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Melodeclamation
Melodeclamation (from Greek “melos” = song, and Latin “declamatio” = declamation) was a chiefly 19th century practice of reciting poetry while accompanied by concert music. It is also described as "a type of rhythmic vocal writing that bears a resemblance to Sprechstimme." It combines the principles of melodrama with a kind of extended technique. Examples can be found in the music of Robert Schumann, Franz Liszt, Anton Arensky, Mélanie Bonis, Vladimir Rebikov, Isaak Dunayevsky, Dmitri Shostakovich, etc. Particular poems might be associated with particular composers; the works of Frédéric Chopin were often accompanied by the poem cycle of Kornel Ujejski Kornel Ujejski (; September 12, 1823 in Beremyany, Galicia, Austria - September 19, 1897 in Pavliv near Lviv, Galicia, Austria), also known as Cornelius Ujejski, was a Polish poet, patriot and political writer of the Austrian Empire and Austria- ... that he called ''Tłumaczenia Szopena'' (''Translations of Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaak Dunayevsky
Isaak Osipovich Dunayevsky (russian: Исаак Осипович Дунаевский ; also transliterated as Dunaevski or Dunaevskiy; 25 July 1955) was a Soviet film composer and conductor of the 1930s and 1940s, who composed music for operetta and film comedies, frequently working with the film director Grigori Aleksandrov. Biography Dunaevskiy was born to a Jewish family in Lokhvytsia in the Poltava Governorate of the Russian Empire (now Myrhorod Raion, Poltava Oblast, Ukraine) in 1900. He studied at the Kharkiv Musical School in 1910 where he studied violin under Konstanty Gorski and Joseph Achron. During this period he started to study the theory of music under Semyon Bogatyrev (1890–1960). He graduated in 1919 from the Kharkiv National Kotlyarevsky University of Arts. At first he was a violinist, the leader of the orchestra in Kharkov. Then he started a conducting career. In 1924 he went to Moscow to run the Theatre Hermitage. In 1929 he worked for the first time for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Rebikov
Vladimir Ivanovich Rebikov (russian: Влади́мир Ива́нович Ре́биков, ; May 31 S May 191866 – August 4, 1920) was a late romantic 20th-century Russian composer and pianist. Biography Born in Krasnoyarsk, Siberia, Russia, into a family of distant Tatar ancestry,Larry Sitsky, ''Music of the Repressed : Russian Avant-garde, 1900-1929'', Greenwood Publishing Group (1994), p. 10 Rebikov began studying the piano with his mother. His sisters also were pianists. He graduated from the Moscow University faculty of philology. He studied at the Moscow Conservatory with N. Klenovsky, a pupil of Pyotr Ilyich Tchaikovsky, and then for three years in Berlin and Vienna with K. Mayrberger (music theory), O. Jasch (instrumentation), and T. Müller (piano). Rebikov taught and played in concerts in various parts of the Russian Empire: Moscow, Odessa, Kishinev, Yalta, as well as in Berlin, Vienna, Prague, Leipzig, Florence and Paris, where he met Claude Debussy, Oskar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodopi (publisher)
Brill Academic Publishers (known as E. J. Brill, Koninklijke Brill, Brill ()) is a Dutch international academic publisher founded in 1683 in Leiden, Netherlands. With offices in Leiden, Boston, Paderborn and Singapore, Brill today publishes 275 journals and around 1200 new books and reference works each year all of which are "subject to external, single or double-blind peer review." In addition, Brill provides of primary source materials online and on microform for researchers in the humanities and social sciences. Areas of publication Brill publishes in the following subject areas: * Humanities: :* African Studies :* American Studies :* Ancient Near East and Egypt Studies :* Archaeology, Art & Architecture :* Asian Studies (Hotei Publishing and Global Oriental imprints) :* Classical Studies :* Education :* Jewish Studies :* Literature and Cultural Studies (under the Brill-Rodopi imprint) :* Media Studies :* Middle East and Islamic Studies :* Philosophy :* Religious Studies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry Movements
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Techniques
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his '' Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kornel Ujejski
Kornel Ujejski (; September 12, 1823 in Beremyany, Galicia, Austria - September 19, 1897 in Pavliv near Lviv, Galicia, Austria), also known as Cornelius Ujejski, was a Polish poet, patriot and political writer of the Austrian Empire and Austria-Hungary. He was named "last of the greatest Polish poets of Romanticism". Kornel was born in a village on Dniester between Buchach and Tlumach. Ujejski was involved in Poland's struggle for independence after it had been partitioned and erased from the map of Europe by neighbouring countries (Russian Empire, Prussia and Austrian Empire). In 1846, at the instigation of the Austrian Government during the Kraków Uprising, the Galician peasants massacred several thousand of the nobility. Ujejski then gave utterance to the universal feeling of indignation in his powerful poem ''Choral'', which has become one of the notable patriotic Polish songs of that period. The political situation in partitioned Poland was reflected in his poems and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélanie Bonis
Mélanie Hélène Bonis, known as Mel Bonis (21 January 1858 – 18 March 1937), was a prolific French late-Romantic composer. She wrote more than 300 pieces, including works for piano solo and four hands, organ pieces, chamber music, ''mélodies'', choral music, a mass, and works for orchestra. She attended the Paris Conservatoire, where her teachers included Cesar Franck, Ernest Guiraud, and Auguste Bazille. Life Bonis was born to a Parisian lower-middle-class family and was educated according to the strict norms of Catholic morality. Endowed with great talent and musical sensitivity, she taught herself to play the piano. Initially, her parents did not encourage her music, but when she was twelve they were persuaded by a professor at the Conservatoire to allow her to receive formal music lessons. In 1874, at the age of sixteen, she began her studies at the Conservatoire, and attended classes in accompaniment, harmony, and composition, where she shared the benches with Claude Debu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprechstimme
(, "spoken singing") and (, "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, ''Sprechgesang'' is directly related to the operatic ''recitative'' manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas ''Sprechstimme'' is closer to speech itself (because it does not emphasise any particular pitches). Sprechgesang ''Sprechgesang'' is more closely aligned with the long-used musical techniques of ''recitative'' or ''parlando'' than is ''Sprechstimme''. Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century. Thus, ''Sprechgesang'' is often merely a German alternative to ''recitative''. ''Sprechstimme'' The earliest compositional use of the technique was in the first version of Engelbert Humperdinck's 1897 melodrama ''Königs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Arensky
Anton Stepanovich Arensky (russian: Анто́н Степа́нович Аре́нский; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. Among his students there were Alexander Scriabin, Sergei Rachmaninoff, and Alexander Gretchaninov. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended by Mily Balakirev. He retired from this position in 1901, living off a comfortable pension and spending hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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