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Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ...
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Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ...
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Susumu Nakanishi
is a scholar of Japanese literature, particularly of the ''Man'yōshū''. Overview He is the honorary president of the Nara Prefecture Complex of Manyo Culture, president of the Koshinokuni Museum of Literature, and has been a guest lecturer at Princeton University. In 1970 he was awarded the Japan Academy Prize for his research in comparative literature and the ''Man'yōshū'', and in 2013 he received the Order of Culture The is a Japanese order, established on February 11, 1937. The order has one class only, and may be awarded to men and women for contributions to Japan's art, literature, science, technology, or anything related to culture in general; recipien .... He has been called "probably the greatest living scholar of the ''Man'yōshū'' in Japan". References {{DEFAULTSORT:Nakanishi, Susumu 1929 births Japanese literature academics Living people Man'yōshū Persons of Cultural Merit Recipients of the Order of Culture University of Tokyo alumni [Baidu]  




Ōtomo No Yakamochi
was a Japanese statesman and '' waka'' poet in the Nara period. He was one of the ''Man'yō no Go-taika,'' the five great poets of his time, and was part of Fujiwara no Kintō's . Ōtomo was a member of the prestigious Ōtomo clan. Like his grandfather and father before him, Yakamochi was a well-known politician, and by Enryaku rose to the position of , his highest bureaucratic position.''.'' Biography Ōtomo was born into the Ōtomo clan; his grandfather was Ōtomo no Yasumaro and his father was Ōtomo no Tabito. The Ōtomo clan were warriors and bureaucrats in the Yamato Court, and Yakamochi served as a in several provinces. He was the nephew of Ōtomo no Sakanoue no Iratsume, who was also poet and a favorite of Prince Hozumi. When Tabito died in 631, Ōtomo became the head of the Ōtomo family. In 738, he met Udoneri, and in 740 at the behest of Emperor Shōmu went to Dazaifu (Kyūshū) to suppress the rebellion of Fujiwara no Hirotsugu. In 745 he became a . In Ju ...
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Ruijū Karin
The ''Ruijū Karin'' (類聚歌林) was a Japanese ''waka'' anthology compiled by Yamanoue no Okura. Compilation and date The ''Ruijū Karin'' was compiled by Yamanoue no Okura. It was likely compiled after Yōrō 5 (721) when Okura become a tutor to the crown prince (later Emperor Shōmu). Title The work's title has been translated into English as: *''The Grove of Poetry, Arranged by Topic'' *''Forest of Classified Verse'' *''Forest of Classified Verses'' *''The Grove of Poems Classified'' *''Classified Forest of Poetry'' *''Classified Forest of Verse'' Status and apparent contents The work is now lost. It apparently survived until around the end of the Heian period. The late-Heian books of poetic criticism ' and ' record that copies of it were in the holdings of Byōdō-in and/or Hōjō-ji), and in addition to these works it was also mentioned in a diary entry from 1015 (永承五年四月二十六日前麗景殿女御延子歌絵合, 正子内親王絵合), '' Ōgis ...
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Makurakotoba
are figures of speech used in Japanese poetry in association with certain words. The set phrase can be thought of as a "pillow" for the noun or verb it describes, although the actual etymology is not fully known. It can also describe associations and allusions to older poems (see ). Many have lost their original meaning but are still used. They are not to be confused with ("poem pillow"), which are a category of poetic words used to add greater mystery and depth to poems. are present in the , one of Japan's earliest chronicles. History and usage are most familiar to modern readers in the , and when they are included in later poetry, it is to make allusions to poems in the . The exact origin of remains contested to this day, though both the and the , two of Japan's earliest chronicles, utilise it as a literary technique. In terms of usage, are often used at the beginning of a poem. The is a similar figure of speech used in poetry, used to introduce a poem. In fact, the ...
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Sengaku
was a Japanese Buddhist monk of the Tendai school. He was a scholar, editor and a literary critic.Nussbaum, Louis-Frédéric ''et al.'' (2005). "''Senkaku''" in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. His major work, ''Man'yōshū chūshaku,'' was completed in 1269. This was a treatise on the collected poems in the '' Man'yōshū'' anthology. His work was instrumental in a process of rediscovering the original meaning of this seminal work of Japanese poetry. Selected work Sengaku's published writings encompass 9 works in 12 publications in 1 language and 53 library holdings. WorldCat Identities 仙覚 b. 1203
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Kamo No Mabuchi
was a ''kokugaku'' scholar, poet and philologist during mid-Edo period Japan. Along with Kada no Azumamaro, Motoori Norinaga, and Hirata Atsutane, he was regarded as one of the Four Great Men of Kokugaku, and through his research into the spirit of ancient Japan (through his studies of the ''Man'yōshū'' and other works of ancient literature) he expounded on the theory of ''magokoro'', which he held to be fundamental to the history of Japan. Independently of and alongside his contemporary Motoori Norinaga, Mabuchi is accredited with the initial discovery of Lyman's Law, governing ''rendaku'' in the Japanese language, though which would later be named after Benjamin Smith Lyman. Biography Mabuchi was born in 1697 in the village of Iba in Tōtōmi Province (currently part of the city of Hamamatsu, Shizuoka), as the third son of Okabe Masanobu. The Okabe were hereditary ''kannushi'' of Kamo Shrine in Kyoto, but his father was from a cadet branch of the clan and was a farmer. In ...
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Nara Period
The of the history of Japan covers the years from CE 710 to 794. Empress Genmei established the capital of Heijō-kyō (present-day Nara). Except for a five-year period (740–745), when the capital was briefly moved again, it remained the capital of Japanese civilization until Emperor Kanmu established a new capital, Nagaoka-kyō, in 784, before moving to Heian-kyō, modern Kyoto, a decade later in 794. Japanese society during this period was predominantly agricultural and centered on village life. Most of the villagers followed Shintō, a religion based on the worship of natural and ancestral spirits named ''kami.'' The capital at Nara was modeled after Chang'an, the capital city of the Tang dynasty. In many other ways, the Japanese upper classes patterned themselves after the Chinese, including adopting the Chinese writing system, Chinese fashion, and a Chinese version of Buddhism. Literature Concentrated efforts by the imperial court to record its history produced the ...
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Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ...
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Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ...
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Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ...
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Keichū
(1640 – April 3, 1701) was a Buddhist priest and a scholar of Kokugaku in the mid Edo period. Keichū's grandfather was a personal retainer of Katō Kiyomasa but his father was a ''rōnin'' from the Amagasaki fief. When he was 13, Keichū left home to become an acolyte of the Shingon sect, studying at Kaijō in Myōhōji, Imasato, Osaka. He subsequently attained the post of Ajari (or Azari) at Mount Kōya, and then became chief priest at Mandara-in in Ikutama, Osaka. It was at this time that he became friends with the poet-scholar Shimonokōbe Chōryū (下河辺長流, 1624–1686). However, he disliked the worldly duties of his work and, after wandering around the Kinki region for a while, made his way back to Mount Kōya. Deeply influenced by the thinking of Kūkai, he also read widely in the Japanese classics under the patronage of Fuseya Shigeta (伏屋重賢), a patron of the arts in Izumi Province. After serving as chief priest at Myōhōji, Keichū spent his last yea ...
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