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Maunch
A maunch (from the French ''manche'' "sleeve") is a heraldic charge representing a detachable lady's sleeve with a wide pendulous cuff, as was fashionable amongst women in the 13th and 14th centuries. They are found most frequently in English heraldry, occurring to a lesser extent in the heraldry of France, Scotland, and other nations. In the Middle Ages, it was common for ladies to give their sleeves as favours for knights to wear in tournaments. Thus, heraldic maunches came to symbolise that the armiger was popular with the ladies, or that he loved his wife. Alternatively maunches can occur as canting arms, such as in the arms of the Mohun and Mansel families. In French heraldry, they are referred to as ''manches mal taillée'' (meaning "badly cut sleeves") to distinguish them from ordinary sleeves. In literature In Sir Thomas Malory's ''Le Morte d'Arthur ' (originally written as '; inaccurate Middle French for "The Death of Arthur") is a 15th-century Middle English prose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heraldic Charge
In heraldry, a charge is any emblem or device occupying the field of an '' escutcheon'' (shield). That may be a geometric design (sometimes called an '' ordinary'') or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called ''pièces'', and other charges are called ''meubles'' (" hemobile nes). The term ''charge'' can also be used as a verb; for example, if an escutcheon depicts three lions, it is said to be ''charged with three lions''; similarly, a crest or even a charge itself may be "charged", such as a pair of eagle wings ''charged with trefoils'' (as on the coat of arms of Brandenburg). It is important to distinguish between the ordinaries and divisions of the field, as that typically follow similar patterns, such as a shield ''divided'' "per chevron", as distinct from being ''charged with'' a chevron. While thousands of objects found in religion, nature, mythology, or technology have appeared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Guide To Heraldry Fig539
Complete may refer to: Logic * Completeness (logic) * Completeness of a theory, the property of a theory that every formula in the theory's language or its negation is provable Mathematics * The completeness of the real numbers, which implies that there are no "holes" in the real numbers * Complete metric space, a metric space in which every Cauchy sequence converges * Complete uniform space, a uniform space where every Cauchy net in converges (or equivalently every Cauchy filter converges) * Complete measure, a measure space where every subset of every null set is measurable * Completion (algebra), at an ideal * Completeness (cryptography) * Completeness (statistics), a statistic that does not allow an unbiased estimator of zero * Complete graph, an undirected graph in which every pair of vertices has exactly one edge connecting them * Complete category, a category ''C'' where every diagram from a small category to ''C'' has a limit; it is ''cocomplete'' if every such fun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleeve
A sleeve ( ang, slīef, a word allied to ''slip'', cf. Dutch ) is the part of a garment that covers the arm, or through which the arm passes or slips. The sleeve is a characteristic of fashion seen in almost every country and time period, across a myriad of styles of dress. Styles vary from close-fitting to the arm, to relatively unfitted and wide sleeves, some with extremely wide cuffs. Long, hanging sleeves have been used variously as a type of pocket, from which the phrase "to have up one's sleeve" (to have something concealed ready to produce) comes. There are many other proverbial and metaphorical expressions associated with the sleeve, such as "to wear one's heart upon one's sleeve", and "to laugh in one's sleeve". Early Western medieval sleeves were cut straight, and underarm triangle-shaped gussets were used to provide ease of movement. In the 14th century, the rounded sleeve cap was invented, allowing a more fitted sleeve to be inserted, with ease around the sleeve he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Fashion
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century Fashion
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Heraldry
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings. Characteristics Like many countries' heraldry, there is a classical influence within English heraldry, such as designs originally on Greek and Roman pottery. Many coats of arms feature charges related to the bearer's name or pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canting Arms
Canting arms are heraldic bearings that represent the bearer's name (or, less often, some attribute or function) in a visual pun or rebus. French heralds used the term (), as they would sound out the name of the armiger. Many armorial allusions require research for elucidation because of changes in language and dialect that have occurred over the past millennium. Canting arms – some in the form of rebuses – are quite common in German civic heraldry. They have also been increasingly used in the 20th century among the British royal family. When the visual representation is expressed through a rebus, this is sometimes called a ''rebus coat of arms''. An in-joke among the Society for Creative Anachronism heralds is the pun, "Heralds don't pun; they cant." Examples of canting arms Personal coats of arms A famous example of canting arms are those of Queen Elizabeth The Queen Mother's paternal family, the Bowes-Lyon family. The arms (pictured below) contain the bows and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Heraldry
French heraldry is the use of heraldic symbols in France. Although it had a considerable history, existing from the 11th century, such formality has largely died out in France, as far as regulated personal heraldry is concerned. Civic heraldry on the other hand remains a visible part of daily life. The role of the herald (''héraut'') in France declined in the 17th century. Today the law recognises both assumed and inherited arms, considering them under law to be equivalent to a visual representation of a name, and given the same protections. However, there is no central registry of arms; in case of dispute, the individual who can prove the longest right to the blazon must be decided in court. Many of the terms in international heraldry come from French. Characteristics Like the British system of heraldry, the French follow the ''Rule of Tinctures''. This states that there are two types of Tinctures (heraldic colors): the colors ''Sable'' (black), ''Gueules'' (red), ''Sinople'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Morte D'Arthur
' (originally written as '; inaccurate Middle French for "The Death of Arthur") is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, ''Le Morte d'Arthur'' was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of ''Le Morte d'Arthur'' and that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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