modernism, while pique assiette is a more general name for the technique that comes from the French language. In French, pique assiette ('plate thief') is a term for a scrounger or sponger, and thus as a name for this mosaic technique, it refers to the recycled or 'scrounged' nature of the materia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bakongo
The Kongo people ( kg, Bisi Kongo, , singular: ; also , singular: ) are a Bantu ethnic group primarily defined as the speakers of Kikongo. Subgroups include the Beembe, Bwende, Vili, Sundi, Yombe, Dondo, Lari, and others. They have lived along the Atlantic coast of Central Africa, in a region that by the 15th century was a centralized and well-organized Kingdom of Kongo, but is now a part of three countries. Their highest concentrations are found south of in the Republic of the Congo, southwest of Pool Malebo and west of the Kwango River in the Democratic Republic of the Congo, north of Luanda, Angola and southwest Gabon. They are the largest ethnic group in the Republic of the Congo, and one of the major ethnic groups in the other two countries they are found in. In 1975, the Kongo population was reported as 4,040,000. The Kongo people were among the earliest indigenous Africans to welcome Portuguese traders in 1483 CE, and began converting to Catholicism in the late 15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." For a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. The concept of folk art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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