Medieval Literature
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Medieval Literature
Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (that is, the one thousand years from the fall of the Western Roman Empire ca. AD 500 to the beginning of the Renaissance in the 14th, 15th or 16th century, depending on country). The literature of this time was composed of religious writings as well as secular works. Just as in modern literature, it is a complex and rich field of study, from the utterly sacred to the exuberantly profane, touching all points in-between. Works of literature are often grouped by place of origin, language, and genre. Languages Outside of Europe, medieval literature was written in Ethiopic, Syriac, Coptic, Japanese, Chinese, and Arabic, among many other languages. In Western Europe, Latin was the common language for medieval writing, since Latin was the language of the Roman Catholic Church, which dominated Western and Central Europe, and since the Church was v ...
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Old Church Slavonic
Old Church Slavonic or Old Slavonic () was the first Slavic languages, Slavic literary language. Historians credit the 9th-century Byzantine Empire, Byzantine missionaries Saints Cyril and Methodius with Standard language, standardizing the language and using it in translating the Bible and other Ancient Greek ecclesiastical texts as part of the Christianization of the Slavs. It is thought to have been based primarily on the dialect of the 9th-century Sclaveni, Byzantine Slavs living in the Thessalonica (theme), Province of Thessalonica (in present-day Greece). Old Church Slavonic played an important role in the history of the Slavic languages and served as a basis and model for later Church Slavonic traditions, and some Eastern Orthodox Church, Eastern Orthodox and Eastern Catholic Churches, Eastern Catholic churches use this later Church Slavonic as a liturgical language to this day. As the oldest attested Slavic language, OCS provides important evidence for the features of ...
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Anonymity
Anonymity describes situations where the acting person's identity is unknown. Some writers have argued that namelessness, though technically correct, does not capture what is more centrally at stake in contexts of anonymity. The important idea here is that a person be non-identifiable, unreachable, or untrackable. Anonymity is seen as a technique, or a way of realizing, a certain other values, such as privacy, or liberty. Over the past few years, anonymity tools used on the dark web by criminals and malicious users have drastically altered the ability of law enforcement to use conventional surveillance techniques. An important example for anonymity being not only protected, but enforced by law is the vote in free elections. In many other situations (like conversation between strangers, buying some product or service in a shop), anonymity is traditionally accepted as natural. There are also various situations in which a person might choose to withhold their identity. Acts of cha ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ...
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Chanson De Roland
''The Song of Roland'' (french: La Chanson de Roland) is an 11th-century ''chanson de geste'' based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry. Manuscripts and dating Although set in the Carolingian era, ...
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Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ...
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The Tale Of Igor's Campaign
''The Tale of Igor's Campaign'' ( orv, Слово о пълкѹ Игоревѣ, translit=Slovo o pŭlku Igorevě) is an anonymous epic poem written in the Old East Slavic language. The title is occasionally translated as ''The Tale of the Campaign of Igor'', ''The Song of Igor's Campaign'', ''The Lay of Igor's Campaign'', ''The Lay of the Host of Igor'', and ''The Lay of the Warfare Waged by Igor''. The poem gives an account of a failed raid of Igor Svyatoslavich (d. 1202) against the Polovtsians of the Don River region. While some have disputed the authenticity of the poem, the current scholarly consensus is that the poem is authentic and dates to the Middle Ages (late 12th century). The ''Tale of Igor's Campaign'' was adapted by Alexander Borodin as an opera and became one of the great classics of Russian theatre. Entitled ''Prince Igor'', it was first performed in 1890. Content The story describes a failed raid made in year 1185 by ''Kniaz'' Igor Svyatoslavich, Prince of ...
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Old East Slavic
Old East Slavic (traditionally also Old Russian; be, старажытнаруская мова; russian: древнерусский язык; uk, давньоруська мова) was a language used during the 9th–15th centuries by East Slavs in Kievan Rus' and its successor states, from which the Belarusian, Russian, Rusyn, and Ukrainian languages later evolved. Terminology The name of the language is known as ''Old East Slavic'', in reference to the modern family of East Slavic languages. Its original speakers were the Slavic tribes inhabiting territories of today's Belarus, the western edge of Russia, and western and central Ukraine. However, the term ''Old East Slavic'' is not universally applied. The language is traditionally also known as ''Old Russian'', (; russian: древнерусский язык, translit=drevnerusskij jazyk), however the term has been described as a misnomer, because the initial stages of the language which it denotes predate the dialecta ...
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Digenis Acritas
''Digenes Akritas'', ) is a variant of ''Akritas''. Sometimes it is further latinized as ''Acritis'' or ''Acritas''. ( el, Διγενῆς Ἀκρίτας, ) is the most famous of the Acritic songs and is often regarded as the only surviving epic poem from the Byzantine Empire. The epic details the life of the hero, Basil (Βασίλειος), whose epithet ''Digenes Akritas'' ("two-blood border lord" ) refers to his mixed Cappadocian Greek and Arab blood. The first part of the epic details the lives of his parents, how they met, and how his father, an Emir, converted to Christianity after abducting and marrying Digenes' mother. The remainder of the epic discusses, often from a first-person point of view, Basil's acts of heroism on the Byzantine borders. Manuscripts and versions The Digenes Akrites is an extensive narrative text, although it is not in a pure epic-heroic style. No fewer than six manuscripts have been found dedicated to stories about him. The oldest two are El Esc ...
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Medieval Greek
Medieval Greek (also known as Middle Greek, Byzantine Greek, or Romaic) is the stage of the Greek language between the end of classical antiquity in the 5th–6th centuries and the end of the Middle Ages, conventionally dated to the Ottoman conquest of Constantinople in 1453. From the 7th century onwards, Greek was the only language of administration and government in the Byzantine Empire. This stage of language is thus described as Byzantine Greek. The study of the Medieval Greek language and literature is a branch of Byzantine studies, the study of the history and culture of the Byzantine Empire. The beginning of Medieval Greek is occasionally dated back to as early as the 4th century, either to 330 AD, when the political centre of the Roman Empire was moved to Constantinople, or to 395 AD, the division of the empire. However, this approach is rather arbitrary as it is more an assumption of political, as opposed to cultural and linguistic, developments. Indeed, by this time ...
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Nibelungenlied
The ( gmh, Der Nibelunge liet or ), translated as ''The Song of the Nibelungs'', is an epic poetry, epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic languages, Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the ''Poetic Edda'' and in the ''Völsunga saga''. The poem is split into two parts. In the first part, the prince Sigurd, Siegfried comes to Worms, Germany, Worms to acquire the hand of the Burgundians, Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Krie ...
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Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ...
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